n ea rical Circ es :T FELl Ir. Monarch in IN EUROPEAN TRAVELS aer iother lions in self-de- captive the two fluffy, the most important vaudeville house south of the Pyrennes. Carter found "Baby" a quick study and a thorough artist, quick to grasp the possibilities of the leading "heavy" in the melo- drama. The situation was dramatic. It was "Baby's" premiere. The theatre was the Little Colyseu in Setubal, a city about forty miles from Lisbon. The second revolution had passed over the new republic and left its people with even less regard for royalty, and with more vigorous stirrings of patriotism and republicanism evident in its at- titude. Carter advertised widely the fact that he would exhibit the King of Portugal's lion in one of the im- portant acts in his entertainment. It drew a house, but one whose temper was somewhat like that of the aud- ience which greeted Lady Gregory's Irish Players, when they sought to present for the first time, "The Play Boy of the Western World" to a typir cal Irish-American audience. They were waiting for "Baby." The stage was set. It represented the palace of the Shah of Persia. In the back- ground was 'a double cage, in one- half of. which "Baby" is discovered walking restlessly back and 'forth, switching, his tail against the bars, snarling and behaving ferociously as though waiting impatiently for a long delayed dinner of missionary chops. The other half of the cage was vacant. A slender door stood between. e now took on a very'rosy tint for y," and he 'took to his new quar- in the palace like a duck to a mud but his brother, brooding over rphaned state, wasted away and of voluntary starvation. e troublous times upon which igal and its irresponsible young. were entering disturbed "Baby" t all. They did not seem to make Simipression, either, upon Manuel the fatal October 3, 1910, when is 'deposed and had to flee for his ous life. The king had already i "Baby's" education seriously >ersonally in hand, and the lion by that time do all the parlor that any well-bred cat or dog h thn -aaP onr l" n r accustomed to handling lions, .acci- dentally loosened the door at the top of the cage and "Baby" stuck his head out in playful fashion and grinned at' him. Without more adieu, the stage hand broke for the stage, jumped over the footlightssinto the pit, and ran up the center aisle screaming "au lion." It did not take the audience long to leave the theatre, but they all came back when they were assured that there was nothing to fear. It is no so easy to travel comfort- ably with a lion as people unacquaint- ed with that form of pleasure might' suppose. Railway officials are skepti- cal, and golden assurances often have to be extended before their fears are placated, but it is wonderful what a little assurance of this kind will do. Ingenuity often results in smoothing 'the way where the other method is too expensive. For instance, when Carter was seeking passage from' Os- tend to Dover, he resorted to a little Yankee facetiousness to enable him o get across in' a hurry, as he had no time to wait for a freight boat and he had 125 trunks, besides the lion, to transport. He carefully saw to it that the trunks were all on board before he sprung it upon the gaily uniformed courtiere maratime eta d'Assurances d'Ostend, n other words, the superin- tendent of the boat company, that he had a lion also to go on board. This was merely mentioned in a casual, off- hand way, as if it were the everyday business of the boat to carry lions, the same as other passengers. He had already paid a sum approxi- mately $450 for the passage and the boat had already waited an hour, while the baggage was being put on board. But the superintendent put his foot down hard when it came to passing the lion. He called attention to the regulations on the back of the ticket, which prohibited the transportation of' "wild forest bred beasts," and he in- sisted that the lion was a wild beast. Mr. Carter declared that he was not a! wild beast, that it was a good, tame, domesticated actor, and not a lion at all, in fact, and after about an hour's argument, while the captain of the boat fumed up and down the deck, he finally convinced the doubting Teuton that the animal in the cage was noth- ing more or less than an American! Whangdoodle, a well-known Ameri- can quadruped of the cat tribe inhab-1 iting principally the States of Alaba- ma, Louisiana, and Texas, although now they were being grown in The ' Bronx, New York, and were making their appearance on Broadway. The perplexed uniformed courtiere mara- time eta d'Assurances d'Ostend