Thursday, June 20, 2013 The Michigan Daily - michigandaily.com incredibly innovative pop album that both transcends and chal- lenges the worlds of rap, trap and EDM that inspired it. Unlike anything Kanye has attempted thus far, Yeezus stands as a powerful piece of sound art - an experimental project sci- entifically executed to disrupt the cerebellum and its ability to A+ keep the mind at equilibrium. The assault commences with Ygezus "On Sight," a brusque, Daft-Punk produced opener and CAUTION: KUy Ws ENTER AT YOUR OWN RISK sign for the mayhem that follows. am From the first note of fiendish synth, this introduction acts as Yeezus's calibration, forcing its audience to adjust to its aggres- sive sounds and direct, "no fucks given" lyrics, or stop listening altogether. With only two guest rap vers- es, Yeezus finds Kanye's voice dominating the project in a way that it failed to do on 2010's fea- ture-heavy My Beautiful Dark Twisted Fantasy. Throughout the album, Kanye parlays a variety of energetic flows - occasion- ADAM GLANZMAN/Daily ally approximating the (ignorant) rawness of rappers like Chief Keef while still managing to retain a certain level of lyricism P and wit. With "Black Skinhead," his accurately self-proclaimed "theme song," Kanye dons the vis- e age of a frustrated rock star and attacks the song's industrial beat - defending his controversial "skinhead" persona and antics by boasting about his successes a down-right-satanic, unreleased and screaming that he's "living in beat in the opening minute and the moment." On "New Slaves," Kanye deliberating on how he Kanye rants about the ills of con- only wants to make music that sumerism and the status of blacks "fucks people up." in America that is powerful but While it seems Jay-Z was able decidedly hypocritical when one to contain Kanye's ambition on takes Kanye's lavish lifestyle into WTT, West's latest album, Yeezus, account. In the last minute and a epitomizes those radical inten- half, however, the song turns 180 tions in an unrestrained, jarring degrees and enlists Frank Ocean and precocious effort that many to sing about getting baked - will likely find hard to swallow. contextualizing the track's first Orchestrating a team of some of half as nothing more than a spir- music's most talented producers ited high rant. - Hudson Mohawke, Daft Punk, Despite the album's dark sonic Travi$ Scott, Arca and Young structure, Kanye approaches Chop - Kanye has crafted an most tracks with a sense of humor on par with the comic nature of College Dropout. A towering and blasphemous song like "I Am A God," for instance, would not work without its tongue-in-cheek approach to egoism, wherein Kanye admits to being a deity that also has to wait on his crois- sants in a French restaurant. The electronic ambush and amus- ing erotic fantasies of "I'm In It" showcase perversely comedic lines ("Eating Asian pussy, all I need is sweet and sour sauce") and prove that Kanye is more a disciple of Prince's "Darling Nikki" than Illmatic or Ready To Die. Indeed, with Yeezus, Kanye has abandoned the constructs of rap music to forge a genre of his own. Yeezus is an entirely singular effort that both borrows from and deviates from the rapper's entire catalog of music. On "Hold My Liquor," Justin Vernon reprises his role of demonic soul singer from MBDTF and Kanye expands on the prototype of his slow- building EDM "Mercy" verse, but the inclusion of Chief Keef's codeine-induced hook and the song's guitar-led sci-fi conclusion are new wrinkles to West's canon. On the masterpiece "Blood On The Leaves," Kanye takes 808s and Heartbreak's artful approach to autotune and combines it with a Late Registration-style sample of Nina Simone's "Strange Fruit" before the revolutionary horns of Hudson Mohawke kick in to take the song to the next level. With the help of legendary minimalist and executive pro- ducer Rick Rubin, Kanye crafted Yeezus into one powerful, con- cise vision. In order to open the album's blank physical CD and get to the music, listeners must literally cut through a piece of red tape - a potent symbol of Kanye's effort to cut through the industry bureaucracy and get his work directly to the people. And what a work this is. Yeezus will undoubtedly go down as one of the most experimental albums in pop music history and a career- defining album for a man with a catalog of masterpieces. Thursday, June 20, 2013 The Michigan Daily - michigandaily.com Medical School receives grant Curriculum to be revamped after American Medical Association award By MAX RADWIN Daily StaffReporter The University's Medical School will be implementing some of its most comprehensive curriculum changes in more than 50 years. The Medical School will be aided in these improvements by using a $1.1 million grant it won last Friday from