Tea-IviiJ 1 ?adrai ie Cou1m. I-4 7ea-pit# Padra'le Colum, (By Lois Elisabeth Whitcomb) head is unwrinkled, the deep gray Padraicf'Colum rose quickly as we blue eyes, bright and eager unde their straight dark brows. He hold entered, and stood, a slight eager flg- his head high and there is something ure, silhouetted against the window in the chin lift that reveals not th in Mr. Frost's living room. His greet- arrogance of youth but its desire. ing came in the rich easy voice which' "You are going to stay in thi had charmed the audience that had country permanently, Mr. Colum?" *listened to his lecture in the after- "No, no," he answered quickly noon. His conversational tones had, "I'm leaving for Ireland in July if anything, a sweeter note than his I"1l stay there, I think, though I'll al voice from the platform. It was soft- ways be connected with this country ened now, but kept its depth and its It's my market, you know, and I hav singing quality, kept, too, the delight- some plays going the rounds now ful feathery edge of brogue, so fresh Besides that, my wife and I like it- and pleasing to the American list- very much. We'll want to come bac ener. and visit again." We were scarcely seated when Mr. It was then that the tea tray ap Frost excused himself. peared and we gathered about a lii "To make tea," he explained, "Pad- tle round table. Mr. Colum woul raic doesn't think I can, but just pour his own cream from the smal wait. Will you have plain tea or -?" silver pitcher, "Yes. Let's have none of the calla "Cream first," he said with, liy4 stuff," Mr. Comum cut in. , twinkle of reproach for the barbar But it was agreed that he should ous American custom, "It's the onl try the Oriental tea, after all., While way" the tea was in the' making there was He sipped the beverage discrimin talk-"Shoes and ships and sealing atingly, and looked up. "You're wax" and revolutions,' Had Mr. grand tea-maker, Robert," he approv Colum been associated with the Sinn ed. Fein movement when he was in Ire! "I'm writing a novel," he confide land? He explained that he had been, "My first. You know, there's a har .but that'at that time it was a differ- thing about writing a novel-it's th ent thing from what it has since be- middle bit. The first of it goes we: come. Then, acdording to Mr. Colum, enough, and by the last you've gath it had no gospel save that the Irish ered force enough to carry you or should turn their eyes from London but there's a middle bit that mu town and turn them on their own comehard." country and 'their own lives. A lit- He went to say that he had com tle later he spokd, again of revolu- pleted fifteen thousand words of hi tionists. own novel, and that it must be don "It's a very strange thing," he com- before he sailed in July because h mented, "how moderate your true had signed a contract to that effec revolutionist always is. There was He smiled with a sort of sunny, car Cromwell-a much more moderate lessness as he spoke. Evidently h man than you can ever get any had faith that luck would be wit one to believe. It's an odd thing, him on that difficult "middle bit." isn't it now, 'that they should be so He explained that his novel was n moderate? I suppose it's because the a study of contemporary life but.aim revolution is to them just a means, an ed to depict the essentials of Irish lif instrument," of the eighteenth and nineteenth cer He looked out of the window medit- turies, that he hoped the reader wou atively. The light falling full upon not be forced to connect it with an his face illumined an oddly boyish specific era but would find in it tt countenance. He confesses to "forty basic .qualities of Irish life of-a years-alas!" but the clear high fore- time. He feels that the author wh - deals with the life of his own genera- because, as he explained, there was r tion is too likely to write of things nothing of the heroic about it. s of merely superficial interest, politic- k He laughed as he spoke, a slow rich g al and social movements that depend laugh that matched his voice., e too much on their immediate value to "Please!" he requested, carefully be of any lasting worth . pouring the proper measure of cream s Although the work that is absorb- into his emptied cup and passing it ing him at. present is the new novel, for more tea. The tea, with its sweet he says that most of his future ef- strange fragrance of jasmine' buds, forts will be in the field of the drama. was evidently meeting with the He spoke of his connection with the poet's approval. He cast -an inter- - Irish National Theatre, and described ested glance at the curious Chinese y the peculiarly democratic organiza- canister that was brought in for tion that was a distinctive feature of inspection. Tea is of more import- its early life. At that time the play- ane than one might have supposed, k ers voted as to what plays should be in the life of the Irish. given, and a single dissenting vote But there was to be no more gos- was sufficient to condemn a play. It sip over the tea-cups. Our genial - was soon found necessary to change host, smiling but'firm, reminded Mr. t- this arrangement to a more practical Colum of their dinner engagement. d and aristocrati; regime. Mr. Colum "Why, we've only just begun," .he LI expects to renew, his connlection with protested, the Irish players upon his return, He insisted that the dinner engage- a and it is probable that some of his went could wait while he talked yet - new plays *111 be produced by them. a little while. 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