10 - The Michigan Daily - Monday, July 12, 2004 ARTSsr Agronomist honored by DeIne Ps r: TH N GAT h ic".e-us ht thetmtt 0 By Raquel Laned Daily Arts Writer While many new documentaries try to charm audiences with droll humor, quirky subjects or a commitment to entertain that can overshadow the T subject matter, Th Jonathan Demme's Agronomist "The Agronomist" At the Michigan Theatre is refreshing in its sincerity. Demme DOcumintary portrays the life and ideas of a man he respects - Hait- ian radio journalist and human rights activist Jean Dominique - and delivers a straight-up portrait that is both inform- ative and entertaining. The title actually refers to Dominique's original profession, though Dominique's commitment to improving plant life and cultivation methods helps mold his social conscience. Demme -chronicals Dominique's struggle for the empowerment of the people, the contin- ual rebuilding of Radio Haiti Inter - Dominique's station and the first news- based radio - and Dominique's per- spectives on the role of government and the media - the Haitian people relying on film and radio for their education, 80 percent of them being illiterate. The film has a self-reflexive impor- tance as Dominique waxes philosophical on the role of cinema. He speaks of absorbing Fellini -md Godard while in Europe - vintage posters of "La Stra- da" and "A bout de souffle" flash on the screen - and on the subversive power of film, a tool he utilizes by encouraging films grounded in realism written and directed by Haitians. This affirmation of the power of cinema gives Demme's own project some weight - hoping to illicit a response from its American audience on America's involvement in international affairs. Demme breaks away from his better- known Hollywood-film style ("Silence of the Lambs") and goes for a more bare-bones guerrilla filmmaking approach, toting his handheld camera about and shooting whatever footage he can get for over a decade. Interviews Demme conducted are mixed with mon- tages of grainy, older footage from news clips or Haitian films. The montages gain more urgency and power from an energetic score by Wyclef Jean. Had Dominique not exuded so much charisma, Demme's straight-forward approach may have proved dull. Fortu- nately, Dominique speaks with both 0 0 0