SUNDAY, APRIL -22, 1920 THE MICHIGAN- DAILY PAGE THRE - --" !~~~~~~~the sbatniecncosesw Oirchesratio~n o ,roetry enhance the wisdom of the: philosc NIUSICD A NK D for the contemplation of prosodist IUSI CIAN 5N RM N OC W O rhetoricians, and for the slaves -_________ literary criticism. In the, teaching of poetry the pro- merely say, "Jones, fig Your attention SCRIA 31 E fessor experiences difficulties that up uipon the 'cello"; or should the de- Because of the novelty of his idiom to this time have not lent 'themselves inure womian student confess her in- # GRUjEN WATCHES --it is a difficult matter to assess Scria-, to concrete explanation. Music is more -ability to recognize the foot pattern it ; bine Onefees, i regrd oml e- otranideal way of epeso hntrefo ieseSalb odt patuesinartht nemutsoe-potr.The fact alone that a "poet! observe the toboe. sesalb odt how link the work. of the present age deals with words ties him down to ! The question is : Will this system - with the accomplishments of the past. ;rules exceeding by far the convention- rtecigpotybea rGtcla Scinriabine. Itisoassigne of illtaste tocusng Amos R. Mio rsof the Universityl is the organization of 'an} orchest ra of ii N C I E N T pull every new, composer to pieces, seriously occupied" in a search for a~ suitable size would b~e an expense and Greeks wore Instead of listing',Scriabine, Debussy, more thorough philosophy of poetry! a difficulty for most inistit ,tions. Inj Strauss- and those who puzzle us in; than has so far contented the scholarsI the second place, w ill the stt. gent who: rings only by royal the book of hopeless -cases, it is far' of verse. is Incapable of rsigrti nddce.Tedsg more progressive to strive to under-; Mr. Morris has decid~ed upon stress,; phrasing it by simple mental study be stand them. In the course of experi-' pitch, and quantity as beang the pro-I fitted to obtain further simplification . poved the wearer's mit, it is true, are to be found corn- eminent factors in verse. As far as , from listening to his difficulty pier-' F distinction. Betro- posers whose works are of no value, the average student is coincerned, he ist formed on the 'cello, violin, or horn? thl and Bil or at least will not be of value ten" able to grasp stress 'with compara-: It is doubtful. year hece;butspekin sicerlytively little difficulty. Thec pitch of! As to the method of recording and Rig arwon nl the mtore one studies Scria ble 'and a feeling, however, is .disagreed upon saualysis, the mechanics of the kino- by Love's decree. intimates himself vitai his maniners of by nearly all, and should "to a certain graph at present is inadequate. In Full dphof af"c expessonthen~o~~2 ~ai:~~s hatextent be left to the interpretation o' preparing- merely four lines of av- dph arc he will stand out int L-tor y as an; the individual. But the quantity (ra- erage length poetry, for the pen of Lo id itntv epoch-maker. tio) can be studied in a far muore scien- tionochfindsr, distinctiveire It is evithetorchestratostronr.exporrisorequires It i evient hat ' .,nc& trg tific way than is generally supposed,} ten hours. Detail improvements onexrsin n th poin isColr N cth" ' ii ~i rnaccording to Mir. Morris. He has de-1i the kiinograph and one other accom- history have ever emp1 ;iz!~d color as wsediscovered, or invented, a most, snyng-mbolisin ofaleliii t muc asScrabte.Thi vey'fact i ingenioussytmo analysis, and i accomplish his ten hour task in less>Oag lso th hn hc abscic~adis incidentally thiroughi music. Stressi tliait three hours. Eng agement and musicians, who claiim t possess the and uantity can be determined by 1Aritsad}' Ariitt nofhoprophecyv hih-togitdoubtohecthe doworth ort-; areul eighnetf eerywonsan ialer hIC Rngs of Scriabine as regards the perpetua- caeu;egigofeey'odad er-to been completely bewildered as tarig ig tionof is ork Thir rguent~ phrase, but pitch must needs be re-; to description of