ARTS 4 Page 10 Thursday, July 28, 1983 The Michigan Daily v Paying a call*. on Michael Been By Mare Hodges In a recent phone interview with Michael Been, lead singer and lyricist for the Call, the Daily found out what it's like for a politically- oriented, American band to com- pete with today's top-40 artists. The Call is on tour with Peter Gabriel and will appear at Pine Knob Music Theater Sunday, July 31. Daily - Do you feel alone being one of the only politically-oriented American- based bands? Been - Well, it makes it a little harder to get media exposure. They're not real open to it. I don't know, I have this feeling in the back of my mind that there are quite a few bands that are doing this or wanting to do this and they don't get record deals and no one ever hears about them. It's real unusual that we got a record deal and we did get a deal through the British part of our record company. The guy who found us was an English guy and the American part wasn't open to that type of thing 'cause they don't think it will make INDIVIDUAL THEATRES 5thA Aeo flberty 761-9700 $2.00 WED, SAT, SUN SHOWS TIL 6:00 PM A PROVOCATIVE NEW FILM FROM JOHN SAYLES! ENDS SOON! LIANNA (R) - THURS 1:30 3:30 5:30 7:30 9:30 FRI-7:30 9:30 ENDS TONIGHT! "TWILIGHT ZONE" AT--1:003:005:007:009:00 STARTS FRI! WINNER SPECIAL PRIZE CANNES FILM FESTIVAL money. Then again you get back to the capitalist system which should be a good system but it destroys, ahhh. art. They say why make the music if it's not going to make money. Daily - Did it bother you that the British picked up on your music before the Americans? Been - Well, no more than it bothered me, I just turned on the television and Ronald Reagan has just assigned Kissinger to South America and El Salvador and that bothers me more (laugh). It's a trend you know. But being an American it's a frustrating position but we do have the freedom to complain about it and talk about it.So in that way it's kind of an American ac- tivity for me. Daily - Some of your songs evoke a strong emotion due to their vividness. Did you actually experience these things, in particular in "Violent Times" you talk about "Honored friends who've passed away" or even "Back from the Front," which is a song seemingly about returning from the front lines of battle. Been - All the songs are extremely autobiographical. We've done two albums and the goal is that we can stay together and keep recording and making records and go on playing 'cause the overall idea is hopefully that I can put out four or five or however many albums so someone can look at all of 'em and draw some kind of con- clusion. All the expression is trying to express something that's happened in my life. They're all about me - either myself or my particular attitude 'cause that's the only thing I know. So I do write from my own experience just because I don't want it to be fiction and I don't want to make up stories. I don't want to go onstage and be somebody other than I am so I decided to just kind of express my particular viewpoint. Daily - So is "Back From the Front" a personal experience for you as well? Been - "Back From the Front" is a symbolic or metaphoric song of wars that are goin' on inside people, not out- side. That's the setting for it, but (war outside) is not the meaning of the song. The meaning of the song is "Yeah, I'm at war with myself," and being able to come away from it and talk about it. Daily - Because of the recognition that Michael Been, lead singer and lyricist for the Call, discusses the 'anti- politics' of his music. "The Walls Come Down" and as a result the album Modern Romans received, do you foresee any change in the music you'll deliver in the future, since... Been - Sure. Yeah, you know that Modern Roman album was written almost as a topical piece - not inten- tional at all - it was just circumstance. At that time I was going through a lot of inner conflict and it was the same time as all kinds of global conflicts. The Falkland Islands, Beirut was going on, El Salvador was in the media. And so all those things were going on and it just felt like a very warring time for me in- side and outside so I tried to show the idea that wars all of a sudden blow into big global confrontations or nation against nation and it seemed to dawn on me that war - like I could look at the Beirut war and trace it back to some individual person or an individual group that reached a point in their'own lives within themselves where there was such a battle going on and such hatred and such mistrust within their own lives and all of a sudden it explodes out of their body and becomes this big war between countries. So what I was trying to talk aboutwasn't making any anti-war statement, I was trying to make a statement about why does this happen? What is it about human beings that it is so easy for us to be destructive and go to those final measures. Daily - You've been quoted as saying that you don't think of your songs as political songs but as love songs. Can you elaborate on that because it's hard for me to understand how songs like "Turn a Blind Eye" or"Violent Times" can be considered love songs. Been - I think it's cause you have to understand, well, this is my religious belief of the word love. Although the word 'love' doesn't mean anything the meaning of love for me is what this is all about. So what I'm talking about in a lot of the songs is not love the way most people would. I'm talking about what I'm searching for. In "Turn a Blind Eye" that song shows the loss of love and the desire to have it. So in that way it is a love song, maybe it's more about the loss of love. All the songs are, basically, if you're talking about war. War to me is the absence of love, so what the song is about is the desire to find love again - but not love in}the romantic sense. If we could get past love and thinking about it in the roman- tic sense and get back to the feeling of love that you have for your parents or your friends or for the beauty of life or something like that, it's more with a capital 'L.' W ANT TI New Yc to be, but this plane fare b Club. There perience the that is now su called "hip h prove to be cu "Hip hop' mediately by Let's go to the (hip) hop 0 BE on the cutting edge? Records are "mixed," "scratched," Harold McGuire alias the Whiz Kid. ork, as usual, is the place "layered," and "cut" with great skill in The Whiz Kid is one of the most respec- s Friday you can save the order to create an aggressive, per- ted D.J.s in New York and has won y going to the Big Beat cusive sound. numerous awards for his skill. you will be able to ex- These effects are achieved through This Friday, July 29, the Big Beat will latest music/dance craze the actual scratching of the needle on a bring the Whiz Kid to Ann Arbor in or- urfacing in New York. It's record's surface to produce a rhythmic der that we might not miss out on the iop" and its impact may clicking sound. The process also in- latest dance movement. The show lturally vast. volves a dextrous melding of various begins at 9 p.m. Tickets are $2.50 and songs into an integrated whole. may be purchased only at the door. is characterized im- One of the D.J.s that has been very in- .its method of production. fluential in the ''hip hop" movement is - Jim Boyd 4 FRI-7:10, 9:10