The Michigan Daily - michigandaily.com 0 9 , COURTESY OF BEYONCE You're goddamn right it says 'pop goddess' Campus leggigs with a Yonce touch HB0 That old man has never held a dog hefore. What are you even doing with your hands, old man. Stop smiling, old man, 'Olive Kitteridge"s brilliant characters Pop goddess partners with Topshop for new clothing label By MARA MACLEAN For The Daily The opportunity to get a piece of Beyonced's closet has finally arrived, and fashionistas and athletes everywhere are trying not to pass out. Last week Topshop announced their 50-50 partnership with Bey to launch a new label, Parkwood Topshop Athletic Ltd., for 2015. The line will include apparel for dance, fitness and sports. One assumes that while Beyonce squats, curls and presses she looks as fierce as- the "On the Run" tour photos suggest - and most women would agree that they would like to look like Sasha Fierce while sweating as well. The sportswear . collection will. do just that, even if one lacks Beyonce's famous figure. Sportswear and streetwear collaborations have had unparalleled success, as of late. Alexander Wang's collaboration with H&M hit stores Nov. 6, and images of structural sports bras and mesh-paneled leggings have been haunting fashionistas ever since the show. Both Rita Ora and Pharrell Williams have created colorful lines with Adidas to fulfill the ever- growing need for funky and vibrant streetwear choices. All three of these lines, though, while undoubtedly stylish, lack the necessary technical elements to allow a full range of movement. Topshop and Beyonce hope to produce a line that allows for an athlete's workout and a Beyonce look. As many college women can attest, while athletic wear is comfortable, yoga pants lack a certain aesthetic quality. But with this new partnership, campus leggings are about to undergo a transformation. No longer will students be limited to the typical threadbare black leggings or even the pervasive lulus. Instead, they can be comfortable in class and at the gym, while simultaneously emulating Beyonce. It's a dream come true, goddammit. This line is different than a typical collaboration. Bey, as per usual, would not be satisfied with a collection that her name was just slapped onto. The brand is a 50-50 partnership, and Beyonce is to participate in every phase and looks forward to working with the product development team. After the West family was recently crowned the First Family of Fashion, Queen Bey's new venture was appropriately timed. She is not one to settle for second place and her infiltration of the stylish athletic wear arena will make her a contender for the top spot. Beyonce recognized that active wear is the biggest thing in fashion right now, and intelligently joined the contest. Seeing as most women would like to have legs similar to Beyoncd's, the partnership was a brilliant choice by both parties. Beyonce continues to fiercely empower women, now entering into the world of health and fitness - she expresses that one can look. stylish while keeping the body strong. The wait begins for the day when women everywhere will be sporting Beyonce approved leggings while squatting to "Flawless." By ALEX BERNARD Daily Arts Writer What do you do with a television protagonist like Olive Kitteridge? HBO's eponymous miniseries is a force to watch,A and that's mostly because Olive of Olive, who is one of the most Kitteridge interesting HBO and difficult Available characters usnHOOGo on television. Adapted from Elizabeth Strout's so-called un-adaptable novel of the same name, the four episodes of "Olive Kitteridge" follow Olive and her husband Henrythrough25years against the austere backdrop of fictional New England town of Crosby. Like "Boyhood," the time span is handled elegantly; director Lisa Cholodenko ("The Kids are All Right") selects discrete moments rather than attempting to check off the majorlife events.The miniseries- format is also well-suited: the delicacy of its character study would be eroded by a standard episode run and its four hours allow more nuance than a movie's length would. The show's psychological Call:#734-418-4115 Email: dailydisplay@gmail.com THESIS EDITING. LANGUAGE, organization, format. All Disciplines. 734/996-0566 or writeon@iserv.net HAVE YOU PURCHASED THE FOOTBALL BOOK YET? heft is wielded by Francis McDormand ("Fargo") as the thorny Olive Kitteridge. Beneath the seemingly impenetrable facade of her character, McDormand furnishes the psychic interior of Olive with meticulous facial expressions andline delivery. The strong cast also includes Richard Jenkins ("Six Feet Under") as Henry and a late-in-life love interest by Bill Murray ("Groundhog Day"), who both deliver captivating performances. The show introduces Olive as barbed Maine schoolteacher who has a knack for pissing people off - at a family dinner, she calls her son Christopher's (Devin Druid, "Louie" & John Gallagher Jr., "Jonah Hex") homework "lazy, slapdash crap," before turning to Henry to say "Jim O'Casey understands your son's abilities more than you do." What it makes it cruel isn't Olive's maliciousness (she has none) but the careless quality of her barbs - which stick - because more often than not, they're true. For all her abuse, Henry is the rose to olive's thorn, even if his unfailing deference and kindness is perpetually cloying to her. While their marriage miraculously remains one of steadfast devotion, itisn't placid. Early on, Olive is emotionally involved with a fellow teacher with her same acerbic tongue (Peter Mullan,"Trainspotting"), and 'Henry lusts after a young employee in his pharmacy played by Zoe Kazan ("Ruby Sparks"). Years later, Olive will bitterly snap at his soft spot for helpless "mice" (her catch-all term for dull, anodyne women) and he will taunt her of her not quite dalliance. Regardless, their marriage is a contractual and voluntary lifetime bond, for better or for worse, and "Olive Kitteridge" grapples with the implications of that dynamic. As Olive marvels to Henry, "You married a beast and loved her." Olive isn't a beast, but she is a wholly different type of woman - or person. She constantly misses socialcues, ifnotoutright ignores them. Olive burps without apology, noisily eats peanuts during Christopher's wedding and doesn't see the point of keeping a Valentine's Day card after she reads it. If the first episode emphasizes Olive's many alienating flaws, the other three illuminate the isolation of being someone like Olive. One of the most compelling aspects of Olive's personality is how despite her failings as a mother, she has an intuitive kindness for other alienated sons, like a student of hers with a bipolar mother who she saves years later from a suicide attempt. During a scene where she's held hostage, Olive sees the acne-ridden face of her captor and maternally reminds him not to pick his scars. It seems the parentless and the clinically lost strike a personal nerve for Olive, whose own dark childhood is hinted at. As the years unfold, intergenerational fate becomes a theme: is Olive's depression a genetic curse or was it hammered into her by her own flawed parents as she does to Christopher? Mental illness is not the overt focus of the series, but its-ahadow looms, After all, there is something wrong about Olive to the therapeutically trained eye of the modern viewer. She is caustic and harsh to those she loves - today we would recognize that irritability as symptom of faulty neurological wiring; there would SSRIs or cognitive behavioral therapy. But in Olive's world, mental illness is endured. It's something of a catharsis for the viewer to see Christopher later embrace therapy and medication. The series doesn't deliver Olive an artificial happiness via deus es machina; it shows a woman changing, and also not changing quite enough - this is what makes "Olive Kitteridge" so heartrending. Both uncomfortably familiar and strange, Olive has a knack for getting under the viewer's skin. Usually the adjectives "difficult" and "interesting" connote a whole knot of gendered behavior that the female protagonist has not conformed to. 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