ner- vously looked up in the restricions to the boat company whether or not a Whangdoodle were permissible upon the line, and finding no restrictions on any animal of this sort, he reluctantly allowed the cage to be put upon the boat, and the'voyage, delayed for three hours, was begun. When the lion was brought to this country the Cunard line officials sta-' tioned an armed guard over his cage irf addition to Fritz, his regular valet. This guard was relieved every four hours, the ceremony partaking of the dignity of guard mount. The lion proved so gentle and amiable, .that one of the men whose duty it was to exercise the dogs and horses came to Mr. Carter and asked him when he should exercise the lion. But the cap- tain, hearing of this contemplated tour en force, gave a peremptory or- der that it should not take place at all, and so "Baby" got no exercise on the voyage; but it is a matter of rec- ord that he was the only passenger on the ship that was not seasick, 'for the voyage was rough. However, he was landed safely and has since been living on the fat of the land ever since his arrival in, America. - Fat of the land, as applied to the King of Portugal's lion, is fifteen pounds of the best beef, raw, once a day, and a barrel of water. Mr' Car- ter pays as much a pound for "Baby's" meat as he does for that which graces his own table, but it is not so much what he eats, as how he eats it, that proclaims "Baby" an aristocrat. It' is the accepted nature of wild beasts to spring at heir food and tear it to bits, and eat it in much the same way that a hunger-crazed savage would devour the last loaf of bread in a' cache. Feeding time at the circus is for this reason an event. But "Baby" calmly takes his food, retires to the most secluded part of his cage and slowly and daintily separates the meat and eats it with all due ceremony. For human companionship he has. a particular fondness, and for his mas- ter what amounts to an affection. Carter always talks to him when pas- sing his cage, and "Baby" puts his nose up to the magician's ear and tells him what he thinks without reserve. He is lonesome when left alone, but resigned. He has accepted philos- ophically the fate that has cast him in such devious ways-born to rule, the pampered pet of a monarch, and now the willing puppet of a conjurer ma- magician-a high-class animal actor. This wonderful lion will be at the Majestic with "Carter" the great American magician, Monday, Tuesday, Wednesday, November 30, .December 1, and 2. EDITOR LAUDS TABLOID DRAMA COMING TO LOCAL PLAYHOUSE Mr. William Reedy, proprietor and editor of the St. Louis Mirror, says of Chas. W. Bowser & Co. and "Supersti- tion," "Oliver White is master of the tabloid drama. He can compress a whole play into an act, and make it move with intensity without dryness. He can write epigrams too, and he has a fine cynic sentimentalism, and he can end a piece with an unexpected twist that yet is natural and logical. His "Superstition" is a lively and fascinat- ing production, touching politics and graft lightly, and yet surely, without preaching, with, in fact, a world-wise toleration. Chas. W. Bowser & Co. are the cast in excellent, swift interplay of charac- ters and odd situation. A Frenchman like Richepin might have written the thing. No company could have played it better than it was played. Chas. W. Bowser & Co. will appear at the Majestic the last three days-of the week, Thursday, Friday, Saturday, December 3-4-5. CARTER AND HIS LION BEGIN ENGAGEMENT HERE TOMORROW Charles Carter, the great magician, who is to appear at the Majestic for three days starting tomorrow is a widely traveled man-he has played in nearly every city of importance in the world and many out-of-the-way cor- ners of the globe as well. He has gleaned an immense fund of know- ledge upon his hobby, and is constant- ly adding to his store. His favorite aphorism is: "You never know magic." "In .other words, the study is' inexhaustible, like that bottle that I pour all kinds of drinks from." rie pajace comad .o; es, his clumsy paws, needle-sharp claws sheathe as thick as the queen's thi other KIumar ana It seemed that the Shah, who owned with the lion, had become desperately en- ed in amored of the charms of Hester, a ekest young woman in his dominion. The hole- beauteous Hester was oblivious to the n be- advantages of the Shah's romantic at- tachment, as her affections were fixed upon the advance agent of a Persian circus named Hadji. But the Shah was stubborn. He would compel the beautiful maiden to love him or cast her to the lion. In