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As the owner of the only store that could potentiallybe labeled as a grocery store, Jones said he was "convinced" there's a need for a store like White Market. He added that, given the right conditions, a store like that can survive. Jones said White Market and Boutsikakis had been in "off-and- on negotiations up until a month ago," and that White Market had been operating without a lease since Boutsikakis became the property owner. "If you're the landlord, youthink your tenant's not paying enough (and) if you're the tenant, you think you're payinga lot," he said. Jones said not having a lease placed the store in a limbo state and restricted White Market from pursuingany major changes. "We had plans in place, but we couldn't execute any of them," he said. Jones said he had been looking to move the store, which came to its current location in the 1940s, but couldn't find a suitable replace- ment. "Therejusthasn'tbeen anything available that would work size- wise - either way too little or way too big," he said. Bigger than a convenience store but smaller than a supermarket, White Market operates with just five young employees including Micah DeAndre Authement who said the store is more than just a place that sells food. "It's just a nice local vibe," he said. "It's kind of more like a fam- ily experience. It just feels con- nected." Authement added that the store cultivates a unique welcoming atmosphere and has good work relations. "I'm not going to get yelled at aboutlittlestufflike clockingin five minutes late," he said. "It's a good job - the bestjob I've ever-had." If White Market had been con- sistently open for six days a week over the last 80 years, it would amount to about 25,000 days that White Market has welcomed Ann Arbor shoppers. While shoppers can still make plans to buy banan- as on day 25,001, Jones remains - uncertain about what he will do that day. He said he typically does not close the store, but he's contem- plating doing it one last time. By ANDREW MCCLURE Daily Arts Writer "The Campaign" is not unlike the Men's loom dash at the Lon- don London Games this pastweek. North Caro- lina Democratic Congressional candidate Cam The Cam- Brady (played with brilliant pap idiocy by Will At Quality16 Ferrell, "Step and Rave Brothers") is unflinchingly Warner Bros. Usain Bolt - cocky, self-aggrandizing and, to the awe of the audience, continu- ally a household name. His unlike- ly rival Marty Huggins (portrayed by the quasi-typecast weirdo Zach ?,ialifianakis, "The Hangover") resembles, conversely, the chubby guy in the navy blazer standing behind the sprinters before the gunshot - humble, oblivious to the sport and merely hopeful for a chance in the limelight. A contemporary wizard of farce, director Jay Roach ("Austin Powers" trilogy, "Meet the Par- ents") sprints a fine race of comic hyperbole in "The Campaign," despite his decelerating pace in the last half-hour. He wittily par- allels the heinous art of politics in all its fucked-up glory: infidel- ity, cronyism, corruption, avarice, truth distortion and, undoubtedly, nipple slips. Bringing humor to politics. Look; Cam Brady is an asshole - the same asshole that has run uncontested for umpteen terms and has a hot wife. Things get interesting when a pair of greedy cronies (played by Dan Aykroyd, "The Blues Brothers," and John Lithgow, "3rd Rock from the Sun") See CAMPAIGN, Page8 'Celeste and Jesse' tackle love and loss Monday, August 13, 2012IARTS The Michigan Daily - michigandaily.com 4 A 'Campaign' full of comedy soNY I ANN ARBOR CLEANING Service - We clean vacant -apts. annarborcleaningservice.tripod.com call 340-7087 EXPERIENCED HOUSE SITTER looking for assignoments, Ann Arbor, Sept-Dec (mi. 2-mon.). Mature single woman, non-smoker, non-drinker. Care for cats. References. 734-707-5825 THESIS EDITING. LANGUAGE organization, forma. Alt disciplines. 25 years' U-M experience. 734-996-0566 or www.writeona2.com DOMINICK'S NOW HIRING all po- sitions for Summer/Fall F/PT. Call 734- 834-5021. WANTED: PARTICIPANTS FOR a psychology experiment on simple per- ceptuanljudgements at UM. One 2-hour sessions pays $25. 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There CeleSte are inside jokes and Jee that turn your friendly Vase- FO1eV& line tube into inselect squirting male theaters genitalia; secret handshakes Sony spelling out the couple's initials; conversations held in fake German accents. Both partners are in tandem with one another. But all that glitters is not gold. Celeste (Rashida Jones, "I Love You, Man") and Jesse (Andy Sam- berg, TV's "Saturday Night Live") were best friends-turned-loveis- turned-husband-and-wife. But years later, their marriage has fallen apart and in light of their impending divorce, they do the opposite of normal: They fight to remain in each other's lives instead of making a clean break. To them it's the perfect break- up. Their mutual friends don't have to choose between the two parties, and as long as they still enjoy each other's company, why not stay friends? But when Jesse seems to have moved onto another serious relationship, Celeste real- izes she's not ready to let go of her other half. If nothing else, "Celeste and Jesse Forever" is emotionally raw and uncompromisingly honest. When you marry your best friend, you expect it to last forever; but as with any break-up, a clean split is always simpler than trying to nav- igate the murky waters of "staying friends." For a pair that has been codependent for the better part of their adult lives, letting go and moving on is a difficult transition. Jones and Samberg easily sink into Celeste and Jesse's decade- long romance, effortlessly por- trayingthe comfort and chemistry in the relationship. Jones, who co- wrote the screenplay with her own lover-turned-friend Will McCor- mack, plays a warm and ambitious female character similar to her role of Ann Perkins on TV's "Parks and Recreation." Samberg, nor- mally partial to roles that require him to contort his face in his spe- cial brand of comedy, shines in a character that requires him to dig deeper emotionally. Jesse's childish ways in personal and professional realms are blamed for the break-up - A common cat- alyst for conflict in the romantic comedy genre. This coupled with Celeste's Type-A personality begins to converge on stereotypicalterrito- ry, giving the film its main struc- tural flaws. The secondary characters all feelexactlythat- second-string- to the performances of Jones and Samberg. They are mere stand- ins, fountains of advice that our leads promptly forget. But much like real life, they are unabashedly rooting fortheir friends while also hoping to stay afloat amidst their indecision. The film is messy. Celeste is not in love with Jesse anymore, but she can't let go of his compan- ionship. She goes back and forth wondering how to hold onto him platonically, all the while send- ing a heartbroken Jesse mixed signals. Jones has stated in inter- views that real couples inspired the film, and it shows. The film is a mirror of real break-ups with all of the fanfare, drama and heart- break of real life. As Celeste and Jesse begin to find that perhaps there is life beyond each other, it is met with yearning and hatred; desire and sadness. It seems that the perfect couple isn't actually perfect. And it seems that the perfect break-up isn't either. DIE..,,I J