41 Page 10 - The Michigan Daily - Friday, June 15, 1984 Books The Future of Nineteen Eighty-Four Edited by Ejner J. Jensen University of Michigan Press, 209 pgs. A S WE ALL know the year 1984 is finally upon us. People are buying the novel 1984 as if in fear of Big: Brother's becoming our next president. Sales have already passed the million mark, and demand for the book con- tinues to exceed supply. The bookrush has good reason. George Orwell's novel shines brilliantly from many angles. Yet readers tend to see it only from one perspective. They look on the complex novel as a prophecy or some sort of astrological prediction that Orwell made before most of us were born. Don't look over your shoulder for a telescreen just yet. 1984 is a partly fulfilled prophecy, but it is much more, too. Last year, several university professors and other noted scholars discussed various aspects of the novel's richness at a conference held here in Ann Arbor. The papers presented gave way to a book of essays entitled The Future of Nineteen Eighty-Four. This collection is a major scholarly work on what may well be called the book of the decade. The Future of Nineteen Eighty-Four in- cludes eleven essays written by specialists in fields such as English, political science, law, and psychology. Language fascinated Orwell. In the essay "George Orwell and the English Language," Richard Bailey, a linguist, offers insight into Orwell's linguistic contemplations. For instance, Bailey related Orwell's acute sensitivity to class differences in speech. Bas andClubsoothing music derived from the Bars and C straditional musics of many lands. Will The Blind Pig-Friday night it's Vukin plays the guitar, dulcimer and Ann Arbor's favorite, Steve Nar- flute, and Laurel Emrys plays a della's Rock 'n' Roll Trio. Saturday variety of Celtic traditional in- catches Mary Martin, Tune recording struments. The show begins Satur- days at 8 p.m. at the Friends Meeting House (1420 Hill St.) Tickets are $4 in advance and available at Earth Wisdom Bookstore, or for the same e is price at the door. For more infor- mation call 665-5579. Newspeak-English in its most com- pact, skeletal form-is the official language which the leaders of Oceania promote. "In Newspeak," writes Bailey, "it is impossible to tell the truth." Reading his essay brings to mind the emerging computer languages (Orwell would have a hey- day here) with the bare vocabularies of twenty words or so. Another area that intrigued and disturbed Orwell was the exercise of power. George Beauchamp elaborates on Orwell's perception of power as a dangerous, addictive drug. Beauchamp writes that Orwell's novel describes. "a scenario where brute power provides the only social bond." That scenario is not so far from our world. Beauchamp points out that, to Orwell, sadistic desires evident in power politics, "are commonplace and found all around us." The intellectual, Orwell notes, is especially anxious to "'get his hands on the whip." All due praise aside, the essayists recognize Orwell's shortcomings as a writer. Leslie Ten- tler gives an outstanding analysis of women and the family in Orwell's work. Orwell assumes "that women are essentially creatures of instinct and emotion rather than intellect." Tentler shows that Orwell's female characters resemble the character Julia, who describes herself as "a rebel from the waist downwards." Besides essays by professors of law and psychology, one of the most unique essays is by Eugene McCarthy. The former U.S. senator from Minnesota gives a politicians' view of how our world reflects Orwell's fiction. McCarthy cites numerous examples of what he calls "the language of nonresponsibility" utilized by many evasive politicians. He points to Kissinger, who admits the inability for anyone to define "strategic superiority" but asserts the need to in- crease defense spending. McCarthy of- fers insight into many dark Orwellian trends in society. Among these trends are the growing monster of media, cor- porate involvement in military technology, and corporate control of foreign policy. Despite its commercial success, 1984 has a tragedy to it, as W. Warren Wagar explains in his essay. Cold war enthusiasts have been. spurred on by the novel. Wagar says that, in the grimness of Orwell's fiction, they find en- couragement to promote better-dead- than-red politics. Wagar writes that Orwell has made it "easier for the Western electorate to invest billions of tax dollars in the arms race." One of the strengths of this collection lies in what one learns of Orwell's life, his politics, his thinking, and his other writings. The essayists draw from or- well's biography, letters, journals, essays, and other novels. Fans of 1984 will gain deeper respect and greater appreciation for Orwell and his art. Overall, the collection of writings serves as an enlightening companion to 1984. The essays are fairly readable. Sometimes the writers overlap in the points they make and they often use the same quotes. Then the quotes lose their effect and the writers seem rather repetitive. However, the repitition does not significantly inhibit one's ap- preciation of the essays and the novel. The Future of Nineteen Eighty- Four helps to bridge the gap between fictitious Oceania and today's world. Yet another gap remains to be bridged: that between idle academic praise and direct political action. The readers and writers- of The Future of Nineteen Eighty-Four should bear in mind this quote from Orwell (as used in Bernard Crick's essay): "The moral to be drawn from the dangerous nightmare situation is a simple one: Don't let it happen. It depends on you. " -Andy Weine 0 0 artist and blueswoman of great renown. Joe's Star Lounge-Friday night it's New Adult, formerly the Motor City Mutants. On Saturday night, get in line with Rhythm Corps. Rick's American Cafe-Open your eyes to First Light, both Friday and Saturday nights. First Light features several former members of I-Tal. Concerts Steel Pulse-Prism productions present one of the world's finest reggae bands in concert in Ann Arbor. Always one of the leading bands in reggae, this tour's lineup is strengthened by the addition of Carlton Bryan, a former member of the Wailers. Showtime is Saturday at 8 p.m. at the Michigan Theater. Tickets are $7.50 and $10.00 and available in advance from Wherehouse Records, Hudson's and all CTC outlets. For more information call 668-8480. Full Circle-This duet specializes in Theater One Flew Over the Cuckoo's Nest-Performance Network presen- ts their version of the Ken Kesey novel and Dale Wasserman stage adap- tation. Directed by Raymond Masters this production stars Linda Rice, Jeff Smith and Joe Meshigaud. Tickets are $5 for the Sunday and Thursday shows and $6 for the Firday and Saturday shows. Showtime is 8 p.m. every night except for Sunday which is 6:30. In addition there is a $1 discount for students and seniors. All shows are held at the Performance Network on 408 W. Washington. For more infor- mation call 663-0681. The Trysting Place-Community High School's Fine Arts Repertory Company presents this version of Booth Tarkington's 1920s comedy about family life and love. Tickets are $3 for the show, or $2 for students and seniors. Showtime is 8 p.m. for Friday, Saturday and Sunday night's performances. All shows are at Community High School's Craft Theater (401 N. Division). For reser- vations call 994-2021. Spaghetti 'Godfather' tells same old story with same old ideas (Continuedfrom Page8) long-time collaborator 'Ennio Morricone drowns the soundtrack with an abrasively romantic, suffocating score. Supposedly, Leone's original cut was an intricate, densely woven mosaic, and may have added some impact to proceedings. But looking at the separate pieces, it seems unlikely his version would have worked any better. In fact he may be lucky in being able to blame the film's failure on the studio, and salvage his own credibility as an auteur in the process. Leone is a director who works better with a small canvas and sparse palette. His vision, overstretched and over decorated here, is frustratingly empty of anything but surface gloss. USE DAILY CLASSIFIEDS STUDENTS INTERESTED IN EXTRA INCOME Now setting up tours for ALL SEASONS RESORTS Contact JENE CAMPBELL - 522-8405