her extremity 'she; appeals for her life, but in vain. The Shah sounds the alarm gong. The maiden is seized and is about to be cast into the outer cage when Prince Sahib,'a powerful potentate from Pun- jaub, and a mystic Mahatma, or sacred man, appears. He had been entreat- ed by the maiden's father to save her life. He bespeaks the Shah with smooth words and asked him why he had taken the maiden prisoner and held her against her will. The Shah hangs his head in guilty confusion, but steadfastly refused to give the mai- den up. The Prince thereupon shows the Shah the sign of the Order of Yogi, the insignia of his mystic order, ap- and tells the Shah that he is able to release Hester by magic if he chooses, but the Shah still refuses, and the ffec- prince takes his departure with a con- long threatening look as he exists. ment The Shah thereupon directs the in- carceration of the young lady in the nva- ante-cage, preparatory to her exe- and cution and deputizes a female slave rried to stand guard over her to see that left she does not escape. The Shah goes d by out, the prince comes. He bribes the resi- female slave to assist him, the lion o do it the meantime uttering convincing nists roars at frequent intervals. Disguis- e de ing himself as a priest, the prince en- rque ters the ante-cage, much to the relief aby' of the harassed Hester. to ntle and a 'hen came the revolution; the i n of the palace by the despised rtaxe, republicans; the hur ht of the king; and "Baby" was .ind, unloved, feared and starve new occupants of the royal .ce. Not knowing what else to h the baby lion, the revolution k him to the Gardin Zoologicof :limacao em Portugal, in the Pa Palhava in Lisbon. Here "B in a little over a year as an [t," and tjhe fact of his havingL King of Portugal's lion, gave anding that none of the other sts could boast. But his dispos s not soured and he remained tILL and playful as beiore. He red, in fact, such a liking for n companionship and attention,i was very lonesome when iday crowds were not allowe Zoological Gardens, and voiced ness with almost human wb "ex-- been him wild ition d as ac- hu- that the d in 1 his him- But the directors of the Garden were not strongly inclined toward the lion, for he savored of the' old regime of royalty, and they decided to sell the beast. Carter, who was in Lisbon at the time, bought him. The price was nominal-very mod- erate for a well trained, perfect and undamaged lion-300,000 reis. When it is realized that in order to satisfy Now comes the big moment for "Baby." He crouches in the farther end of his cage and with one terrific roar leaps, at the partition, which sep- arates him from the trembling maiden. The partition gives way. The entire cage falls apart, and lo! the terrible lion is instantly changed into the ma- gician himself. The audience had sat quietly enough, but at this cries of "down with King Manuel's lion" started in the top gallery and were taken up in the' pit. A riot seemed likely. The people outside the theatre who could not get in threatened to demolish the windows and storm the stage, when Carter bethought him of a scheme to startle the audience into submission. lHe brought "Baby" out on the stage, ostensibly to take a curtain bow, held in leash only by a slender cord. In- side of four minutes there was not a seat in the house occupied, and no one came back to the box office to demand his money. From this auspicious beginning of his theatrical career, "Baby" played all through Portugal and Spain, France and Belgium. It was in Liege, Belgium, that "Baby" inadvertently caused another riot. His act was over and his cage wheeled into the wings. During the intermission a Belgian audience repairs to two convenient "bars" on either side of the auditor- ium, there to refresh themselves against, the second half of the enter- tainment. During this intermission, one of the stage hands, who was un- of of s, even a normal hunger it is necessary as to part withi 3,000 reis in a good hotel P- in Lisbon, the figure is not astonish- r- ing. In American money the trans- ig fer of ownership was accomplished on for a sum approximating $550, for ed which Carter obtained the lion and the he guarantee from the director of the zoological garden, Jose Julia Lopas is Valladez, that the lion's teeth were te sound, his digestion in good 'order, a and his limbs in perfect condition. st The deal was made through Sig.. of Antonio Santos, the wealthy manager h of the Lisbon Colysen Dos Recreios, Chas. W. Bowser & Co., in "Superstition," Majestic theatre, Thursday, Friday, Saturday,