6A - Friday, September 12, 2014 The Michigan Daily - michigandaily.com fiA - Friday, September 12, 2014 The Michigan Daily - michigandailycom Beethoven classics come to 'U' festival Fa An By After 1962, th was with d sion ove the re that Le Bernstei the New Philharn Orchestr then-pri pal co tor, had before a mance o certo No famously from th heard tl that the tempo n that oft pianist a Gould - his. The q tionship conduct final aes that eve with. W cal lister the fina ing, is a med pianist fer from musical score to the record, the process is in fact dre Watts to defined by a meticulous nego- tiation of tempo, dynamics and perform other factors that conductor and soloist have given much thought JOE REINHARD to. Sometimes, their interpreta- DailyArts Writer tions diverge. Next weekend, the Ann Arbor the night of June 6, Symphony Orchestra will open e classical music press its 2014-2015 season with its abuzz Beethoven Festival, where con- iscus- Beethoven certgoers will hear some of er the German composer Ludwig van marks Festival Beethoven's most iconic, most onard with Andrd driven and most bombastic n, Watts compositions - the Fifth Sym- York phony, the Leonore Overture No. monic Hill Auditorium 3 and the Piano Concerto No. S ra's ("Emperor Concerto") For the nci- Sept.18,8 p.m. latter piece, pianist and Jacobs nduc- School of Music professor Andr6 made Watts will be joining the AASO an unorthodox perfor- as soloist. While Bernstein and f Brahms's Piano Con- Gould's difference of opinion .1 in D Minor. Bernstein proved to be legendary, Arie y distanced himself Lipsky, the AASO's conductor, is e interpretation to be decidedly more accommodating hat night. He claimed in his attitude toward soloists. vision, with the piece's "I usually feel that my job early cut in half, was as a conductor is to be a team- the soloist - Canadian player," Lipsky said. "I am nd enfant terrible Glenn really going to accompany him and emphatically not (Watts)," he stated further. As an incidental but note- luestion over the rela- worthy aside, it was early on in between soloist and Watts's concert career that he or, and who should take was asked by Leonard Bernstein thetic precedent, is one to replace Glenn Gould in a per- ry orchestra must deal formance with the New York hile to a commonsensi- Philharmonic in 1963, playing ner it might seem that Liszt's Piano Concerto No. 1 in 1 product, the record- E-Flat. straightforward trans- To most ears, the opening bars of the Fifth Symphony are a song as old as time, seem- ingly eternal. But their celeb- rity should not obscure the great demands they put upon the orchestra and conductor. That symphony, as well as the overture and concerto, exem- plify some of Beethoven's most momentous dynamic achieve- ments. Sheer volume does not a successful triple fortissimo (the dynamic marking for "very loud") make - after all, a com- position's loudness only makes sense in relation to its quietest, tenderest passages. Highlight- ing that is the difficulty for any ensemble setting out on such a program as this one. "I try to capture Beethoven's relentless energy," Lipsky said in describing his principal goal in performing this titan of clas- sical music. "My biggest challenge in all of these pieces is to find these beau- tiful, endless, soft passages, and to really bring them out," Lip- sky discussed. "There are some swatches oftriplepiano (dynamic marking for soft playing), which Beethoven usually shies away from. He typically goes between pianissimo and fortissimo, but there are moments where he puts not two, but the three 'p's.'" Those who attend this event will be in the expert hands of Lipsky, Watts and the AASO's musicians, as they experience the play of ecstasy and calm, triumph and solemnity, in these celebrated compositions. 4 BBC AMERICA 'Don't you even fucking dare talk about my hair C10n Con-frsion, not mystery in new show Intruders' By DREW MARON Daily TV/New Media Editor Some pilots prefer to play things safe - spoon-feeding exposition to get viewers on board, just for the sake of ensuring that the audience Intruders isn't bewil- dered and Season Premier feels OK com- BBC America ing back next week. BBC America's "Intruders" laughs at such ploys. The pre- miere doesn't lower itself to info-dumping, and the exposi- tion it does provide is minimal, resulting in layers and layers and more layers of mystery. (Well, confusion may actually be a more apt term.) Any confu- sion aside, it's still easy to appre- ciate a pilot that doesn't hold the audience's hand through it all. This admiration only goes so far, however. It's one thing to not reveal information to hook viewers, and it's another to leave them not sure what to think. "Intruders" is more of the latter. The story's hard to sum up, but basically it involves secret groups, evil magic, body people and en the auu Fort trying, edy (th people would ing pit expect thing, demon a poin detract charac G U One charac Simm, mer cod under Whela pearan dark co interes who get swept up in it all in Wonderland"), a nine year old d up just as confused as who periodically suffers from