The Michigan Daily - michigandaily.com Monday, March 24, 2014 - 7A The Michigan Daily - michigandailycom Monday, March 24, 2014 - 7A DISNEY Woah now. New 'Muppets' falls short of its predecessor FOCUS FEATURES How it feels to have creative control. Jason Bateman talks 'Bad Words' Film and TV star discusses his directorial debut in conference call By CONRAD FOREMAN DailyArts Writer Fans of Jason Bateman probably know him best as Michael Bluth, the voice of reason on "Arrested Devel- opment" (one of the best TV shows of all time). His role on that show is the good guy, serving as a foil to his self-centered, some- times downright evil family. As he's made the jump to the big screen, Bateman's roles in, movies have normally been similar to the Michael Bluth character; Perhaps his unde- niable charm pigeonholes him as the consummate nice guy. However, in "Bad Words," which releases to theaters Friday, March 28, Bateman drastically departs from that archetype. He plays Guy Trilby, a crude, disgruntled 40-year-old, who attempts to win the national spelling bee - for eighth graders - through a loophole. Bateman commented on what it's like to play a not-so-nice guy dur- ing a conference call with The Michigan Daily. "We're all playing make believe and the goal is to be as convincing as possible at being a bad guy: And that's kind of fun to do." Playing the antihero isn't all that's new for Bateman in this project, though; "Bad Words" is his directorial debut, something he's been anticipating for a long time. "I've been basically acting, mostly for the last fifteen or twenty years, with the goal in mind of trying to create enough capital, enough rel- evance, enough of a profile in the business as an actor so that I can ask for the direct- ing reigns," Bateman said. The transition from on- screen to behind the camera is one that many actors hope to make, though sitting on the director's chair means intimate involvement in both pre- and post-production, and poses difficulties that are too much for many to handle. Bateman, however, believes directing to be a more fulfill- ing artistic experience. "With acting, you're trying to convince people that you're somebody different, and with directing you're trying to cre- ate a completely fake world for the audience and trying to shape an experience for that audience for two hours ... to me, it's a much more chal- lenging and gratifying cre- ative effort," Bateman said. "I don't want to belittle acting at all, but maybe it's just because I've been doing it for so long, it's so comfortable to me. I was really excited about the challenge of taking on more responsibility." Though his future career plans are focused on direct- ing, acting will still be an important focus for Bateman. "If I could rub a genie bot- tle and get my wish," he says, "it would probably be some- thing like what Ben Stiller does, or George Clooney, or Ben Affleck, in that they split their time between the two and often do both at the same time." Bateman refers to his new film as "a hard 'R,' " though he points out that the raunchy content of "Bad Words" serves a greater purpose, namely, the chronicling of the low-point in a man's life, aman who feels as though he's been trampled upon by the world and seeks his own brand of justice. "There is a very crude, tact- less, generic, popcorn version of this kind of humor," Bate- man said, "And that is not something I was ever inter- ested in making." Bateman believes that, while the film "gets uncom- fortable at times, it's not as bad as some of the violent films that I think kids flock to today." "I think it's tough for kids to see violence done as well as Hollywood can do it now- adays. We can make it look really convincing that a guy's head gets blown off his body, and a lot of kids go in and see those movies," Bateman said. He added that he thinks that nudity and profanity are much less harmful for chil- dren than the violent content rampant in the media. "Saying a dirty word here or there, or looking at a woman's breasts? C'mon. People are sunbathing without tops on in Europe and have been for eons, and that continent's not pumping out a lot of adoles- cent murderers left and right. There's a bit of a prudeness in this country at times and it's a little shocking, to at least me." Bateman also noted that it's important to have the dark side of the film - especially if the laughs are going to be hearty. "I knew that with that dark humor in the script comes the obligation to counterbalance that with something a little bit more sophisticated, a little bit more human. You've got to earn those big uncomfortable comedic moments for people, otherwise it just feels gratu- itous or arbitrary. So it asked me to do a lot as an actor and as a filmmaker to strike that balance." Though darker than audi- ences might expect to see Bateman, "Bad Words," will assuredly provide some laughs. He especially praised the comedic talent of the