Arts The Michigan Daily Friday, August 7, 1981 Page 9 Molloy helps himself to success By J. T. SCANLAN Daily Arts Writer Perhaps no topic of conversation is more likely to generate anxiety or even downright depression in the minds of young adults than The Job Market. Everywhere people are doing un- believable things to achieve the slightest advantage over their rival job seekers. Personal contacts, familial or otherwise, now enjoy slavish attention. 1 1 \ " 1 1 \\ t r / t ! C 1 + , t ! r n t t !{ t 1 + r + r l I D. A woman must move back when selling to a man. ning Wall Street Journal. After reading only a few pages of Live for Success, though, it is unfortunately obvious that Molloy is actually serious. CONFRONTED by the various ethical issues which necessarily arise when writing a guide book on how to live, Molloy presents ideas worthy of only the comic strip businessman. To begin with, the prevailing assumption of the book is that "success" really means "success in the business world. " Doctors, professors, cab drivers, air traffic controllers, and other countless thousands who don't need to know what a board meeting is, are excluded from Molloy's world of success, and receive none of his "prac- tical" advice on the conduct of life. The sensibility Molloy presents is actually quite similar to that of Woody Allen's friend in "Play It Again, Sam," who evaluates human relationships in terms of the "costs" and "benefits." Molloy reinforces our growing per- ception of him as a horribly stereotypical businessman when he at- attempts to write directly on abstract notions such as "failure," respon- sibility," and of course, "success." In the manner of the "tough executive," he cuts through all silly "theory" right away, and gets down to brass tacks in the opening pages. "This is the most important book ever written about suc- cess," he says, "because it is not based on personal opinion, but on scientific research." Molloy is devoted to this belief, and every statement he makes is heavily buttressed with an array of precise statistics, regardless of literary effect. Indeed, he is so proud of his sup- posed objectivity that he chooses to present his most graceless displays of statistics at the beginning of chapters, where they are most opulent. His chap- ter on language, for example, begins: A . c E C-r- D G "If you can't communicate, you can't command. This was the consensus of 2,268 successful men and women we questioned throughout the United States-2,212 were executives in large and moderate sized corporations ..." AS THIS passage suggests, Molloy also delights in reducing extremely complicated issues to blunt, pseudo- axiomatic statements, another staple of the cartoon businessman. But when he ventures discussion of issues more serious than what tie to wear, his declamations are no less than offen- sive. "If you avoid the mannerisms of the lower socio-economic groups and emulate those of the upper socio- economic groups," he writes, "you will be treated better in this world." Such " ~ U375 N MAPLE 'Z, nn College students will study many extra hours to boost their Grade Point Averages a few hundredths of a point. Even the act of writing a resume is no longer thought of as a task, or even a science. It is now unabashedly under- stood by all as an art. A few years ago, the calculating John T. Molloy, former prep school English teacher, observed this mad interest in slight advantages and produced Dress for Success, a publishing phenomenon. Molloy correctly noticed that men, generally, are horrible dressers, with little sense of what goes with what. SO HE SUPPLIED all the sartorial slobs in America with a guide book. But rather than gently urge men to acquire taste in clothes, he simply set down rules for dressing. Casting aside all aesthetic issues, he appealed to male pragmatism: If you follow my rules, he argued, you'll get a better job. A while later, he presented women with a similar guide book, The Women's Dress for Success Book, em- ploying the same pseudo-scientific marshaling of statistics. But women were offended by his directions for' dressing, especially those on under- wear. Though Molloy is lauded as "con- sultant to over 380 of the Fortune 500," he is considered something of a boor to educated, civilized people. He recently put together a third book, Molloy's Live for Success, offering once again his usual display of bad taste. But this time he seems to delight in displaying it, so much so that one won- ders at first if he is serious. For exam- ple, before one even opens the book, the eye is forced to look at Molloy himself, wearing one of his "power" suits-a charcoal grey three-piece pin- stripe-with copies of his books all carefully positioned on top of his mor- advice surely overlooks important problems of the American class system, which films like Ordinary People are continually calling to our at- tention. Intelligent people demand more sub- tlety of thought on the matter. The businessman, however, takes the sim- plistic notion as the given, declares that we must "Look out for No. 1," and then, if he is like Molloy, justifies his ethical discourse by reciting a cliche used by his good-natured grandmother: "God helps those who help themselves, and God help those who don't." Throughout the book, Molloy essentially defends cultural and socio-economic stereotypes with forceful language. And he is not even half as interesting in doing that as G. Gordon Liddy. Molloy's dogmatic habit of mind con- sequently leads him to absolute foolishness. After rapping other suc- cess books for suggesting impractical expenditures for those newly set on the executive track, Molly offers what he considers more sober advice. He says See SELF, Page 10 INDIVIDUAL.THEATRES 51h A. m bery 71-700 2nd & FINAL WEEK SIGNORET H .SENT A LETTER TO MY LOVE "A Beautiful Film" -Gene Shot i DAILY-7:35, 9:35 SAT &SUN-1:25, 3:25, 535735 935 CHRISTOPHER REEVE - 0)MAN A D V E NTU RE S CaON T 111U E S NOW AT ANN ARBOR'S BEST DEAL11 Adults 53.00 Matinees $1.50 Diy70,92 Kids--al seats $1 SAT&SU -0 , Kids always 1.50 4:30, 7:00, 9:20 C S 4te 30nr Seao5 MOCHEW HASE O CARRIE F HER N N I d G& - 0 ST U --- STEVE NICKS -RST A STEP BEYOND SCIENCE FICTION. COLUMBIA PICTURES PRESENTS AN IVAN REITMAN - LEONARD MOGEL PRODUCTION HEAWYMETAL -MMICHAEL GROSS "' ELMER BERNSTEIN '; LEONARD MOGEL ° '". DAN GOLDBERG & LEN BLUM °" ;" « RICHARD CORBEN. 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