qU S g% a i^ As ARTS Tuesday, July 24, 1984 Page 10 The Michigan Daily Diary of an opera lover By Jeff Frooman SH EY BABY, want to go to the opera with me?" "No of course not, Jeff; don't be, ridiculous." "Hey c'mon. . . it will be good clean fun." "Good and clean isn't fun. Besides, opera is borr-rinnnng. And all that whining and shrieking gives me a head- ache." "Aw c'mon, you'll love it ... It's The Secret Marriage by Domenico Cimarosa. It's a comedy and it's in English. I guarantee that you'll love it." "Hey Jeff ....." "Yeah, baby?" "Take a hike . . . and don't come back." Two nights before the opera Dear Diary: Let's face it ... this Cimarosa thing is, just not working out. I checked out a copy of the script and a record of the opera from the library. "A major coup," I thought. "I'll know everthing there is to know about this opera. It'll be easy." But the script and record were in Italian. "Dammit," I thought. The Night Before the Opera: Dear Diary: The translation is going slowly. Ap- parently the opening of the opera has something to do with the Apollo space missions, Coor's Beer, and Happy Days reruns. Of course that's my own rather loose, idoiomatic translation. I'm now in the process of translating the second sentence. Fortunately, this is a short opera and I should be able to finish translating it sometime next year. The Night of The Opera: It's tonight! Was nervous and up- tight. Had a few beers. Coor's. Am now happy and relaxed. Loose. This will be easy. I'll just write a bunch of bullshit about the opera. Like I do in all other articles. Easy. And hey ... just because I'm a critic doesn't mean I have to know anything. Right? Besides, my editor knows less about opera than I do. If that's possible. Anyways, no one will ever know that I don't know beans about opera as long as I sound authoritative. I'll just say stuff like, "The cellist was singing off key, and the entire orchestra sounded good, especially the mezzo-sopranists." No one will be the wiser. After the Opera: Dear Diary: It was fun. No really ... it was teuly fun. I like it. It was about two lovers, Carolina and Paolino, who are secretly married and who are trying to tell Carolina's father, Geronimo, who is busy trying to marry Elisetta, Carolina's sister, to the Baron Robinson, who loves Carolina, while See DEAR, Page 11 6 6 Jill Allen, Blane Shaw, and Joan Castrodale in 'The Secret Marriage,' convin- ced The Daily's reviewer that opera is, indeed, an entertaining art form. The dB's make the big leagues By Larry Dean (The setting is a press box overlooking the dance floor and stage of Joe's Star Lounge. Low- key lighting is used, and the music of Elvis Costello, James Brown, R.E.M., et. al., plays to add at- mosphere.) (Lights up in the box on George Swell and Al Battery, the commen- tators. Both are ex-baseball players.) George (grabbing microphone): Good morning, good afternoon and good evening, everybody. Hold onto your bobby sox but it's time for baseball! (Crowdsounds, cheering, etc.) Al: Yep. George: It's a beautiful day out there, fine for playing - Al: (Shakes his head and whispers to George) George (Pauses): It's the dreariest, most motherfuckin' day we've had in a long while, but we're gonna liven it up with a little BASEBALL!! (Crowd roars, loud cheering) George: But first, Al has a message. Al? Al (Clearing throat): H'lo, everybody. And a special h'lo to all you Canterbury House Friends Announce AUDITIONS for a new musical play by Tom Simonds to be produced in Mendelssohn Theatre in Oct. 84 Open Auditions Next Monday & Tuesday July 30 and 31 - 7:00 p.m. ANDERSON ROOM, MICHIGAN UNION for more information call 665-0606 denture wearers in the listening audience, plus a special reminder that if you trade your bridgework in at the gate when leaving the field, you can get compensation on your income tax and a T-shirt. George: Thanks, Al (He takes his teeth out; they clatter) (Raucous laughter from crowd) Al: D'mention it, George George: (Returning teeth): This fine day we have the pleasure of a triple- header on the bill, between Michigan's Map of the World, Minnesota's Tetes Noires ... Al: I see you still remember French class, George. George: Woodshop's more like it, but I been brushing up. (Mild crowd hoots and hollers) George: . . . and the North Carolina/New York dB's, not to be con- fused with the Ypsilanti/Newark Beady's, or the Miss Manners' Preparatory Academy Debs, of Kneebuckler, Vermont. Al: All fine ball clubs in their own right, though. George: Damn straight. (The familiar organ strains of Francis Scott Key's classic ode to wartime gutsiness abruptly begins; Al and George rise, placing their hands over their hearts. Huey Lewis and the News make a guest ap- pearance on the field, sing a terrible version of the anthem, and are driven from sight by a barrage of cans, bottles, undergarments, plums, tomatoes, and small woodland creatures. Everybody sits.) Al: (Shuffling papers): First up tonight is ... er ... first on the agenda. .m ... I, uh ... (cough)... la-de-da-- de-daa ... the opening team tonight will be... George: (Whispers) Al: Will be Map of the World, from Ann Arbor. George: A truly consummate ballteam, with about two years'- experience behind them. Al: There's talk these guys are goin' for the pennant, George. George: "Hometown kids make good." Al: They kick. (The crowd cheers wildly as Map of the World take the field. All five members seem right at home, even casual. They begin playing one of the best games you're likely to see from an unsigned team, with much more vigor and acknowledgement of the audience's presence than ever before. The crowd eats 'em up, cajoles 'em back on thefieldfor an en- core of Tracy Ullman's "They Don't Know About Us. ") Al: I love that team. They make me feel like whackin' the hide offa the o1' ball again. George: Take your pills ... Al (Swallows arhandful of pills, mumbles): Nech uh wee bee Tesh Narr. See dB's, Pagei14 6 40 0