Arts Monday, May 14, 2007 The Michigan Daily - michigandaily.com artspage@michigandaily.com 734-763-0379 CONCERT PREVIEW The Album Leaf blooms at the Pig By MATT RONEY sounds and drum loops as a foun- For the Daily dation for evocative and hypnotic post-rock. At its best, The Album Jimmy LaValle knows how you Leaf's music is as stirring as it is feel, and he has just the right song soothing. LaValle is more than for it. capable of communicating with- Over the course of several out the need for vocals, however, wonderful and often breathtak- when he does sing, his voice adds ing records, another dimension to the music. the classically The Album This is a man who understands trained pia- how to use vocals to add to the mix nist and force Leaf of sounds, as tracks like "Always behind The Friday,May28 For You" and "Writings on the Album Leaf 9:30 p.m. Wall" illustrate. has honed a 18+$10 advance, Experienced, The Album Leaf deeply emo- $12atthe door resembles a standard rock group tional form of - a guitar, bass, drums, keyboard rock composi- At the Kerrytown quartet, rather than a LaValle solo tion, result- Concert House project, as on most of the albums. ing in music But looks can be deceiving, and that is both abstract and listen- standard doesn't come close to able. His sound encompasses the describing how mesmerizing this sonic experimentation of many of group's music is. today's pose-rock artists - fans Performing with The Album of Mogwai and Explosions in the Leaf are Canada's Young Galaxy Sky will find much to love - but it and New Orleans's Belong, both never fails to be melodic. relatively new acts. Young Gal- "I like drones and keeping axy's debut album was released on notes intact," said LaValle. "A lot April 24 and has already received of times songs become written a number of positive reviews. The around a sound I feel is important group plays an orchestral brand and should not be forgotten. But of indie-pop edging on My Bloody I anchor them in a verse-chorus- Valentine-style shoegaze. It's verse structure. It helps focus the layered, intricately harmonized melodies." vocals can be simply overwhelm- The Album Leaf's sound reflects ing. Imagine Clap Your Hands Say this conceit, and it often uses basic See RONEY, Page 12 PHOTOS BY SHAYLENESPANIOLA/Daily ABOVE AND BOTTOM RIGHT: Pieces exemplifying the miscellania of Burt Aaron's collection now showing at the MOCAD. FINE ARTS REVIEW You say potato, I say. expre s sionism By MAUREEN SULLIVAN DailyArts Writer In the contemporary art world, it's nearly impossible to categorize and define art. For example, a canvas paint- Stift: ing may have International elements of photography, Contemporary while a photo Art from the may have pieces of metal Collection of sewed onto it Burt Aaron Detroit Nowthrough collector Jul g Burt Aaron explained that At the Museum most collec- of Contemporary tors and artists Art Detroit simply use the FREE term "stuff" as a catchall term that can be used to describe art of any medium. Currently, Aaron's vast and per- sonal collection of contemporary and relevant "stuff" pervades the Museum of Contemporary Art Detroit. The exhibit features abstract and expressionist paintings with geometric shapes and bold splash- es of primary and florescent color. Installations and sculptures coexist with witty pop art as well as realist and conceptual photography in 167 works by 75 artists spanning from the 1960s to the present. A converted auto dealership, the MOCAD provides a unique venue to view the exhibit. The interior has a raw, not quite finished feel, pro- viding attendees with the freedom to wander casually and explore the open space unrestricted and immersed in art. The exhibit is not only a com- mentary on the eclectic and var- ied state of modern art, but also a commentary on the state of collect- ing. Attendees see art through one man's vision: Aaron began collect- ing twenty years ago out of a deep admiration for art and artists. ie. . Rim[ - + R E i it j ' v a "f l.. ^ 'w ifFt . R .,_,sr. _ x~' n a ' }. Not an artist himself, Aaron said one of the greatest compliments he ever received was an artist friend telling him that he looked at art like an artist, that he was "one of them." "Ideas that are involved in the creation of the work can represent as much as the eventual realized form. Art provides the opportu- See MOCAD, Page 12 Anything but a brittle Leaf.