Tuesday, April 29, 2008 The Michigan Daily - michigandaily.com 9 PREVIEW From Page 8 unplugged, with Tunstall on acous- tic guitar. Her jazzy sound should work particularly well here, and the concert has all the ingredients to be a hit. ANN ARBOR ART FAIRS JULY 16-19 WWW.ARTFAIR.ORG It doesn't really matter that the Ann Arbor Street Art Fair (one of the four fairs, held simultaneously) was ranked first among art fairs in the country in 2004, or that it's been in the top 10 every year since. Who follows art fair rankings, really? And what does that mean for an art fair - that it has more wicker bas- kets than any other art fair? No. What makes the Ann Arbor Art Fairs unique is the vast dearth of wicker baskets, painted signs, and the other takes-a-mother- to-love-it art you might find at another Michigan art fair. The fairs are packed with legiti- mately talented artists from all over the country, many of them 'juried,' or individually select- ed by members of the fair's board. The result is some of the finest photography, sculpture, pottery, oil painting, and jew- elry you'll find on sale anywhere. And art-geekiness is no prerequi- site; if you've ever seen a painting, the fairs will hold some interest. ARTS IN BRIEF Film ANN ARBOR BOOK FESTIVAL New comedy fails MAY 15-18 p n WWW.AABOOKFESTIVAL.ORG to meet potentl In a city famous for both festivals and academics, the Book Festival, the pinnacle of literary dorkiness, was inevitable. That doesn't mean it will be any less engaging - in fact, with a host of visiting authors, panels, and a street fair, the festival should be a satisfyingly substantial event. Although the visiting authors lack name recognition (sorry, Ste- ven King couldn't make it), they more than make up for it in eclecti- cism and real talent. Among them is a National Book Award Finalist, the author of a book on Mayan bee- keepers in the Yucatan, a wildly popular Iranian jokestress and a Guggenheim Fel- lowship recipient. Unlike the Street Art Fair and the Summer Festi- val, the Book Fes- tival will take a little effort to be involved in, but it should be well worth it to anyone even vaguely interest- ed in literature. "Baby Mama" Universal Tina Fey and Amy Poehler, famous for being the first female duo on Saturday Night Live's Weekend Update, fall consider- ablyshortoftheir comedic poten- tialinthemediocre"BabyMama." Fey(ofTV's"30 Rock") playsKate Holbrook, the vice president of an organic foods retailer whose ambi- tions and professional success, among other things, have prevent- ed her from finding Mr. Right and the baby she has always wanted. After repeated unsuccessful vis- its to the sperm bank and various adoption agencies, Kate resorts to surrogacy and is matched up with the indigent and immature Angie Ostrowski (Poehler, "Blades of Glory). With Angie's scheming boyfriend (Dax Shepard, "Employ- ee of the Month") and the token black doorman (Romany Malco, of TV's "Weeds") in tow, the narra- tive bumbles along formulaically, ending with as convenient and frustrating a deus ex machina as possible. Fey and Poehler lack both the chemistry and individual come- dic grace for which they're both known, though they're not entire- ly to blame. The script by Michael McCullers (who also directed) is full of recycled jokes and half- laughs, and, despite the talent of supporting actors like Steve Mar- tin ("Shopgirl") and Greg Kinnear ("Little Miss Sunshine"), fails to distinguish itself. NOAH DEANSTAHL KUMAR From Page 8 the film still lies in the friendship and banter shared between the two leads. Despitetheirexcessive vulgarity and coarse- ness, Harold and Kumar turn out to be pretty sweet, even romantic, guys. Maturity has start- ed to rear its ugly head, as the motivation behind their actions turns out to be love, not drugs. Kumar even delivers a romantic speech at the end, in a scene that could have felt hokey and false but instead feels genuine and fresh. Of course, it's also delivered amidst fighting and flatulence, but such is the universe this film lives in. The credit should go to Cho and Penn, who both make us care about these two stoners who just can't quite keep themselves out of trou- ble. These same duos have been seen before - Bill and Ted, Cheech and Chong - but here it is more than just a ste- reotype. These charac- ters are fully fleshed out. While the trouble and situations they manage to get into often seem too impossible to be real (smoking weed with George W. Bush any- one?), Harold andKumar are plenty enjoyable. Summertime is a time for films that practically require you to turn off your brains. That's not necessarily a bad thing all the time, and you'll find that if your brain is switched off, "Har- old and Kumar Escape from Guantanamo Bay" proves to be a surpris- ingly good time. 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