Xrt The Michigan Daily - michigandaily.com Friday, September 26, 2014-- 7A EVENT PREVIEW 'Night By REBECCA GODWIN Daily Arts Writer Within the University of Michigan, there are dozens of singing and performance groups, from small student A Grand a capella Night For* groups to , the large Singing university 4p.m. glee clubs. September28th The SchoolH of Music, Hill Asditsrism Theatre $5-$18 & Dance's upcoming event, "A Grand Night For Singing," brings together a number of these groups to perform in the same concert, a rare occurrence. The concert event, which was started in 2010, is an opportunity for the campus community to see some of the variety performers currently studying in SMTD. "The goal of this concert is to present excerpts and vignettes from each of these ensembles in order to let the community see all the singing possibilities that are happening on campus," said Professor Jerry Blackstone, who is the director of Choral Activities, chair of the For ginging conducting department and the director to put something concert's artistic director. "So together; the same is true for the they will hear performances opera folks," said Blackstone. by the Chamber Choir, the "We always want the Campus University Choir, the Women's Ensemble to be represented and Glee Club, the Men's Glee Club, within the music school, there the Orpheus Singers and the are three major choirs which we Opera Theater. They will hear would like to be represented as two soloists and they will hear well." performances by the musical Though not every genre theatre program. It's a real of music can be heard in the showcase." concert, an effort was made to showcase as many different types of music as possible. sical wk"Theig program that I'm M u ic l workn igtnow isquite groupsuni . varied from musical theatre pieces to some folk pieces to some classical pieces as well," said Blackstone. "I think there The concert does not will be a lot of variety of tempos, highlight all of the singers on variety of languages, variety in campus, but great care went into the way it looks on stage." selecting those individuals and For Blackstone, however, he is groups who will be performing. excited for audience members to The two soloists, one male and participateinthelast bignumber one female, were chosen by the of the night: a big sing-a-long to chair of the voice department Rodgers and Hammerstein's "A to represent solo singing, while Grand Night For Singing." the others groups were selected "We always end the concert to showcase the spectrum of with singing," said Blackstone. singing that can be found within "Most people know it and enjoy the school. singing to it and everyone leaves "We always try to highlight with elevated spirits; it's a something from the musical wonderful and joyousway to end theater program, so I ask the the concert." 'You know what was a good movie? "Kangaroo Jack"' Blac -is frh addition to ABC N For ABC's has t from creati comM stand But perha netwo most egreg misste of the times the fi winni lead- revolv simila comed "Happ the B Night few only t runni netwo attent "Mod besto good worth That i "Bl ABC smart laugh Antho With who i touch "Black depic that i broad as "Sc a hos with year's "Emp Away qew minority- ish" has the potential to do the same for its genre. All told, it's ocused sitcom one of the best half-hours to premiere in years. succeeds What's most surprising about "Black-ish" is how By ALEC STERN introspective it is for a comedy Senior TVEditor series - it goes beyond its one-note conceit and instead the last five years, successfully navigates a much .primetime schedule more thoughtful story. On rended downward, both the surface, the comedy poses a the question, "are we Black ve and A- enough (or only Black-ish)?" ercial Black-ish Sure, it's funny and edgy point. and most certainly pushes ABC broadcast television's (rather ps the Wednesdays white) envelope, but there's so °rk's at9:30p.m much more to the sitcom than a cheap logline and a catchy ious title. In reality, "Black-ish" ep has been its handling is far more contemplative. e post-"Modern Family" How does a family maintain lot. Since the start of a unified racial identity when ive-time Emmy award each generation's experience ng comedy, its 9:30 p.m. is so different? How does a - hsamounted- to a father embrace-change without ving door of remarkably neglecting his storied past? ir, "Friends"-inspired And of course, how have white dies - "Cougar Town," guys Justin Timberlake and py Endings," "Don't Trust Robin Thicke become the in Apt. 23," "Super Fun Kings of R&B? ,""Mixology" and others, "Black-ish" also extends of which worked and outside its box as a family he first of which is still sitcom, with some of its ng (albeit on a different strongest scenes playing out ark). Despite consistent in the workplace. Where ion and acclaim, "management is diverse, but ern Family" has yet to senior level management, w its ratings success and not so much." Where Andre fortune upon a series becomes his company's first iy enough to maintain it. black Senior Vice President, s, until now. only to discover he'll be in ack-ish" is the sitcom charge of the "Urban" division. has been waiting for - And where Andre's boss asks , engaging, relevant and him to bring his "swag" to -out-loud funny. Starring a presentation. "Just keep it ;ny Anderson ("Guys real," he advises Andre. Kids") as Andre, a father Such moments will fears his family has lost undoubtedly elicit a varied with Black culture, response from the audience, k-ish" is a diversified ranging from mindless tion of American family laughter to concern over the s still sorely lacking on character's seemingly very cast television. But just realistic treatment. And in andal" paved the way for anticipation of that,"Black- t of minority-led dramas ish" cleverly props up two of its success (such as this its lead characters to represent "Red Band Society," this dichotomy - one an angel ire" and "How To Get on Andre's left shoulder, one With Murder"), "Black- a devil on the other (which is which, however, you'll have to decide for yourself). Andre's father, Pops, (Laurence Fishburne, "Hannibal") would posit that his son has lost touch with his roots, allowing his son to play field hockey over basketball and joining the "white firm" when he could have already been CEO of the Black one. On the other hand, Fishburne's foil is Andre's wife, Rainbow (Tracee Ellis Ross, "Reed Between the Lines"), who encourages her husband to stop dissecting every little thing, holding it up to preconceived standard. Not only are the characters exceptionally well-cast (can Fishburne do any wrong?) but also written with dimension, elevating the series' ensemble nature. But that's not to say "Black- ish" is