Shakespearean actress Blooms with solo show By Robin Jones T HE PROFESSIONAL Theatre will present one of the world's most renowned Shakespearean stage ac- tresses, when she performs here for the first time as part of the Ann Arbor Summer Festival. Claire Bloom, that magnificent British leading lady of stage, film, and television, will present portraits of Shakespeare's heroines exploring various scenes, history, and meanings of his characters in her one-woman per- formance of These Are Women. Bloom is familiar to American audiences as Lady Marchmain in the television adaptation of Evelyn Waugh's Brideshead Revisited. She also appeared as Katherine of Aragon in Henry VIII and as Queen Gertrude in Hamlet for the BBC television series. Born in London, Bloom made her first stage appearance with the Oxford Repertory Company at the age of six- teen. Her first major role came a year later, when she played Ophelia at Strat- ford-upon-Avon opposite the alter- nating Hamlets of Paul Scofield and Robert Helpmann. Her performance in Peter Brook's production of Jean Anouilh's Ring Round the Moon, also starring Paul Scofield, led to the role of Theresa in Charles Chaplin's 1952 film, Villella dar he speaks a days with t: (Continued from Page 10) "I realize that I was the raw material for genius and that those were the best 25 years of my life," Villella said. Perhaps the most impressive tribute to the late Russian choreographer was a Balanchine arrangement of Igor Stravinsky's Apollo. Though Villella admitted that he no longer dances professionally and that Sunday's per- formance was "pure self indulgence," his dancing expertise is anything but history. His graceful strength and un- derstanding interpretation was a tribut e not only to Balanchine, but also to Villella. The four dancers in Villella's com- pany Sunday night were also a credit to the performance. Ric Abel and Kim Vickers in their performance of Con- certo Barocco showed an ability to tastefully and rhythmically deliver what might have been seen as laborous and nearly impossible by less skilled dancers. The last arrangement, John Clif- ford's Fantasies, was performed by Sheri Little and Paulo Manso de Sousa along with Abel and Vickers. In this dance, the artists use a series of in- Limelight, her performance in which made her an international film star. Since then Claire Bloom has divided her career between England and the United States. Her films include Limelight (1952), Richard III (1956), The Spy Who Came in from the Cold (1965), Charly (1968), and A Doll's House (1973). Her most notable stage roles have in- cluded Shakespeare's Juliet, Ophelia, Viola, Miranda and Cordelia at the Old Vic. In London's West End she has ap- peared as Sasha in Ivanov, Nora in A Doll's House, Rebecca West in Rosmer- sholm, and Mme. Ranyevshaya in The Cherry Orchard. In 1974 she won three major English theatrical awards for her London portrayal of Blanche de Bois in Streetcar Named Desire. In New York, she has had the leading role in A Doll's House, Hedda Gabler, Rashomon, Vivat! Vivat! Regina and thesstage version of Henry James' The Turn of the Screw. She has also written Limelight and After, an autobiographical book published by Harper and Row in American and Wiedenfield and Nicholson in England. Performances of These Are Women are at 8 p.m. Thursday and Friday nights at Lydia Mendelssohn Theater. For ticket availability and further in- formation, contact the Power Center Box Office open Monday-Sunday 12-7 p.m. or call 763-0950. .ices while bout his .he ballet triguing and difficult moves toward a graceful switch of partners, completing the fantasy for two - and then all - of the characters involved. Manso de Sousa deserves specific notice for his well-chosen role in the dance. His ability and stage-presence, while not overshadowing the rest of the company, gave the arrangement a much- appreciated excitement and vitality. Villella's Ann Arbor debut is off to a good start, and the few spectators who have become involved thus far have a greater insight into Villella's world of ballet. Hopefully, with his master's classes and full performances during the week, many others wil also get that chance. THE DAILY CLASSIFIEDS ARE A GREAT WAY TO GET FAST RESULTS CALL 764-0557 Claire Bloom, star of numerous cinematic and theatrical productions, presents These Are Women, a salute to heroines of Shakespeare, Thursday and Friday nights at Lydia Mendelssohn. Liza Minelli admits problems Withdrugs NEW YORK (UPI) - Actress Liza the former first lady after she was Minnelli, saying she has "a problem helped in overcoming a problem with and I am going to deal with it," checked alcohol and drugs. into California alcohol and drug Elizabeth Taylor, Johnny Cash, Tony rehabilitation center, the Betty Ford Curtis, and Robert Mitchum have all Clinic in Rancho Mirage. been treated at the facility. Allen.Eichhorn, a spokesman for Eichhorn said Minnelli was slightly Minnelli, said the actress missed her injuried in a taxi accident recently and final scheduled performance in the later checked into a hospital to have a Broadway play The Rink, and flew to growth removed from her neck. California Friday to begin treatment. Her replacement in The Rink, "I have a problem, and I am going to Stockard Channing, went into the deal with it,"' Eichhorn quoted Minnelli musical at Saturday's matinee, sooner as saying. She was accompanied by a than planned. She was originally doctor, her sister Lorna Luft, secretary scheduled to begin her run in the show Roni Agress and friend Pam Lewis. Monday. The Betty Ford Clinic was founded by WOOD WORKING CLASS Begins Tuesday, July 17, 1984 7:00- 10:00p.m. 6 weeks At: STUDENT WOOD & CRAFT SHOP 537 SAB - Phone 763-4025 SHOP HOURS: MON. - THUR. 3 - 11 P.M. FRIDAY 11 A.M. - 5 P.M.