Thursday, August 8, 2013 The Michigan Daily - michigandaily.com Lollapalooza 2013: Drunken fans and -floral..headbands Thursday, August 8, 2013 The Michigan Daily - michigandaily.com I5 NOUR SABANI F Switching sides Three crazy days at Chicago's largest music festival By PAIGE PFLEGER Daily Arts Writer When writing about a three-day festival attended by thousands, it's difficult to find a place to begin. So many things could make great introductions - the five-foot nin- squeak of a girl asking if we've seen her friend Mary, getting mauled by Lana Del Rey fans, something a man said on the "L," a conversa- tion from one frat br to the next about Major Lazer and getting ass, or even drunken performers terrifying sober fans. But, it's best not to start with your best stories first. Instead, what I present to you are stories in chapter-like install- ments, with a special treat at the end for those of you patient enough to get there. Friday: Attack of the Floral Headbands When first arriving at Lolla- palooza, I feltlike a freshmen in col- lege again. I asked about 30 people where I was supposed to be going and then still managed to get lost. I was taken aback by the droves of girls in floral headbands, thinking maybe it was the new indie thing to do and I missed the memo (in real- ity it was basically a gang sign, but more to come on that topic soon). I drifted around the crowded streets until I heard something familiar - the Smith Westerns. Walking to the stage, my Toms were slowly consumed by mud puddles dotting the ground (RIP, Toms). Smith Westerns closed out their set with fan favorite, "Weekend," and the crowd dispersed. Being a Fleet Foxes fan, I then headed over to watch J. Till- man, Fleet Foxes' former drum- mer, perform under his new stage name, Father John Misty. Till- man himself was one of the most entertaining artists I saw at the festival - his sarcastic wit and dry cynicism was lost on most of the attendees, but he spent a fair time belittling the festival, with quips such as, "Lollapalooza! I want to ask you how you're doing in my best I'm-playing-a-festival-camp- counselor voice and I want you to go, 'eh' as apathetically as possible. Got it?" or "I would be remiss not to thank Lolla's number one spon- sor, unicorns." His set was strong, performing "Hollywood Forever Cemetery Sings," "Funtimes in Babylon" and even new songs such as "I Love You, Honey Bear," ironi- cally about death and dying. The rain continued to fall, but the fans barely noticed, clapping their hands to the indie star's low- key, rock-infused music. "I heard a girl say fuck the rain earlier," Tillman said to the audience, ciga- rette in one hand and mic in the other. "But ya know what? The rain makes it so we can have civi- lization, civilization makes it so we can have group think and group think makes it so shitty music can be huge." The audience laughed, cheering him on. "So you know what? I love the rain." Afterward, I headed tothe Grove stage - appropriately named for its location in the middle of a wooded area of the park. I was basically giddy to see Scottish band Fright- ened Rabbit. I got to the stage just in time to secure a good spot close to the front. Surveying the audi- ence around me, I was surprised at the demographic - mostly tiny white girls with floral headbands. After further investigation, I dis- covered that Lana Del Rey was the next act on the stage after FR, and I was the only person in the immedi- ate vicinity there for just the band. Despite obnoxious shouts for Lana from the audience, the foursome rocked out their set with a good mix of old and new songs. Scott Hutchinson, the band's lead vocal- ist and lyricist, even dropped some adorable Scottish banter about the song "Late March, Death March": "It's like, you go to bed after get- ting in a fight with your mate. You wake up, shake hands ... or fuck, whichever you're into." Immediately after FR closed out its set, the headbanded bandits closed in on the stage, sandwich- ing their five-foot bodies on top of each other like shrimpy sardines. It seems that Lana fans have an obses- sion with the atmospheric croon- ing of their own personal goddess, and this obsession caused them to cut down everything standing between them and the stage. All floral head bands, teenage angst and sharp elbows, the mob was merciless, and even when I tried to escape, they clawed their way past me, ripping my backpack and leav- ing me shaken and a bit worse for wear. That was when I learned my first Lolla lesson: beware of anyone crowned with a floral headband. They may appear like the peace- loving, flower-power girls of the '70s, but they are heartless and have sharp nails. That is all. Saturday: Drunken Shenanigans Saturday's lineup promised a lower-key affair, with indie high- lights from Ben Howard, Local Natives, The National, Lumineers and good-old classic Postal Ser- vice (if you never loved the Postal Service, you're wrong). At Local Natives, I found my way up to the front of the stage, only a row back. The people lining the fence had been waiting for Mumford & Sons' 8:15 p.m. show since 11 a.m., which surprised me. I see the draw in Mumford's folk-inspired rep- ertoire, but I personally wouldn't wait an entire day to see them. Again, I was one of the only people in