The Michigan Daily-Thursday, May 8, 198-Page 7 ANNARBOR CIVIC BALLET Local talent, ambition mix well By ELLEN RIESER Ann Arbor Civic Ballet celebrated its silver anniversary with two perfor- mances in Power Center on May 4th. The company's productions are especially interesting to watch, both for the originality of the choreography and for the opportunity they provide to see local dance students before many of them leave for professional careers in the dance. The evening performance began with Wind-Bourne, choreographed by Lee Ann King-Shankland. Set to Haydn's Surprise Symphony, the ballet suffered from an overconcern with symmetry. One would have enjoyed a stronger contrapuntal element to the ensembles. Nevertheless, the ballet was danced well by the corps. Marci Margeson, Robin Lyle, and Lee Ann King-Shanklund, who performed the trio, gave a particularly fine perfor- mance. A PAS DE DEUX from Raymonda, staged by Marjorie Randazzo, was the second piece on the program. Pamela Rutledge danced the character ballet steps strongly and with spirit. Christopher Watson, who danced with Miss Rutledge, was a considerate par- tner-however his solo work was strangely subdued. It did not appear o to be a question of technique: Mr. Wat- son's line was generally correct throughout the pas de deux. Never- theless, his jumps lacked ballon and his feet were lax in many places. The third ballet performed was a scaled down selection of some of the dances from Coppelia. With a piano on stage a la Jerome Robbins, the dancers performed czardas and four of the solos from the third act of Coppelia. The solos were performed gracefully and the piano accompaniment was well suited to the style of the dances. However, this approach was not successful for the czardas. The two dancers performing the czardas, Lee Ann King-Shankland and Guy Bala, seemed lost in what is normally danced by an entire corps against a full orchestra. Leslie Bundy Hosbein, a former Ann Arbor Civic Ballet member who is now dancing with the Long Island Ballet Company, roun- ded out Excerpts from Coppelia with "Variation de Giselle". Miss Hosbein's technique was strong and she showed a lyrical feeling for the music. Aurora's Wedding, a festive ballet derived from the third act of Sleeping Beauty, was the final ballet of the evening. Composed of one virtuoso variation after another, the ballet demands considerable solo work. It is a challenge for any company to mount, let along a small civic ballet. Elaine Abbrecht danced the Silver Fairy variation extremely well, beaming at the audience while cheerfully executing numerous difficult beats and jumps. Ann Arbor Civic Ballet imported a pas de deux team for the roles of Aurora and her prince; Birute Barodicaite and William McClain respectiiely. It was an unfortunate choice as the guest ar- tists did not dance well. Miss Barodicaite was insecure in her balan- ces and there was too much overt "placing" by both dancers. Perhaps in the future it will be possible for local dancers to take these difficult roles. There are many promising dancers in the company and one looks forward to watching their progress from year to year. Given the excellence of the rest of the performance with the local dancers, it was a pity that the section featuring guest artists was so weak. VA4AT TIE UCLTIMAE*4'LE7T WOTP FVR T4E MOVIE TI+ATS RESELI"V, ovOtrfi eWraWCOMPLETELY I#AIAAti rAV House OKs first balanced budget in over a decade (Continued from Page 6) MEANWHILE, THE Senate con- Before final passage, the House voted tinued work yesterday on its Budget 289-127 to reject an amendment that Committee's proposed $612.9 billion -would have eliminated "recon- balanced 1981 budget, which favors ciliation," a key enforcement provision sharply higher defense spending and that orders House and Senate commit- deeper social program cuts than either tees to propose $9 billion in savings by the House or the Carter plan. June 15. 01980 BRIGHTON PRODUCTIONS, INC. - "AVAILABLE AT YOUR FAVORITE STORE" iird* 1 ~ if t do o obF s at rr" y +Yo <. "+ . ". s. Atr .- ou,,,, ,,eA r