Page 6-Saturday, August 15, 1981-The Michigan Daily TheVictory' of hooey By CHRISTOPHER POTTER Daily Arts Writer The very title of the film Victory brazenly begs the issue: Relax, folks-we guarantee you the good guys are gonna win this time out. John Huston's new movie transports us back to those thrilling days of 1943, focusing on a German POW camp deep in the heart of the Third Reich. It's a placid year for wartime Europe, with the bulk of the world conflict raging east and south of the continent. Within the boundaries of the camp, Allied prisoners and their German captors alike sit restlessly, waiting out the duration of the war. NOTTING THAT the POWs spend most of their daytime hours engaged in a perpetual game of soccer, new camp commandant Von Steiner (Max von Sydow) suggests to Allied game super- visor Colby (Michael Caine) that a friendly - game between inmates and German Army soldiers might help stimulate morale on both sides. After a bit of commiseration as to how war is hell and how the universal bond of sp- ort transcends all political schisms, the two men-both ex-soccer stars them- selves and therefore decent, human chaps-agree to compete. Alas, Von Steiner's superiors are less than idealists. Sensing a propaganda coup, the Nazis announce their intent to turn the match into a multi-ethnic cir- cus, pitting the best of all European POW players against the crack Ger- man National team before a crowd of thousands in Paris. The resultant trouncing of the emaciated Allies will, they villainously chuckle, lend public creedence to the Reich's dogma of Aryan superiority. Zounds! Surely the POWs would not play willing supes in such a racist sideshow! Hell, sure they would-un- beknown to their captors, the French Underground plans to smuggle the players out of the stadium at half time. What better way to pimp the Heinies at their own nasty game? And yet ... and yet. .. what if the team was to stay and actually win the soccer match, even at the price of escape-thus vindicating truth, justice Sylvester Stallone portrays the quin- tessential WWII-movie caricature of the impudently righteous American in 'Victory.' and Free World athletics? Boy, that'd knock those Krauts on their ideological asses! MORE INTERESTING than anything in Victory is Detroit News critic Susan Stark's recent review of it. Hailing the "intelligence, courage, and high purposefulness" of Huston's "per- fectly thrilling entertainment," Stark rejoices that the movie "manages to Q1lurt r rLu t tE0 ST. MARY'S CHAPEL (Roman Catholic) 331 Thompson-663-0557 Summer Masses: Sunday-8:30 am, 10:30 am, 12 noon, and 5 pm. Mon., Tues., Wed.-5:10pm. Thurs., Fri.,-12:10pm. LORD OF LIGHT LUTHERAN CHURCH. (The Campus Ministry of the ALC-LCA ) Gordon Ward, Pastor 801 S. Forest at Hill St. Sunday Worship Service at 10:30. Aug. 25-choir at 7 p.m. CHURCH OF SCIENTOLOGY Huron Valley Mission 301 North Ingalls (two blocks north of Rackham Graduate School) 668-6113 Sunday Service-2:30 p.m. Rev. Marian K. Kuhns FIRST UNITARIAN CHURCH OF ANN ARBOR 1917 Washtenaw (corner of Berkshire) Sunday Services at 10:30 a.m. Coffee Hour and conversation after services. Kenneth W. Hilfer-Minister-665-6158 'WHY DO THE HEATHEN RAGE?' Psalm 2:1 and Acts 4:25 Matthew 9:36.38 reads: "WHEN HE (JESUS) SAW THE MULTITUDES, HE WAS MOVED WITH COMPASSION ON THEM, BECAUSE THEY FAINTED, AND WERE SCATTERED ABROAD AS SHEEP HAVING NO SHEPHERD. THEN SAID HE UNTO HIS DISCIPLES, THE HARVEST TRULY IS PLENTEOUS BUT THE LABORERS ARE FEW: PRAY YE THEREFORE THE LORD OF THE HARVEST THAT HE WILL SEND FORTH LABORERS INTO HIS HARVEST." "THE HARVEST IS PLENTEOUS BUT THE LABORERS ARE FEWI" When Jesus said that "the woods were full" of Levites, Priests, Scribes, Doctors, Teachers, Divines, etc. But most of these divines had become DRY VINES, and many of the doctors were DOCTORS OF DARKNESS. Read what He told them about their condition In the 23rd of Matthew - they were so outraged that they managed to get Him crucifiedt The 23rd chapter of Jeremiah isj somewhat like the 23rd of Matthew, where about 800 years before God had warned the spiritual leaders of their corrupt condition. Also, about 700 years before He had warned them by His servant Isaiah, chapter 56:10, 11: "HIS WATCHMEN ARE BLIND: THEY ARE ALL IGNORANT, THEY ARE ALL DUMB DOGS, THEY CANNOT BARK; SLEEPING, LYING DOWN, LOVING TO SLUMBER. YEA, THEY ARE GREEDY DOGS WHICH CAN NEVER HAVE ENOUGH, AND THEY ARE SHEPHERDS THAT CANNOT UNDERSTAND; --." God asks us this question: "Who makes thee to differ from another, and what hast thou that thou did not receive?" If we are true Christians hating evil, apostacy, and hypocrisy, we should remember that it Is the mercy of God that has deliverd us and made us to differ from the ungodly, and that this blessing has been received from God "BY HIS GRACE THROUGH FAITH." This should not make us proud, rather humble, and stir us up to work, testify, and pray that the Dry Vines might receive Life and bear much fruit; that the Doctors of Darkness might become Doctors of "The Light of The World." P.O. BOX 405DCTR ERIpCQ1 t -y 'r .rs .;'. w't , ,av.