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G,.. ....... ... +v.. :ti: 'FDIE FLEDERMA LAS' A COMIC S v CCESS s s " a h t u -Power Center ug ing 1 p in By PERRI KNIZE For sheer entertainment value, Johann Strauss' "Die Fledermaus", hard to beat. Thursday's opening night performances at the PowerhCenter brought the house down. Performed by the School of Music Opera Theatre and directed by Irene Connors, this produc- tion of one of the world's most popular operettas is noteworthy for it's excellent stage direction and pacing. "Die Fledermaus," which premiered in 1874 in Vienna, is about a practical joke which one friend, Dr. Falke, plays on another, Gabriel von Eisenstein, in retaliation for once having been aban- doned-sleeping, intoxicated, and costumed as a bat-in a public park where he was awakened by the jeers of Sunday morning onlookers. Falke's scheme" to get back at Eisenstein involves persuading him to postpone going to prison, where he is due to appear for committing a minor offense, and to go instead to a ball that Prince Orlofsky is giving. Falke also invites Rosalinda, Gabriel's wife; Adele, her maid; and Frank, the prison warden to the ball, where all are to appear under assumed identities. The resulting mix- ups make for an evening of hilarious musical comedy. KEUM JA KIM as Rosalinda had the most dynamic stage presence of all-her expressive face and dramataic gestures were captivating.bHer voice was also the most powerful, sounding out brilliantly over the audience. Although she occasionally would have slightly off key, and was, as were the other singers, handicapped by the over-exuberant pace which the; conductor favored, her performance sparkled with a professional self-assurance that was unexpected in a student production. Lawrence Vincent, as Eisenstein, has one of the finest voices in the cast, a beautiful, rich tenor which he uses most expressively. Also Theodore Rulfs as Frank, the prison warden, has an exceptionally fine voice and a melancholy stage presence that is perfect for his straight-man role. Jeff Allyn as the opera singer that comes to woo Rosalinda in her husband's absence, and being mistaken for Eisenstein is hauled off to jail, sings with a clarity and controlled abandon that shows great promise, but his acting is somewhat stiff. Gail Mitchell, as Eisenstein's maid, sang sur- prisingly well during her aria in which she begs Frank to make her a real actress. But for the most part, her stage presence and acting ability are better than her voice, which is thin and weak. In the final act we are taken to the jail where, one by one, the party-goers arrive and their identities are unmasked. Here we are met with one of the great comic moments in the operetta. Frosch, the drunken jailer (Charles Stallman), bottle in hand, is looking frantically for the huge key that hangs around his neck. When he finds it dangling in front of his nose he, declares: "If you were a snake you'd have bit me." Then with flawless timing he turns about: "Snakebite!" he shouts, and eyeing the audience wildly, takes another swig from his bottle. ONE OF, "FLEDERMAUS'" better musical moments is when the entire cast sings in chorus. The timing is excellent-right on beat, the voices har- monize beautifully. The worst of this production's flaws are a weak Prince Orloff, as played by mezzo- soprano Barbara Shulze-who does not provide the necessary dramatic flair and whose voice does not project-and an orchestra that sounds unrehearsed and rushed. Yet "Fledermaus" is a success. What makes it so is firstly, it's excellent stage direction and pacing-the action flows so easily that we are always anxiously waiting for more. Secondly, the acting for the most part is very good. It's great theatre, great entertain- ment, and most of all-it's a lot of fun. Washington harvests OLYMPIA, Wash. (UPI)-Bumper wheat crops-two to three times nor- mal size-are being harvested in areas of eastern Washington which was hardest hit by the volcanic ash fallout from Mount St. Helens in May. The big crop was spurred by rare June rains. But scientists at the Un- ivarsity of Washington decline to credit Mount St. Helens for the rain. FARMERS ARE harvesting crops double to triple normal size in areas around Ritzville, an eastern Washington farming community inun- dated by ash following the initial bumper wheat crops volcanic eruption on May 18. was no scientific evidence linking the Reports from other communities in rare June rain to the volcano. the fallout path are equal or better. "The prevailing opinion of professors Near the community of Wilbur, one in this department is that it is very farmer reported 89 bushels of wheat to unlikely that the mountain had the acre, an almost unheard of return anything to do with the increased rain- for dry land wheat farming in the fall," Atkinson said. "Whether the state,. mountain did its thing or not they would STATE AGRICULTURE Director have more rain than usual this year. Bob Mickelson said rain less than three weeks after Mount St. Helens roared to TONIGHT at life was responsible for the dramatic increase in the wheat harvest. SP I Don Atkinson, manager of the At- mospheric Sciences Department at the TIG H T University of Washington, said there CINEMAI ~PRESENTS ," Candidates blasted abroad Continued from Page 3), tration of industrial, trade, and finan- cial associations of multi-national and national monopoly companies." TASS, IN A dispatch from New York, noted that in his Madison Square Gar- den speech Thursday night Carter derided the Republicans' military policies but, the Soviet agency said, "he essentially took the same position of the Republicans he criticized. His speech was permeated with a militarist spirit, a striving to prolong the arms race and to expand military appropriations." Soviet television commentator Vladimir Dunayev, appearing on the popular news program "Today in the World," told viewers across the Soviet Union: "I cannot recall a time when both political parties of bourgeois America put forward two Goldwaters in the same election. That's what is hap- pening now. It seems now that the U.S. military-industrial complex is playing a lottery in which it cannot lose. Reagan-Carter . . . Carter-Reagan. Each would like to surpass the other in militarism." FAINT PRAISE for the Democratic president came in Third World nations where several commentators described him as, in the words of the Indonesia Times, "not ideal ... yet he is far better than Reagan." The independent newspaper The Hin- du of Madras, India, described Reagan as 'an aged, arch-conservative whose finger on the nuclear trigger would disconcert the world." A number of foreign political analysts see Sen. Edward Kennedy as the key to Carter's future. Le Monde of Paris said it was "dif- ficult to talk of a reconciliation between the two camps" of Carter and Kennedy supporters. But, said the conservative Daily Express of London, "if Kennedy can bring in his own followers,. Carter might just make it." I FLEDER AU The University of Michigan School of Music Opera Theater POWER CENTER Tonight at 6:00, Sunday at 3:00 I YOU ONLY LIVE TWICE (Lewis Gilbert, 1967) Bond travels to Tokyo to tangle with villains and beautiful women, and to save us from WWIII. His search is for the evil genius who has launched a cannibalistic capsule into space to eat innocent American satellites orbiting the earth. DONALD PLEASANCE is the mad scientist who loves cats and wants to rule the world. Starring the incomparable SEAN CONNERY (who else?) as Bond. (115 min) 35mm print. 7:30 only. GOLDF INGER A mysterious financier by the name of Goldfinger is criminally tampering with Britain's and the U.S.s gold reserves, trying to contaminate Fort Knox with, horrors of horrors, a nuclear bomb! Will Agent 007 prevent him? Or will our favorite spy be gilded like a Tiger Lily? SEAN CONNERY as Bond and 'HONOR BLACK- MAN as Pussy Galore. Splashy and full of fancy gimmicks. 35mm print. (112 min) 9:30 only. i ANGELL HALL Power Center Box Office opens at 6:00 (763-3333) Visa/Master Charge by phone- 76.-0450 $1.50 one show, $2.50 both shows Next Weekend: Friday-GIANT, with James Dean Saturday-CASABLANCA