perfect (though series premieres rarely are). The series is undone by pacing issues in its final act that dilute the impact of the episode's big moments. And despite how inventive the writers seem to think it is, the "bro mitzvah" is slowly turning into one of entertainment's newest tropes. However, "Black-ish" does so much right in its first offering that these criticisms are more nit-picky than do they substantially detract from the. premiere's success. In the end, despite what society might dictate and despite what the voices in his head - mainly Pops' and Rainbow's - might tell him, Andre is just a father trying to make the best decisions for his family. And in that regard, "Black-ish" is a series for everyone; the rare "broad" comedy that doesn't substitute the wit of its narrative in favor of drawing in the masses. Because the best comedies can be bothsmart and far-reaching, and "Black-ish" is just that - never dull nor dumb, universal in its appeal and ultimately, the perfect companion for "Modern Family." 'How are we supposed to pee in these suits? i Destiny "De small- especi promo buzz-A thrown around publish Epii Franch Peter Dinkla Paul McCar 10-yea suppor 500 It's across things almost backin not th certaii The precise went.I are ab fi vista amazi: the c are fl gamep match: it has and is acclain O'Don The sto and p only P awesor The perfec Bungie tight you've games better withal power: fun, ir routin( It's al say so indeed of "Ha a mult strong all els By JACOB RICH be extremely fun to shoot, with Daily Arts Writer headshots and critical hits in particular creating satisfying stiny" is a shockingly 'pops' (By the way, how on earth scale video game, is this game rated T and not M? ally considering the big it's probably because Bungie tional kept all of that controversial cords C "sex" stuff out, protecting our n Destiny impressionable children by d by its having them slaughter hundreds her: P54 of aliens instead). c New- (reviewed), Unfortunately, the' problem hise. P$3,XBox isn't what "Destiny" is, it's what it isnt. ge. One, XBox This would be an unfair claim to make in almost any other tney. 3review. Things should be judged r Activision by what they are, not what t plan. they could have been. But since million-dollar budget. "Destiny" was artificially hyped- no wonder that gamers up to monolithic proportions, it's the globe expected huge necessary to explain just how from "Destiny." Games short it fell fromexpectations. never receive this level of "Destiny" has an extremely g - not that much money, poor implementation of at much forethought and narrative, staggeringly small ly not those bignames. scope, and worst of all, almost funny thing is, you can tell zero mission variety. The story ely where the huge budget is presented in poorly-written, The graphics, for one thing, uninteresting chunks that fail to solutely incredible - sci- cohere, due to the majority of the as have never looked this game's story content being locked ng in a game, and both away in Bungie's website via haracters and enemies "grimoire cards" - unlockable awlessly animated during images that contain paragraphs lay. Its soundtrack almost of story-related text. Can you es its graphical brilliance; imagine if "Halo's" lauded story a keen sense of wonder was portrayed this way? What if expertly orchestrated by "Halo's" characters rarely talked ned Halo composersMarty and all you could glean about The nell and Michael Salvatori. Arbiter or Sgt. Johnson was from aff credits song waswritten lazily written, aloof-sounding erformed by the one and text snippets on the internet? aul McCartney, and yes, it's This feels sad and lazy. Even me. worse are the cutscenes, with core gameplay is nearly such laughably bad direction t. You should be used to and dialogue that even the most e's brand of extraordinarily philistine movie fan would scoff. first-person shooting if I would have rather the game had played any of the "Halo" no story than such a tease of one. , but it somehow feels even Above all else, though, the lack now that Bungie's mixed it of mission variety is the game's hostofdifferentclass-based most vital flaw. It is downright s and upgradable skills. A insulting how little there is to do ntricate loot system gives in this game. Each mission plays e upgrades to your arsenal. out virtually the same way: you most becoming cliche to begin by landing in the same at this point, but "Destiny" area of each planet each time. I feels like a combination Then, you travel between mission io" and "Borderlands." It's locations either on foot or on iplayer loot-shooter with a your landspeeder (this traveling emphasis on combat above gameplay does not evolve in any e. Enemies are designed to way over the course of the game). At each mission location, you fight a group of typically several waves of enemies, sometimes with an uninteresting boss at the end. That's it. There are only 4 major explorable planets, albeit each' with their own unique enemies. This is the extent of gameplay evolution in "Destiny." There are different aliens with different weak points to kill. The game doesn't feel big at all. I have no way of measuring it, but to me the world of "Destiny" felt about two thirds the size of "Borderlands 2," one of the game's chief inspirations. As I said, the combat is superb, and your character's combat options will evolve in meaningful ways over the course of the game. But when it's literally the only thing you do - kill things in similar fashion over and over again - the strength of the core gameplay will only go so far in keeping you entertained. A good amount of "Destiny," especially when played alone, is boring. There is one shining moment of creative gameplay variety; one of the missions on the moon. It plays differently than any other mission in the game, and it was my favorite of them all. Why weren't there more like it? "Destiny" also has a competitive multiplayer mode. It plays just as well as ifi any "Halo" game, with a good amount of well-designed maps, but lacks both split-screen and any sort of Forge-style creative mode. There areno customgametypes. I found it interesting that your single- player character is also your multiplayer avatar (experience gained in both multiplayer and the campaign feed the same xp bar), but other than that, there's no reason to move on to this from "Halo;" the multiplayer in "Destiny" is Bungie's least complete yet. "Destiny" is not a bad game, but it could be so much more than it is right now. Perhaps somewhere down the line of Bungie's purported 10-year support plan, it will be great. But until then, your money is better spent elsewhere. SO ETIMES TWEET ARTICLES, ENTING THE TH OF PRINT Just click "Folow." It will give us purpose @MICHIGANDAILY A 4 I I