the vicinity actually there for the smaller names that preceded the closers. The LA indie rockers, Local Natives, delivered an entirely impressive live show. The musi- cians and the fans were equally invested in the performance, with the band feeding off the audience's enthusiasm. The three-part har- monies were flawless and executed effortlessly. New songs like "Break- ers" off of the album Hummingbird showed off the musicianship of the band members, and old favorites like "Airplanes" and "Sun Hands" were given new life through the live performance. Next up was The National. The show began as expected, with the sleepy droning of lead singer Matt Berninger supported by an impres- sive backing band: piano, drums, guitars, trumpet and trombone. The set was eerily similar to that of Radiohead's from Bonnaroo 2012, with live footage of the per- formance fed through filters, then projected onto a big screen in the background. After a few songs, Berninger pulled out "Afraid of Everyone" from High Violet, as well as a bottle of champagne. By "Squalor Victoria," the singer was clearly intoxicated, scream- ing lyrics to the point of inaudibil- ity. Berninger continued his bad behavior, climbing across the stage with his drink and the mic, falling backwards onto the Lollapalooza banners adorning the sides of the stage, and even throwing him- self into the audience during "Mr. November," screaming "I won't fuck us over, I'm Mr. November" I'm only 19 years old, but about six months ago - over Winter Break - I had what some would call a mid-life crisis. I finally dropped the pre-med plans I carried for most of my life, and committed to the dangerous waters of humanities, social sciences and academia. . Mywinterschedule consisted not of Animal Physiology and Organic Chemistry II like I had planned, but of Rhetorical Activism and the Civil Rights Movement as well as a seminar on Cities in the Global South - classes that matched up with my newly declared major and minor, English Language and Lit- erature and International Studies. As word spread among my fam- ily and friends, I received a whole spectrum of reactions - there were the sympathizers who expressed disappointment at my wasted "intelligence" (clearly these people didn't see my grades the semes- ter I took Organic Chemistry), the new-found allies (fellow students of Humanities and Social Science) who cheered and gave me high-fives and the snide science majors who smirked and assumed I couldn't handle the heat in the lab. Most of all, though, I was bombarded with this question: "What are you going to do with that degree?" It's not that I mind the ques- tion. In fact, it's nice when people are interested in learning about my goals and future aspirations. Rath- er, what bothers me is the tone of skepticism that often accompanies it. Because sometimes when peo- ple ask, "What are you going to do with that?" I can almost see them pitifully imagining my penniless, struggling, "wasted" future. I have to admit - I imagined it too. Many times I think it would be much easier to stick to a tried and tested career track and save myself the trouble of worrying about a sta- ble job market and income. But then I think about the world we live in. The world we live inis one where the state of the environment is the worst it's ever been, where the ice caps are melting, the polar bears are dying and the wildlife is becoming extinct. The world we live in is one where hunger is prevalent, and the gap between the very rich and the very poor is extreme, and continues to widen. It's one where people don't have enough to eat, let alone to afford adequate shelter or luxuries like education. The world we live in is one where racism and prejudice are alive and well. It's one where mainstream media and pop culture perpetuate stereotypes and profit off of divi- sive, marginalizing rhetoric. The world we live in is one where politics are corrupt and driven by money. It's one where tyrants and oppressive leaders hold power while the people demand justice and liberation. The world we live in has a lot of problems - problems that won't be solved by tried and tested solu- tions. We need solutions based in justice, integrity and strength of will. We need actions driven by sincere intentions, teamwork and unified visions. Perhaps most of all, though, we need creativity. The issues we face today are com- plex - they require people with bright minds, and, more importantly, the passion and energy to use them. Shouldn't we be encouraging this generation of high school and college students to pursue what interests them, in the hopes that their love for a subject - whatever it is - will give them the momentum to use it to cre- ate a positive change? Shouldn't we value the risk-takers, the ones who prioritize big dreams and revolu- tionary ideas, over money and stabil- ity? Whether it's writing, art, music, chemistry or math, every discipline has the potential to solve a prob- lem - directly or indirectly, inter- personally or structurally. Yes, it's harder to find a well-pay- ing job as an English major than as a doctor. And I probably will have to be in school longer than an engineer would in order to receive a promo- tion. But rather than meeting these less clear-cut academic pursuits with doubt, let's