-r ._ _ _) : :. . : ° FIRST UNITED METHODIST CHURCH 120 S. State St. (Corner of State and Huron) Worship Schedule: Sermon for Aug. 16-"If Sheep Could Talk," by Dr. Gerald R. Parker. 9:30 am-Morning Worship in the Sanctuary. Church School for all ages at 9:30 am. Ministers: Dr. Donald B. Strobe Rev. Fred B. Maitland Dr. Gerald R. Parker Education Directors: Rose McLean and Carol Bennington 10:30 Lemonade-on-the-lawn. UNIVERSITY LUTHERAN CHAPEL Serving the Campus for LC-MS Robert Kavasch, Pastor 1511 Washtenaw Ave. 663-5560 Sunday Worship: 9:00 am (Summer Hours). * CAMPUS CHAPEL 1226 Washtenaw Ct. A Campus Ministry of the Christian Reformed Church Rev. Don Postema, Pastor 10 ,a.m.-Service of Holy Baptism. Rev. Don Postema. 6 p.m.-Evening Prayers. Rev. Ken Verhulst Never Silen t 764-0558 avoid all the cliches of mediocre war and sports movies alike." Really. How innvoative of Huston and his screenwriters to conjure up and pound home the notion that the brotherhood of sports can bind a riven world. How original to have Sylvester Stallone chew up the scenery as the camp's lone Yank, Bob Hatch, a rebel whose brash, irrepressible All- American spunkiness elicits eventual admiration even from the taciturn Cap- tain Colby (Caine), who mutters "bloody Yank" with fatherly affection. Hatch, once he's bluffed *nd bullied his way onto the team, miraculously turns out to be a brilliant goaltender in a sport he's never played before. One gasps at Huston's innovative genius as the Allies, hopelessly behind at halftime, rally inspirationally while the Nazi-hating Parisian crowd bursts into a roaring rendition of the Mar- seillaise. One frets as real-life ex- soccer king Pele, his ribs broken early on by a skulduggerous German player, begs to be put back in ("I can do it, coach, I can do it!"). Operating on sheer guts alone, he hobbles back on the field and-would you believe it-blasts the go-ahead goal past the astonished opposition! SECONIDS LATER, goalie Stallone goes eyeball-to-eyeball with Germany's top player ("I'm better'n you, Nazi!") in an effort to block a climactic, last- second penalty shot. Omigod, will he make the save, WILL HE MAKE IT? ... Omigod, he made it!! He made it!! Yeah democracy!! The screaming French storm the field en mass to embrace their battered liberators, leaping and twirling to the inundations of Bill Conti's throbbing musical score lifted straight-note-for- note-out of Shostakovich's Fifth. This exercise in big-budget jingoistic hooey benefits undeniably from the guiding-if unoriginal-hand of John Huston, the oldest of the old directorial pros and an acknowledged master at turning baloney into pseudo-steak. If one discards the fact that 30 years ago Huston was regarded as the most shining, creative light in Hollywood, it's easy to relax and enjoy the emanations of an artist who instinctively knows how to put on a good show-even if from a permanent niche of underachievement. For all its froth, Victory flows smartly and smoothly-save for an inter- minable prison-escape sequence which seems concocted strictly as a star turn for lead player Stallone. INDEED, ONE constantly detects the macho sweat of our most vainglorious screen actor seeping through Victory's' foundations-though Stallone reputedly had no direct con- nection with plot or production. This self-acknowledged egotist's im- moderate notions of heroism and civics displayed themselves earlier this year in Nighthawks-an urban terrorism thriller which was one of the ugliest exercises in brute illiberality in recent memory. Victory spares itself similar revulsion simply by being too boneheaded to be taken seriously. Yet when a movie's very stupidity is also its saving grace, you know something is lacking-even if the good guys do win. Rocky HII, anybody, I 4 I 4 1