6 - Friday, March 21, 2014 The Michigan Daily - michigandaily.com 6 - Friday, March 21, 2014 The Michigan Daily - michigandailycom UNIVERSAL #UMDivergent Talking'Divergent' 'Watch 'The Fall'on Netflix starringme,Gillian Anderson. Star power can't save this 'Crisis' Maggie Q and Mekhi Phifer discuss blockbuster By SEAN CZARNECKI Daily Arts Writer The Young Adult novel domi- nates the literature market, and sci-fi and fantasy have been its most electrifying genres. Beyond even literature, this youth-tar- geted genre has spawned film franchises, video games and even Lego sets. For reasons inconceiv- able to outsiders, fans continue to swarm global premieres, scream- ing for autographs and for pic- tures - one box office record broken after another. "Divergent" is a dystopian sci-fi film based on the Young Adult novel of the same name, hitting theaters this Friday, with the promise to thrill audi- ences as much as ever before. Earlier this month, The Michi- gan Daily participated in a screen- ing of "Divergent" at the Emagine Theater in Royal Oak, hosted by actors Maggie Q ("Nikita") and Mekhi Phifer ("8 Mile"). "To be honest, I saw this film the other week," Q told the Daily. "I freaked out ... I had so much fun! I felt like I went and got everything I wanted. I had fun, I was threatened, I was scared, I was emotional, I was cheering." Many comparisons have already been drawn between "Divergent" and "The Hunger Games," and rightfully so. Both involve a young heroine, ordinary in many respects, trained to fight to the death, living in a society divided by castes, called upon to perform extraordinary acts of courage. Phifer, too, conceded the similarity between the two fran- chises, yet also believes "Diver- gent" could stand on itsown merit. "We're basically almost the same genre, but I think we also have an adult element that grown people will reallylike," Phifersaid. "It just deals with a lot of adult things. It deals with politics, it deals with socioeconomics, it deals with discovery of who you are." Speaking of discovery, both of these actors are still learning their characters; "Divergent" is, after all, only the beginning of a trilogy. "We'll just have to see what Max is up to, I'm curious myself," Phifer said. "I don't know what's gonna happen in number two or number three. So I'm looking forward to see it just like you." As for Q's character, part of her appeal can be attributed to her "mystery," as the actress puts it. "She's an interesting cat," Q said. "And I think we're gonna get into her in the next one in a real way. There's a real strength about her, but also whenever someone doesn't give you a lot you're dying togetmoreoutofthem, and Ithink that mightbe the case with her." Both actors agree that maintaining a consistency in the portrayal of their characters throughout the trilogy poses the greatest challenge to them. "You're makingsa film decision, but it's kind of like a TV decision where you have to decide where the character is going, and if that's interesting to you," Q said. "I thought (the build) for this character was real." "Divergent" fans made an impressive showing at the Emagine Theater. In the lobby of the theater was a red carpet along which fans with outstretched hands held their copies of the book. Theycheered, tookpictures, took home autographs. One girl came forward and rolled up her sleeve and asked Phifer to sign her arm. She had no paper; she'd just take a picture of her arm. Phifer can count his son among these admirers - autograph notwithstanding. "He's gonna come with me to the premiere when we do it in LA," Phifer said. "This is the first time he's ever been excited about me doing anything." We went into the theater, the rows filled up, the stars made one final speech to the fans and the room went dark. The screen lit up and the film began. Laughter was rolling throughout the runtime, punctuated by the crack of applause, giggles, whispered jokes. Of course, much of these adolescent thrills left older audiences unfazed, but it was for the most part, a young audience. They left that night yabbering, woozy still, each with their memories and an autograph. By CHLOE GILKE crimin DailyArts Writer Taylor You do NBC's "Crisis" has quite a to see bit of hype to live up to. The their combination of its aggressive comin ad campaign (approxi- mately ninety commercials during every Crisis hour of NBC's Sundaysat Olympics cov- 10p.M. erage), buzzy ensemble NBC stars, respect- ed showrun- ner (Rand Ravich, "Life") and ambitious action/thriller con- cept makes "Crisis" one of the most anticipated shows pre- miering this spring. But hype does not always equal substance. The first hour of "Crisis" is wildly entertaining, but underneath the gimmicky conspiracy elements and slew of big name actors, the mystery fails to carry any real intrigue. Most of the characters are flat and one-sided. Gillian Anderson ("The X-Files") is wasted talent playing the frigid Megan Fitch, a wealthy CEO and devoted mother. She steals every scene, but even she is not enough to save the show's unoriginal and obvious dialogue. Watch for a cringe-worthy exchange with FBI agent Susie Dunn (the Call: #734-418-4115 Email: dailydisplay@gmai.com HELP WANTED TELLER - UNIVERSITY of Michi- gan Credit Union, Ann Arbor. Are you looking for full-time work for the summer that will allow you to learn new skills and help build your resume? Consider joiring the University of Michigan Credit Union as aTeller! Our Branch Operations team is currently looking for bright, professional and friendly service minded studets to join us for the summer. Full training pro- vided. 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If there's e adult power players are a reason to continue tuning in, it's for our hero Marcus and Gross' star quality. But aside from all the hype Type doesn't surrounding "Crisis," there is the dark cloud of another fallen ial substance conspiracy drama. There is a reason that CBS's "Hostages" n new NBC failed so fantastically. It's a a fine line separating legitimate r -a stakes and silly plot contrivanc- es, and it is difficult to pull off an entire series based off a hos- the stronger elements of tage situation that seems more ," the teenage hostages suited to a 90-minute action definitely the show's film. "Crisis" could easily fall st link. The characters into the same trap of lazy story- ninspired and dull, the telling, and judging by the pilot, romance" spark-less. it seems the show might be gh the young actors do headed down that path already. est with the material they However obvious the twists 'en, the show barely tries and broad the conspiracy, elop its characters beyond though, "Crisis" has a wealth overachiever girl," of talent and potential under its y teen with daddy issues" pulpy surface. If the show uti- devoted boyfriend." And lizes its strengths and builds up crowded ensemble cast, its weaknesses, we could have re often pushed aside for a great quality drama with a interesting characters. unique premise (or at leastsome ever the hostage teens do halfway intelligent network ignificant screen time, it's fare). The conspiracy could very n manage to maintain my well be more dynamic and bet- on. ter planned than anyone could only young character guess by viewing the first epi- any real intrigue is sode, and maybe subsequent Roth (Joshua Erenberg, episodes will develop some of rgatory") who is smartly the one-dimensional teens a bit with fellow underdog more. But this is wishful think- s Finley (Lance Gross, ing and straight speculation. Perry's House of The mystery is still foggy and "). Marcus is easily the undeveloped. As it stands now, ikeable character on the "Crisis" is fun but tragically He is a competent and unengaging. Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis ACROSS 1 Chess ploy 7 Antique cane topper 11 Home of the N.Y. Rangers 14 Fundraising targets 15 Wrath, in a hymn 16 Scarfed down 17 Annual. 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