challenge ourselves to become confident with the idea that it doesn't matter what some- one does - what matters is that it's something the individual believes in, will become a leader in, be their best at and employ to improve life for future generations. Rather than place implicit pressure on students to choose a career that will assure comfort and stability, let's culti- vate a norm where discomfort and instability are admired, because we understand that if we want to be comfortable in the long run, we need to have the courage early on to be inspired and to take the risk of fol- lowing our hearts - all the way. NourSabani is an LSA junior. Six weeks ago, I was out of this campaign. I thought it was over." -Detroit mayoral candidate MIKE DUGGAN, who advanced Tuesday in the Democratic primary election. He faces Wayne County Sheriff Benny Napoleon in the November general election. A note to igno ramus Dear Ignoramus, Hello. I hope you are doing well. I'm writing you not only to check up on you, but also to explain something to you that I don't think you fully understand. PAIGE I overheard PFLEGER you talk- ing to your friend the other night at that party we were at. You might not even remember, because I know that everyone was drink- ing by that point and you may have been quite drunk. How- ever, I remember what you said and it isn't something so easily forgotten by me - nor will it be forgotten by him. I just want to bring this back into your memory because it's important for you to recognize that the guy you called a faggot is subject to judgment in almost every area of his life because he is gay, and the last place he needs to receive such ignorance would be from somebody like you - with your heterosexual ideals and your majority standing. Maybe you misspoke, maybe I misheard, but the next time you are at a party I hope you'll realize that regardless of how you feel about the situation, your igno- rance is best left unsaid. Openly airing your discomfort with the situation isn't going to change it, regardless of how much you'd like it to. Being gay is still going to be acceptable in society, with or without your support. Belit- tling others because of their homosexuality isn't going to change anything, and any dis- comfort you feel about the situ- ation lies in your own insecurity or naivete. The thing about you is that you know nothing about what that kid. has to face in his everyday life. If his parents had found out he was gay, maybe he would have ended up on the streets. Had his room- mate found out he was gay, maybe he'd be bullied. Had his boss found out he was gay, maybe he'd be fired. Though beinggay is gain- ing acceptance in the public eye, people like you still have preju- dices against it and grow up to be the parents who kick him out, the roommate who beat him up, the boss who fires him. You, however, don't live in any kind of fear. Your life has been shrouded in the bliss- fulness of being ignorant. I'm sorry if any of this seems scathing, but I felt it my place to say something because I didn't stand up for him and he isn't one to confront people, no matter how much they may have wronged him. That is one of the hard- est parts to recognize - it isn't that he can't confront people, it's that he's met your ignorance one too many times and the fight has deflated inside of him like a week- old birthday party balloon. I'm not being accusatory, and I hope you don't find this offensive. I just thought it best that it be put on your radar before any further damage was done. In the novel "1984," George Orwell writes, "A lunatic is just a minority of one." You may wonder what that has to do with you, or why I would tell you such a silly little quote. I will explain itto you, in simple terms that you might be able to understand regardless of your veil of ignorance. Being gay isn't wrong. Regard- less of how against basic civil rights you are, one day homosex- uality won't be a thing gawked at on the street, or made fun of drunkenly. Faggot won't be said by anyone as ignorant as you to anyone as innocent as him. His rights as the minority won't be denied to him by your ignorance as a majority. "A lunatic is just a minority of one." One day, when you are old and haggard, lulling yourself to sleep with the back and forth of your rocking chair, drooling on your shirt and existing in a shroud of your own slow, human decay, you will be the last one living that carried such an ignorant hatred in your heart for something you never really had the brain power to understand. One day you will, be the minority, and you'll look like a raving lunatic - still trying to stop a train that will not cease to move forward towards equal- ity. I hope you keep your shred of brainpower until that very moment when you look around and feel completely alone, and then you may speak about how it feels to be the minority. Until that day, keep your drunken ignorance to yourself. -Paige Pfleger can be reached at pspfleg@umich.edu. THE OPINION SECTION IS HIRING FOR THE FALL SEMESTER The Michigan Daily's opinion section is looking for students interested in writing a blog or column during the fall semester. Applications for these positions will be available within the next few weeks. Email opinioneditors@michigandaily.com for more information.