6 - Friday, October 3, 2014 The Michigan Daily - michigandaily.com Building a perfect playlist for a party With today's musical diversity,you can't please everyone By KEN SELANDER DailyArts Writer The course load at the University of Michigan is time- consuming and requires a lot of hard work. Music definitely helps me to relax, unwind and chill out during a stressful day. It's no secret that students also like to unwind by partying, whether you're in Greek Life or throwing a rager at your house or apartment every so often. I recently found myself at a party where the music selection on a friend's playlist was simply not cutting it. I stepped in and DJ-ed for an hour (read: plugged an aux cable into my iPhone and pressed play on a bunch of songs). By the endI felt as if I had compromised my own musical integrity for the sake of entertaining people. Everyone responded well to Katy Perry, Gnarls Barkley and Eminem, but the second I turned on some personalfavoriteslike ZZ Topor Lil Boosie I could immediately see the dissatisfaction brewing in the crowd. What exactly makes a good party song? How did I intuitively know which songs people would make people stay and which would be a stretch, and how do others know the same? Obviously this article will be biased toward my own experiences, but I'll proceed anyway. To loosely define a "party," as I'm trying to explain it, whoever is running the musical selection cannot personally know the music preferences of the majority of people attending and there can't be a theme dictating the tunes. There always seems.to be a basic formula applied to concoct a playlist to appease the general audience. Typical playlists at parties consist of the following: EDM/Dubstep, throwbacks, pop music and novelty songs. All of these selections have either lots of bass or are simply well known. Electronic music is commonplace at parties because it'supbeat, excitingand often has aggressive, repetitive bass that's easy to dance to. I've heard "Clarity" by Zedd way too many times. Throwbacks are tracks known by most everyone because of their convenient placement in our childhoods, so they resonate with everyone's younger self and are fun to sing along to. In my mind, pop music consists of rap (whether for comical or hype affect) and anything on the Top 40 - "Anaconda" by Nikki Minaj, "Wrecking Ball" by Miley Cyrus or anything by Juicy J. The novelty category applies to songs that a lot of people know because they are bizarre or wild. The couple tracks that immediately come to mind are "Gangnam Style" and "Hot. N*gga," both of which have accompanying dances, too. And yes, that's a lot of songs covered in the four categories, but there are still a number of genres left out. As a music snob of sorts, I find myself exclaiming "this song sucks" a handful of times at parties, but is there crossover between good party music and good music in general? Yes. Looking at my own track record of musical interests, I'm all over the board -rock, rap, hell, even heavy metal. I qualify mostofwhatI listento as "good" music because it requires skill in my mind. Accordingly, I often ponder the difference between what is more thoughtful rap and extreme gangsta rap - Gucci Mane, Migos, Lil' Boosie and Chief Keef - and why a very white kid from the suburbs listens to some Boosie Bad Azz on the way to class in between Led Zeppelin and Elvis records. Why do I like it? Analyzing gangsta music in the context of party playlists, it's essentially a grey area between party music and good or personal music. It's just fun to listen to - I don't think it has any particular musical value to speak of, and I sure as hell can'trelate to selling crack out of a trap house. I'm not saying Oj Da Juiceman is the greatest rapper ever, but "Make the Trap Say Aye" is too funny not to blare on some speakers. How do I relate this tangent to party music? The ever- constant song requester. When you think- about it, that requester bothering a DJ despite your carefully selected playlist is actually a. good sign. The requester is just attempting to make a party more personal. While requests in my experience are highly obnoxious and frequent, the basic concept behind such requests shows exactly how party playlists are supposed to work - the requesters are satisfied enough to stay at the party even though a particular song they want hasn't been played, but nonetheless they want to hear their own song so they can feel special. So in the end, party music keeps everyone content and in attendance - until the booze runs out, that is. a 'O Packers! From screen to plate: my top 10 cinematic food scenes a RELEASE DATE- Friday, October 3, 2014 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis ACROSS 419th-century trail 41 Green stone 57 Czech Republic's 1 Wine order terminus 44 Sleeping second-largest 6 NFL linemen 5 Utah luggage tag sicknesscarriers city 10 European capital initials 47 Seemed logical 58 Wine opener? 