the American Medical Association as part of its "Accelerating Change in Medical Education" initiative - which awarded funding to 11 schools actively seeking to create a "significant positive impact on physician training and the medical profession." More than 130 medical schools across the country responded to the AMA's competition to improve medical education. Of those, 119 presented transformative proposals. Thirty-one of them advanced to the next round and were asked to submit a full proposal and grant request. Ultimately, 11 medical schools, including the University, received funding. The grant was awarded to the University for its proposal to transform the Medical School curriculum into a competency- based program that will be implemented over the next five years. The money will be used to train faculty and staff and fund projects that arise from the curriculum changes. The University has been building toward this curriculum change for the last three years through a modular implementation of small pilots and programs - one of these, the Taubman Health Sciences Library renovation project, is scheduled to begin in January and be completed by 2015. See CURRICULUM, Page 7 Minimalism. - Kanye crafts music maste MARLENE LACASSE/Daly Incoming freshmen follow tradition by walking through the "Sunday Morning in Deep Waters" fountain during Wednes- day's Orientation tour. 'U-'student lobbies for drug reform in D.C. Experimental sixth album finds West at his best By JOHN LYNCH ManagingArts Editor In 2011, Watch The Throne presented the rap world with a high-powered portrait of opu- lence that was well executed but hardly groundbreaking. More importantly, it stood for the next two years as the last project that Kanye West wholeheartedly pur- sued to completion. According to Jay-Z, the finished version of the album was less radical than The Throne's initial effort, a project that spawned devilishly dark and over-the-top songs like "H.A.M." and "Illest Motherfucker Alive" before the duo opted to tone down the epic, operatic hedonism and instead make more acces- sible tracks in the vein of "Otis" and "Niggas In Paris." Much of the original material was record- ed in Australia and captured in a fascinating 10-minute docu- mentary, which features (among many notable sights and sounds) Effort seeks to change federal approach to enforcement By WILL GREENBERG Daily StaffReporter As the topic of marijuana legalization burns up national forums, the Students for Sensible Drug Policy are lobbying in Washington for new drug laws. SSDP members from around the country - including one representative from the University's chapter - met yesterday to hear speakers and later visited the Hill to talk with various congressmen in support of current bills that would alter federal drug enforcement. The bill being lobbied for is HR 499, a proposal that would prevent federal drug enforcement from interfering in states where marijuana is legal either medically or recreationally. Law student Reid Murdoch, who was the sole representative from the University's chapter of SSDP, said state and federal drug enforcement are currently "at war." "Essentially what's going on is that states around the country are doing popular referendums and popular opinion is vastly in favor of marijuana policy reform," Murdoch said. "Despite that, the DEA, under the Obama administration's orders, has relentlessly pursued medical marijuana providers and people who are acting in accordance with their own state laws." While there are several bills in the House of Representatives that look to decriminalize marijuana, Murdoch said HR 499 is a good place to start, as the bill isn't focused on legalization so much as it is on enforcement efficiency. "It's an easier pill to swallow, it's a less controversial bill that I think people from all sides of the political spectrum can get behind," he said. Murdoch visited the offices of several representatives, including that of Rep. John Dingell (D-Mich.). He said he was hopeful that changes would happen swiftly. "It's a non-partisan issue," Murdoch said. "People in the past have been terrified to talk about it, there's a cultural stigma about it, but I would say absolutely it's a non-partisan issue." Murdoch added that the SSDP supports decriminalization of marijuana as a civil rights issue, an economic issue, an individual liberty issue and a national security issue. "Our position is that while marijuana stays illegal, it's dangerous," he said. "We just need to get it off the streets and we need to regulate it." LSA senior Sebastian Blake Swae-Shampine, legislative action director for the University's chapter of SSDP, said current drug enforcement was a poor use of resources that See REFORM, Page 7 n.m.., DON'T FOLLOW US ON TWITTER! #REVERSEPSYCHOLOGY @MichDailyArts