The Michigan Daily - michigandaily.com Monday, April 21, 2014 - 6A The Michigan Daily - michigandailycom Monday, April 21, 2014 - 6A Wally Pfister talks 'Transcendence' 'Dark Knight' cinematographer discusses his directorial debut By CONRAD FOREMAN DailyArts Writer One of the things "Gravity" did was remind audiences of the significance of the cinematog- rapher. As the (wo)man behind the camera, the cinematogra- pher is integral in shaping the style and feel of the film. It's not surprising, therefore, that many cinematographers go on to become directors. One such cinematographer to make this transition is Wally Pfister ("The Dark Knight"). His directorial debut, "Tran- scendence," hit theaters April 18. Pfister spoke about his new film and his step into the direc- tor's chair in a conference call with The Michigan Daily. "For me, the greatest chal- lenge was also one of the most enlightening, wonderful, fun things, which was in directing actors and delving in the per- formances for the first time," Pfister said. It's fair to say Pfister had a plentiful crop of capable performers on his team. The cast includes Johnny Depp ("Edward Scissorhands"), Mor- gan Freeman ("The Shawshank Redemption"), Rebecca Hall ("The Prestige") and Paul Bet- tany ("A Beautiful Mind"). "It's mind-blowing. Really, I felt incredibly fortunate to be lucky enough among outing as a director to have the likes of these incredible actors. And honestly, this isn't just bullshit: they were all a joy to work with." Pfister said that his previ- ous working relationships with Freeman and Hall helped him adjust to his firstgig as a direc- tor. He worked with Freeman on "The Dark Knight" trilogy, and with Hall on "The Pres- tige." Each of those movies was directed by Christopher Nolan ("Inception"). In fact, Pfister's done the cinematography for every one of Nolan's films since "Memento," in 2000. "Chris and I worked together for a long time and clearly for a reason," Pfister said. "We both had a great respect for each other and had a good working relationship, and I think we did some fantastic work together." Pfister talked about how Nolan's example helped him take on a greater leadership role. "One of the great things about Chris Nolan is his disci- pline on the set, and to observe somebody who really considers every minute of your set time to be precious," Pfister said. "Transcendence" follows a common science fiction theme of artificial intelligence. How- ever, as Pfister explains, "Tran- scendence" manages to set itself apart. "We are talking about an actual human consciousness living in this machine rather than something completely artificial, so that makes it slightly different, and I think that also sets off the emo- tional journey," Pfister said. "Throughout most of the movie, the idea is to question whether- in fact this machine contains the actual soul of this particu- lar person - that person being Johnny, of course." Pfister knows that these issues have complex implica- tions, so he did his due dili- gence in research. In addition to research visits to MIT and Stanford University, Pfister collaborated with two profes- sors'at University of California, Berkeley to better understand the topics. "They were so helpful," Pfis- ter said. "They became the kind of fulltime consultants on the film and were involved in sort of every stage of vetting the sci- ence and the medical applica- tions in the film." Only time will tell if the advanced technology of "Tran- scendence" will permeate real life. "It's anybody's guess what would happen," Pfister said. "I don't really have a desire to upload my brains." ABC Finally: a shirt made of french fries. 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All Olivia wants is to be . . able to "stand in the sun." Yet, Olivia is the woman who can fix everything, and the thing that needs fixing most is her Iown parents. What do you do when almost every person you know A 1 JM IL is corrupt and a murderer? Apparently for Olivia Pope the answer is to quit OPA and hop on a private jet and run away. After all, Olivia's close friend Cyrus was will- ing to let a church explode with hundreds of people inside just to win an elec- tion, which somehow wasn't even the most shocking and important part of this finale. Her father is a murderer, and her mother and her boyfriend and her other boyfriend and the people she works with, the list goes on and on. Olivia Pope, the woman who refuses to quit and can supposedly handle anything has run away from all her problems. But don't worry, she brought Jake with her to "stand in the sun," because a person actually can stand in the sun with some- one who took over as com- mand of B613 and personally murdered James Novak and two other people. No, there's no dark shadow following him around. On the bright side though, at least Olivia finally made a decision. Jake or Fitz? Jake or Fitz? All season long Olivia has gone back and forth dragging viewers along with her. She sits on the phone with Jake, then she has a little rendez- vous with Fitz in the Oval Office. Neither relationship is really healthy, but at least she has finally picked someone. And being that Jake is neither married nor the president of the United States, he does seem like the more appropri- ate and logical choice. Olivia was once so strong, she stood tall in her white hat, a gladiator in a suit and gorgeous jackets, sure of her- self and her mission. She was there to fix things, but while she was busy fixing everyone else's problems, hers built up and now Olivia can't even handle her own life. She's the one who needs fixing. If the series is renewed for another season, which in all likeliness it will be, it'll be interesting to see where Rhimes takes this story. Olivia can't run away forever, she'll be back. Getting on a plane and fleeing from all of her issues and everyone she knows will not help her stand in the sun. In order for Olivia to ever be able to find peace, she will need to pull everyone else out of the darkness and expose them, and since every- one she knows seems to be covered in darkness, it's clear she has a lot of work to do. xwordeditor@aolcom 04/21/14 I ARE YOU IN ANN ARBOR FOR THE SUMMER? THEN START WRITING FOR THE DAILY ARTS SECTION! E-mail Giancarlo Buonomo at gbuonomo@umich.edu to request an application. By David w.Cromer (c)2014 Tribune Content Agency, L LC 04/21/14