dience. possession. It's not explicitly unately, the show's not clear who's possessing her, but to be a lighthearted com- he/she seems intent on tortur- tough a sitcom involving ing this girl (and her pet cat). becoming possessed Brown does very well as Madi- make for an interest- son, but she has a harder time ch), and so we shouldn't portraying whoever takes over to understand every- Madison's body. The shift in that's supernatural and character is clear, and it's pretty ic. Still, there comes creepywatchinga little girl take it where the confusion on a totally different demeanor. ts from basic things like Brown just doesn't pull it off as ter and plot. well as one would like. (There's still seven episodes to go, so there's time to improve.) Richard Shepherd (James renre series Frain, "The Tudors"), a killer ndervalues with a connection to the forces that haunt Madison (and prob- plot and ably Jack and his wife), could prove to be the most interest- character. ing character of the bunch. He certainly makes some intrigu- ing choices, particularly at one point when he confronts casualty is the main Madison, marking one of the ter Jack Whelan (John few times the pilot tries to be "Doctor Who"), a for- intriguing and succeeds. We p whose wife disappears still don't know very much strange circumstances. about him, especially his moti- n investigates her disap- vation, but for now ,he's the ce, dragging him into a highlight of the show. He's mys- inspiracy. On paper that's terious without being confusing ting, but on screen Whel- or uninteresting. t isn't engaging enough, Now, if only the rest of z can't become all that "Intruders" could be like him, d in the mystery sur- then maybe we would have a ng him. Perhaps devel- recommendable show on our his relationship with his hands. When you take away the Mira Sorvino, "Norma mystery and horror elements, Marilyn") would have it's a boring affair. Even with matters; we learn little them included, the show can't her, mostly just how she make up for its lack of substance ting strangely before she - the show has a possessed nine ed. The pilot's too busy year old girl drown her pet cat g up its mysteries here to in a bathtub, and that still isn't e any substantial charac- enough to carry the rest of the elopment. episode. It's a discouraging es offer a more interest- start; there's a chance it'll pay tline with Madison (Mil- off, but for now it seems more wn, "Once Upon a Time likely you'll be left in the dark. CHECK THE FILTER FOR ONLINE ARTS CONTENT IN FII M/TV/MlIKIr 10 .UIIMEVIE V/ lvI o% lIw possession and a few random an just so you investe roundi oping I wife ( Call: #734-418-41I5 Jean & Email: dailydisplayC gmail.COm helped about I was act IIIvanish( buildin providi ter dev It do E AND POSSIBLE part- THESIS EDITING. L ANGUAGE, ing plO lableatanAnnArborchild organization, format. All Disciplines. lie Bro perienceinchild careisre- 734/996-0566 or writeon@iserv.net 6 -, w1 1 1 1 1 1 1 2 2 2 2 2 3 3 3 4 4 4 5 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis ACROSS DOWN 36 Bird was one, 50 Numerical 1 Shotpants? 1 Slew briefly extreme 6 Boon or 2Berry rich in 39 Took its loll? 51 Circus sound Chicago antioxidants 40 Ketle emission 04 Goal wit 0 Sound of relief 3 "Come Sail 42 Ardent Iberian and 4 Mendelssohn's Away" band 44 Ideal Siberian species Opus 20, e.g. 4 Service station? 45 Ready to be 55 Like some 5 One-on-one sport 5 Inflamed printed saxes 6 Con artist, for one 6 Moistens, in a 46 Many a late '90s 56 Inconsequential 7 Blueprint spec ... way startup 59 GI show gp. or, allowable 7 GI's mail drop 48 "Pippin" Tony 60 General on a hours for hound 8 Unfamiliar winner takeout menu sounds? 9 "State Fair" 49 Ocean 61 Will Smith title 9 Naysayer setting predators role 0 LeBron's Miami 10 Crisscross uniform number patterns ANSWER TO PREVIOUS PUZZLE: 1 Mr. _: old 11 Rajah's tongue A whodunit game 12 Downed SAFAR HO P A L A 2lnitial 13Twistand A D I D A S P A N E N I N 4 Blueprintspec ... compress D O R I T O F R E E Z I NG or, job fit for a 18 Revival prefix S E E P O L Y M E R king's 23 Sheltered. S A T U R A T I O N DEN Y silversmith? nautically S T R T I N D N 7 The _, 24 Contemptible T U B S M A G E Y E Netherlands ones A D A R E N O AIC M E S 0 Regular TV show 25 Ruled out M I S S I N G T H E P I N T 1 Bestows 26GI chow 3 _ splicing 27 Cloud POETS CADS ANA 4 "Top Gear"irer 28 Out of town R E S H W Y M M E I 7 Gets readylfor 29 Yawn A P S E T R A N S I T I 0N lunch, maybe 32One who might M A L WA R E N E H 8 Scrub play undera S" _We Are": balcony P REII SU RE OCET E ST Estefan hit 34 Uncle E K E TM A N O R N1A2T E 35okve I"Up hill dwn 0 A T I S N T I T a T E Do Hamlet, before mistakenly 1 2 3 4 5 6 7 r 9 10 11012 13 slaying Polonius 3 _ column 14 15 16 5 Used a plane on 17Usefulquality 17 11 1 15 1 195 1 5 Blueprint se-5 2 oru'60s-'70s 21 22 23j rock group 24 25 26 conceding a poker hand? 27 28 29 30 2 Tater Tots maker 3lault 31 32 33 34 ; 353 4 Wordu 01 SUBSTITUT timeworkavai care center.Exp quired. Contact Nancy at nrosen- zweig@stpaulannarbor.org ! 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