cast, which includes friends Kathryn Hahn ("We're the Millers"), Allison Janney ("American Beauty") and Rachael Harris ("The Hang- over"). "I was very, very lucky and I owe them big. I didn't have to give them a lot of direction either, because those guys - they're Jedi Knights." By CONRAD FOREMAN DailyArts Writer In November 2011, I tooka girl named Hanna out on our first date. My combination of love for movies, fan- dom of Jason B Segel and lack of originality in Muppets date-planning Most all pointed to one activity: Wanted We were going Rave20and to see "The Muppets." Quality16 It's been Disney over two years since that first date, and certainly a lot has changed over that time. How- ever, Hanna and I are still going strong. Naturally, when my edi- tor said that one of the movies up for review this week was "Mup- pets Most Wanted," I knew it had to be mine -just like I knew Hanna had to be mine two years ago. This sequel to the 2011 Mup- pets reboot (and eighth install- ment in the "Muppets" film franchise) picks up exactly where its predecessor left off. With all the Muppets back together again, Kermit and his pals are at a loss for how to con- tinue their revitalized careers. In steps Dominic Badguy (Ricky Gervais, "The Invention of Lying"), who promises that he can deliver a lucrative world tour for the gang. They catch a train to Berlin where Dominic lives up to his last name, helping Kermit-lookalike, Constantine, steal the famous frog's identity. While the Muppets continue their world tour, ignorant both of their leader's absence and the crimes Dominic and Constan- tine commit along the way, Ker- mit (mistakenly believed to be Constantine) struggles to make his way in a Russian gulag. One of the things I love about Hanna is her ability to make fun of herself. It's a trait she shares with the Muppets. From the opening song that mocks the poor quality of sequels, to the police car that takes Ker- mit away (which reads, "Plot- pointenburg"), "Muppets Most Wanted" thrives in its refusal to take itself seriously. Of course, no Muppets film would be complete without a barrage of cameos. Lady Gaga, Christoph Waltz, P. Diddy, Salma Hayek and Usher all make minor appearances, while the penitentiary Kermit is sent to houses prisoners that include Jemaine Clement, Ray Liotta and Danny Trejo. Celine Dion is even featured prominently in Miss Piggy's musical number. Aside from Gervais, Tina Fey ("Baby Mama") and Ty Burrell (TV's "Modern Family") fill the major human roles. Fey heads the gulag that imprisons Ker- mit, but harbors a deep passion for musical theater. Burrell plays the detective hot on the trails of Constantine and Dominic. His character provides a lot of the laughs throughout, serving as a vehicle to mock European cul- ture (he takes six-hour lunches and drives a car smaller than most bicycles, among other ridic- ulousness). My personal favorite Mup- pet, Bunson Honeydew, received a surprising amount of screen time. My grandmother, to her dying day, swore that Honey- dew is based on the likeness of my grandfather, a bespectacled chemist who suffered from alo- peciaand attended the University of Michigan with Muppets-cre- ator Jim Henson. "Muppets Most Wanted" is fun enough, but falls short of the bar set by its predecessor. It appeals to nostalgia by bringing back old gags, while still com- ing off as fresh and original and providing some genuine laughs (though not as many as it would hope). The Muppet style should also hold a special place in intel- lectuals' hearts, as it's perhaps the epitome of postmodernism. However, for a concept found- ed on the spreading of positive moral values, this installment surprisingly lacks heart. Yes, the message at the end is that every- one belongs with their family, but it feels forced and isn't nearly as developed as the personal iden- tity theme in its 2011 forerunner. It's missing Segel's sharp screenwriting. Perhaps the film fails because it tries too hard. Jason Segel's script was much simpler, and his is probably the best of the eight Muppets films. Taking the story all over the world, focusingheav- ily on two new villains - these tactics intend to keep the mate- rial from being stale, but instead leave little room for smaller characters to shine and forces the whole thing to feel a bit scat- tered. Hanna and I both left the the- ater thinking that our "Muppets Most Wanted" experience wasn't as good as our first date, and I'd like to think that comments more on the quality of the film, than on our abilitytohave fun together. RIP Grandpa Foreman aka "-- ----- Gain skills and grad school opportunities through Peace Corps. See our global openings at peacecorps.gov/openingS ~ampus Office: 734.647.2182 or peace.corps@umich.edu QUIT FRONTIN'... AND START FOLLOWING THE CREW. @MICHIGANDAILY I Buy one sandwich, get one free! I Limit One offer per customer with coupon. 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