14 Kindoft a mPick 49 Placefor a nest 60 Cawingtool comprehension 7 Vegas menu item egg 61 Historic 15 Basket 8 Garden divisions 50 Gave up the ball "Impaler" 16 Land in un lago 9 Spring resort 51 'Time _the 62 Comics screams 17 Duck roalty? 10 Vial pair essence" 64 Carolisa 20 It may betaken 11 Town including 52 Roadside quarterack 21 French 101 part of Fire Island business Newton prossus 12 Pick 53Cemwht 65Ltrsbfea 22 In the cooler 13 Florist's inventory 53 Creamywbite 6v Lewermbeforsa 23 lowa city on 1-35 18 Not-one link 54 Memory prohlem visa, maybe 25 Highly skilled 19 Longtime ANSWER TO PREVIOUS PUZZLE: sass Connecticut_ 26 Heckt of a pop? senator G ETA T S M A R M 31 Symbolseen in 2O nd ADAN H O S E A A M P viola music 25 GultsfL.. RAL A TRA 32 Parisian map line 26 Numerical prefix 33Oracle 27Sports regulatory E T A E A R N I C I E S T 37 Edinburgh org. T O T I E T E D U C T suvenir 28 Canopy O R AT OR ANEW T A I 38 Army post components at B I 0 L I T H A I L E mergedwith the Mall in BR0 H O E O A McGuireAFB CentralPark BROT ONE ORALS and NavalAir 29Quaff L E O I I V C R C 0 Engineering 30 Verh type: Abbr. E M 0 P E L R A 0 I SH Station Lakehurst 34Onetit"edLord" S A ID O R I 5 IN E 42Youngest goal 35Do lawn work S T E E L S MU T L I L scorer in MLS 36 Riverpast history Duisburg MEAN TT O BE EM A IL 43 Hops kiln 39 Uncommon bills E D Y D I V E S L E N TO 45Tooktop honors 40 Bashful S T A R T L A D E S 40 Exasperated cry companion? xwordeditor@aol.com 10/03/14 48 Trader who doesn'ttakethe 1 2 3 45 s 7 10 11 12 13 market 1 seriously? 52 rne rSnners iem 1 s 55 Betrayed, in a 56 Like most tupelo leaves 23 24 25 57 His epitaph reads "And the beat 2 27 25 29 30 goes on" 59 Part of a roof 31 32 3 i as a 63 Classified instument? so sas s a, s 66Languagethat 4 4i 484a gave us'"plaid" 67 Green Gables as 4 o 1 girl 68 Provider of store so 2 s 3 on melodea 69 Causticcleaners 55 7 5s5 59 so 61 62 70 _.. awlns 71 Slanted columns 63 64 65 DOWN 65 6 s7 55 1 Moun tain passes s 7 71 2 Angler's tem 3The'Treador Song,"tforsone By MarkMcCaii0031 201Trine vContent Agency, LLC 1/31 Call: #734-418-4115 Email: dailydisplay@gmail.com 'NORTH CAMPUS 1-2 Bdrm. ! Riverfront/Heat/Water/Parking. ! www.HRPAA.com ! HOUSES AVAILABLE MAY 2015 8 Bdrms - 720Arbor - $5560 6Bdrms - 5417 N. Thayer -$3900 4 Bdrms- 505 Sauer - $2600 Tenantspayallutilities.ShowingsM-F1( 3 w/ 24 Hr notice required. Call 734-996-1991 WWW.CARLSONPROPERTIES. COM 734- 332 6000 THESIS EDITING. LANGUAGE organization, format. All Disciplines 734/996-0566 or writeon@iserv.net HEPWANTED GREAT JOB OPPORTUNITY PT evenings to clean banks in Ann Arb Work within 10 miles from home. Mu pass background check & drug screen. Download application @ www.aarocon panies.com or call 586-759-3700 INSTRUCTOR NEEDED FOR mat learingenterDtoworkwithgrades2-t Musthaveexcellentmathandkid friendl communication skills. Aftermoor s/Evenings, 8-16 hoursper week, $10/h Dexterarea. Emailresume and letterdo tailingqualifiationsandavailabilitytoar narborwest@mathnasium.com. WONDERFUL/ WELLPAIDJobhO pornaity -ADM IN/CUSTDMERCAR REP. NEEDED. Kindly contact: ricky moore44@outlok.com on bow to pee Iceed. I'm not sure if there is a defined genre of food movies, but if there isn't, there should be. However, that doesn't mean that there aren't mov- ies, or at least scenes in them, invested in food and cooking, in chefs and restau- rants. Yes, these mov- , ies can ulti- GIANCARLO mately be about life BUONOMO or love, but the food still matters. As Jim Harri- son once said to a New York Times reporter, "Food is a great literary theme. Food in eternity, food and sex, food and lust. Food is a part of the whole of life. Food is not separate." With that in mind, I would like to share with you a few scenes that celebrate food, scenes that have ment- and always will mean a great deal to me. 10) The cooking scene from "The Godfather." Peter Clemenza shows Michael Corleone the secret to making great spaghetti and meatballs: a dash of sugar. It's a sweet moment between two guys who end up killing about a dozen people each. 9) The roast chicken scene from "Amlie." . Our titular heroine finds a box hidden in her bathroom wall, placed there by a boy named Dominique Breto- deau years ago. She wants to return the box to the now adult Dominique, and season his life with sone happiness. However, we learn what real- ly makes him happy: carving up a roasted bird and then sinking his hands into the steaming carcass to pick out every