vocal effects. That that mu hscwoicrk. Tdeircorded.ehisisoe yman fSeeTheir Beauty at reytoa tsi hih(oes not appeal the-kinogrdph whis ichdne r e s he f! is, the fact that one recognizes his the inorap, whch ecods te v- ifriend upon hearing his voice has been rhicly ote emotions .,that is, music brations on a b~elt;' thus, approximate mrlyafctih peoennL whc osnot have emotional OX- tones can be discerned. Now for ex- tesce ftesu-osiu id pression, such as the works of Beetho- ample, take the first two lines o ftheisecr.tMorrihes'blenstiotuexpina-! JEWELERS ven, is doomed to be forgotten. This teeso'4"wngIt is M. ofterv elie that texphn-; is a weak and unjustifiable argument, Hote donou l Sietgo p n a 'in tiin f heas vedealt thwill son-+SAE TR T first, because color-painting in music Hwd o iet ou nas*iiaeiinhst elwt ilso has never. before been attempted on !LU in the air so blue. present themselves; thus, insiv1,* ir~*n ...... - .&---, -. U These two lines can be divided into __________________ x;,',cice there pulses another spirit ylll[111N1111111il tli11111111111111111111111111iIIft 1111iIu~it1uuItil11,,,,itIII, 1111111"lllRiIl 1t111 1 '; he unto its owfl. I J ant Perfume', Zone Gale has 5 - iven u"s bela Perrin., nice, imper- 2- '- ' -------__... _ urbably delicate 'and graced by the - caszualncss of excl.}iiste taste in any = _3 risis." Illness and pen'ury force heer 5' a I Y43 nto home of a relative, and it is here, f n the house of the Crumb, in the vil- age of Prospect that the spiritual in- arecera t i o and torture of Leda is - eveole.1. She realises that she is be- °. fg killed lowly, repeatedly, and -it is '5 w1y with the coing of Barnaby into:_ . er life that shte opens her eyes to the,2.:/ niver se about her and lives once. = yore. And- yet the Crumiwb family is w5 l likce any family in any city-yoW2 ' - y knew.. Manmna -Crumb who always , -: . Imonisheci Grandfather - Crumbs- to..-, ' eat up his sauce." Tweet_ Cr umb,:= .."k .. ,olid sentinenta'ity, a setting for tun- alized maternity, .Orrin- Crumb, 'her 5........................ ~~' usband the "Gideonite:' big -hearted 5 oisy, a traveling salesman and Pearl 2 runib whose walk: betrayed '"no god- = BSinl her flesh." Also, into this fain- ;- y circle returns Ricbmiel of the beau- fli body, after divorcing her husband -- arnaby', and 'retaining the smvall child liver. Good in "their own eyes, good -.' . many peoples' eyes, perhaps, but. ._ j -- ill inestimilably wicked and vulgar-,'-'p _.. .,%~ff Sl,." 1 ? ''" ampling; on nicety, muridering be'au - _A3 r ","an-Iiig" eternally oven snmall 5s inss tl* Crumh .:1,fa fly'is de'ploi - i..S7 -.; ,iy = ie any faml yumy know.:_" Iir by7)1. siii g ci them asks; .__. ieW 0110won to .ui'vix~e talk which ayes uinO physically -faint' from its -, 1 iconscilous breaches of decency? _ The damned ineptitudes those :ople don't even know. they make= The novel is plainly a spiritual ! ,. eation, but Zona 'Gale, never more e artist has drawn it with cameo S arness against a background of A F s ion Dfo! a ~ ~ "n ter material reality.- Her village ievue "V 'WO~L V~JLL~L the village which we have met in 5 aclair Lewis and 1hisrschool, Witht; n f l.. A''crco s Cliff .rene: Zona Gale labels it 54':00 O'clock W ednelsday fcn °uery and forgets it, she i1s newer rayed e into a conicernted portrait of D , - ". ~ . L 71' coiArfonplace. *Pj':Prum"~resentation of the ummer MVodes as Fashion favors totem Whl bemaue Scofls~ua a tcraftswonian s5 at a Fashion Revue exclusively for University -women-Iat 4 a'clocl ednesdap ' . . 71ehow spiritualised her, style until 2 .5 sees prt f hr teme Asshe ~df ternoon, 'April- 25.in: an- auditorium in connection with the Sucre:. Entrance domes more abstract, more soaring, is tniikUgh the second floor ready-to-wear- section.=. yarxd the last chapters, one easily. '5.a .-r 'gets that he reads. I shall be. very Music will; be- furnished-by the Helen