rr a, VIRILE DRAMA at the, Dunsany, Writer Who Invar sssures Reader of Something Leader of Neo-Romantic No S A Special in every sense of the word personally produced super-picture from his own studios brings to the screen one of the strongest stories ever written A (COk(NISTONf VWDOWEUl L .: {L JYJ J r J *' 4, y.nRSs..v L L Y L * '* * "A . J ' 1L~ "wt'r::;'{';: ::;:;;' " } SrtL 3" :ti"'i' :"}iti C::" -"6; {fr{ :Mf : WWET ODNNISTON TnSN By Stewart T. Beach There is probably no other author who has'identified himself more close- ly with the movement which, holding forth under varying titles, has be- come most familiarly known as the "neo-romantic," than has Lord Dun- saby, self-styled professional soldier,, but more particularly known as the writer of tales and plays which are something unique in the field of Iff - erature. One cannot pick up a work by this genial Irishman without being imme- diately struck with the fact that here he is to find something different, and that "different" touch is held until the last. In characterizing his works as unique, one cannot ut feel that he is using a very small :word to describe a style which, far'from having a par- allel W any modern literature of our own, harks back to the Arabian Nights, or other tales and fancies wrought by Oriental minds and handed down through fable or legend almost from the beginning of time. Man with Imagination -Edwin Bjorkman, in his introduction to Dunsany's "Fifty-One Tales," has rather poetically characterized him as "a man with imagination as elfish as moonlight mist," and after perusing but a few of the bits of fanciful my- thology which have come from his pen, one canot but accept the spirit of Mr. Bjorkman's words, for Lord Dun- sany seems "to have created a my- thology all his own." -** One takes up a book and reads of this person and that person, osten- sibly characters in the mythology of the Orient, and he instinctively be- gins to fall into the , spirit of the things, until, before he knows it, that distinctively Eastern atmosphere has made itself felt. He wonders what may be the land from which these old tales have come, and he fipds only that they are of "the' edge of the world," or from "lands of wonder'" Then it is that he begins to realize that they are tales of lands which have existed only in the mind of the ian who has so delightfully-presented them to us, their author. After serving throughout the war with the Colstream Guards, Lord Dunsany is turning his attention once more to his writing, and almhough his pen has never been absolutely idle, we may expect that, inspired by his life in the trenches, we shall soon be favored by more of the fancifultales which have made his name one to con- jure with in the realm of artistic lit- erature. "Gods of itountain" Among his plays, "The Gods Qf the XIountain" probably stands in the front rank, and, in fact, many have claimed that Dunsany is seen at his best in this story of the vengeance of the gods. The plot is simple. It has to do with nothing . ore than the story of seven beggars who decide that they shall impersonate the seven green gods, who carved in stone sit against the mountain side, All goes well for a time. The popu- lace shorn of its doubts by. messen- gers who find that the gods have left their seats against the mountain side, worships them and gives them the best of fare, but eventually, of course, the beggars are punished, not by earthly.beings, but #y the seven true gods of the 'nountain, who appear, casting the imposters into stone. A simple plot, you say, without the suggestion of a complex factor, and it truth, it is, but Dunsany's whimsi- cally fanciful style takes just such a plot as this anjl weaves Into it a charm which is irrisistable. . He is a great master of. those short sentences in dialogue for which Maeterlinck has become' so noted, but contrary to the rule of the latter that the speeches of his characters shall sometimes be , so short as to bewilder the reader as to just wha{ meaning is hinted at. Dun- sany's players, however short may be their speeches, always give 'coherent sentences, and the meaning is never in 'doubt. I' .- J'~Ail~t £.5d L i. r,= ti I JRAKIRKSTONE 4 I' \ MUM,. J , I ratroal ow adveflrsos £ r rrrrrrErrtr Errrrrrra rurriurr rc rrrrrrt 1111111 [Hill r SHUBERT, DETROIT 1' - E -= ARTHUR HOPKINS Pregents 0 N' I 'a John Drew In a Comedy by Rupert Hughes )$-A I-I I 1C e 1 eAL VZ I The Cat Bird On the edge of civilization there are no traditions. Men meet life with all the strength of soul within them. That is why the greatest-stories have always beef written, not of the atrophied emotions of society, but of the virile people earest the great outdoors There men may be good--or badybut whatever they are they are strong. With the N. Y. -istingulshe d Cast. 'IitillfHlTilliilil1.t11111111i111111i111H1l111Ii1111111111111111Hi11i11 i1lIIIIIIIi111111111111111Nh tI1111111 11iHltilUCillpN11i1l11N1llllllll IIIU1lllil#illlll11111111111111111111111101111 fill IIv- 0: CABRICK Nights (except Sat.) 50C to $200 Sat. et, X ckto $2.00 "The River's End" is a story of the Royal Mounted Police-a ture and a story of a wonderful love. It is Mr. Neilan's best aid Mr. Curwood's finest novel. story of adven- OLIVER MOROSCO Presents A Romance of God's Country WILLIAM BIG ADDEDFEATURE COURTENAY LARRY SEMON - IN - AND SUPERB CAST IN THE GENUINE COMEDY HIT "THE GROCERY C LERK" "TOPICS" MAJESTIC ORCHESTRA "CIVILIAN CLOTHES" .TS 35, -CHILDREN 10,c SHOWS TODAY: 1:30, 3, 4:30, 7, 8:30 By Thompson Buchanan