last scrap of meat. 8) The sandwich scene from "Spanglish." I've always found it, well, funny, that Adam Sandler excels in dramatic roles. This is one of his best, in his portrayal of LA chef John Clasky. In one scene, John improvises a glorious sand- wich that looks like a combo of a ham and cheese and BLT, complete with a runny egg. My favorite part of this scene is that world-renowned chef Thomas Keller actually designed the sandwich for the movie and taught Sandler how to make it. 7) The eggplant scene from "The Lunchbox." I saw this film over the summer, and when I left the theater, I didn't talk for a solid 20 minutes. Of all the "food" movies I've seen, I .. think "The Lunchbox" is the best exploration of what food can mean both by itself and as a source of connec- tion between people. A young housewife sends a lunch- box into Mumbai everyday, except instead of going to her husband it gets delivered to a widowed accountant. Food and memory constantly intertwine - she sends him a special eggplant dish, the comforting flavor of which reminds him of a dish his wife used to make. 6) The spaghetti and risotto scene from "Big Night." As an admittedly snobbish Italian, I've always gotten a kick out of the saga of two old-world brothers and theirw struggle to serve authentic food to Americans. Thafun- niest part is when a customer tells Secondo, the general manager, that she wants a side of spaghetti with her risotto - a starchy taboo. When Secondo brings this request to Primo, his brother and the chef, he exclaims "That bitch!" Secondo pleads with him to just indulge her, but Primo replies, "She's a criminal. I need to talk with her!" 5) The Big Kahuna Burger scene from "Pulp Fiction." After a vigorous exposi- tion of what McDonalds in France calls their burgers, Vincent and Jules barge in on Brett and his buddies, who have Marcellus Wallace's briefcase. As a gesture of his power over Brett - or maybe just because he's hungry - Jules takes a nice bite out of Brett's Hawaiian burger. I've always wondered how a burger becomes "Hawai- ian"; is the bun a Hawaiian roll? Does it have pineapple? Either way, that look on Jules' face when he washes the burger down with Brett's Sprite is priceless - it can only be described as an extra- terrestrial smirk. 4) The soup scene from "Ratatouille." Anyone can cook, accord- ing to this Pixar tour-de- force. How they came up with the plot - a French rat who wants to become a gourmet chef - is beyond me, but that's why I don't make movies. The best scene by far is when Retmy covertly 3) Anything from "Chef." So that I don't turn out like Jonah Lehrer, I won't just quote the review of it I wrote this summer, where I couldn't contain my excite- ment for this magical movie. It's as if Jon Favreau was smoking joints rolled out of back issues of Gourmet Magazine. 2) The shrimp-vibrator scene from "Tampopo." This Japanese flick, Tffec- tionately labeled a "Ramen Western," is one of the fun niest films ever made. The main story arc is the plight of a young widow to make the best ramen possible, aided by a truck driver and her young son. However, there are numerous other vignettes that all deal with food and sex and folly. My favorite is one about a mobster whose appetite for food overlap with his appetite for his girl- friends' body. One of his pre- ferred games is placing live shrimp in a bowl with some soy sauce, and then over- turning it onto his ladies lady parts. The crustaceans thrash and swim, giving her a literal food orgasm. fixes Linguini's soup. With that great big-band music in the background, Remy pours in broth and cream, salt and seasoning, herbs and whatever else he can get his paws on. Apparently the animators researched how leeks fall off the stalk when sliced. Whatever they did worked, because the ones Remy throws in the pot are tres bons. I I .' 0- 1) The dinner scene from "Tom Jones." Based on Henry Field- ing's novel, this quirky com- edy chronicles a hedonistic yet kindhearted foundling, raised as a country gentle- man, and his quest to learn his origins and win the love of his life. In the dinner scene, Tom and a woman he met on the road share supper at an inn. Without speak- ing, they slowly consume a variety of foods - oysters, chicken, fruit, soup - while imitating each other eating in the most innuedo-laden manner possible. I'm talking tonguing drumsticks, fruit juices dripping down the chin, slippery oysters slurped ... OK, you get the point. Buonomo is making a vibrator out of shrimp. To try it, e-mail gbuonomo@umich.edu. 0 a S. :t Or. M- ly n- ir, le- n- p- DO YOU WANT TO SEE YOUR NAME, PUBLISHED IN PRINT?? OF COURSE YOU DO!! TO REQUEST A DAILY ARTS APPLICATION, EMAIL AKSE@UMICH.EDU I i