6 - Friday, December 6, 2013 The Michigan Daily - michigandaily.com 'Frozen' will warm your heart Disney produces a new take on typical princess story By KAREN YUAN Daily Arts Writer During the production process of "Frozen," Disney assigned a team of researchers and animal behavior- ists to study a particular species of Frozen young adults called Use- Walt Disney rus Tumblrus Studios and Readerus Buzzfeedua. Rave and Qaaliyl16 After ana- lyzing and distilling every trait of these crea- tures, the team threw them into a blender. The result is "Frozen" 's heroine Princess Anna (Kristen Bell, "Safety Not Guaranteed"), who appropriately freaks out, trips and exudes quiet courage at all the right moments - allowing the movie's young target audience to project themselves onto her as much as possible. She's spunky and independent, her speech filled with, like, mod- ern vernacular. She's also quirkily obsessed with food, shoveling pas- tries into her mouth at a ball i la Jennifer Lawrence - patron saint of teenage girls - eating McDon- ald's at the Oscars. When in the presence of a handsome prince, she stutters and becomes endear- ingly awkward. This is Disney's newspinonthe old princess trope. In the same vein, Disney sub- verts the traditional fairytale canon in the animated musical "Frozen," directed by Chris Buck ("Tarzan"). The movie revolves around two sisters, Princess Anna and her older sister Elsa (Idina Menzel, "Enchanted"), who com- plements her frostier personality with the power to control ice and snow. On her Coronation Day, Elsa accidentally unleashes her powers on the entire Kingdom of 0 "We're gonna need a bigger rum ham." Spotlight: 'Always Sunny' a dark delight Always a princess, never an ice queen. Arendelle, dousing it in eternal winter as she flees in fear. Anna embarks on a journey with moun- taineer Kristoff (Jonathan Groff, "C.O.G.") and sentient snowman Olaf (Josh Gad, "Jobs") to find her sister, who she loves despite their strained relationship. This is where the movie diverg- es from a typical fairytale. There is no clear delineation of good versus evil, no Dorothy pitted against the Wicked Witch. Elsa is a refresh- ingly reluctant villain. Anna's spontaneous engagement to the mysterious Prince Hans (Santino Fontana, "Nancy, Please") is a typical, Cinderella-esque arche- type contested by Kristoff, who asks her the important questions: "What if you hate the way he eats? What if you find out that he picks his nose? And eats the boogers?" "Frozen" sets itself apart from any other Disney princess movie through one last trope inversion: Only true love can break a fatal spell, but it's not the conventional love which the audience is led to believe. In the past, Disney has moved toward a modern take on fairytales - 2007's "Enchanted" for example, addresses true love's kiss - but "Frozen" goes above and beyond its duty with a major twist. Hint: Girl-power advocates everywhere are cheering. From a more traditional stand- point, "Frozen" 's animation shines despite its limited palette of snow, ice and more snow. Watch this movie if only for the stunning wintry landscapes, especially in 3-D. There are also a few Eas- ter eggs that nod to '90s Disney classics, including "Mulan" and "Beauty and the Beast," to mol- lify even the most ardent Disney veterans. The film is destined to go the same way as "Beauty" and become a Broadway musical. "Frozen" delivers eight brand new songs, from anthem pop to acoustic duets, and though it oddly lacks a finale number, the timeless Dis- ney heart in each song more than makes up for it. It's a slogan for the whole movie: New look, same great taste. By CHLOE GILKE DailyArts Writer Never in a million years did I think I'd be recommending peo- ple to watch "It's Always Sunny in Philadelphia." Just a few months ago, I probably would have told you that "Sunny" was brainless and offensive. I'd seen the pilot epi- sode a few years back, and wasn't impressed: Within the first few minutes, the "gang" of morally repulsive bar owner buddies had already demonstrated their racism and homophobia, appar- ently using these insensitive jokes to garner cheap gasps, not legitimate laughs. I ignored my friends who recommended it to me, because it seemed that only a certain type of person liked the show, anyway (the fans' personalities tended to be eerily similar to those of the gang!). But more recently, a friend described "It's Always Sunny in Philadelphia" to me as the scum- my cousin of "Arrested Develop- ment." 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Mac's delusions rison. So I decided to give of grandeur balance Charlie's 0 y" another chance, hop- pathetieness. He's the bossy laugh under my breath bar "sheriff" and resident per- taybe grow accustomed former of ocular pat-downs. barrage of cheap crude His sexuality is questionable, but he's not the only one. The show's writers have comment- ed that every character exists charac somewhere on a spectrum of ss h acters homosexuality. ring to life And even with all the male bromance, the show still finds que, abrasive screentime for hilarious ladies. Dee Reynolds (Dennis's sister) le of humor is easily one of the best written female characters on TV. She's funny in the same way as the show's male characters, while seasons in, I wonder not completely defeminized. possibly could have left Dee could have easilybeen writ- y" off my radar for so ten as the boring female voice of had misjudged it sorely: reason of the gang, but instead, he comedy is abrasive, but she's perhaps the brashest teath all that rudeness are of the group. Just when you pretty great characters. think Dee might be gentle, she Reynolds, in particular, takes advantage of her biologi- I me from the beginning. cal father and tries to weasel rivileged son of Danny her way into collecting inheri- 's Frank, Dennis is a clas- tance money. She's not afraid to cissist. He expects every- take advantage of people to get his life exists to serve his what she wants. Dee holds her and is incapable of empa- own against the rude and over- st a little example: In one drawn boys, not unlike a hybrid e, Charlie discusses how between a materialistic Lindsay r should ban smoking. Bluth and manipulative, awful stands by, puffing on his Joffrey Baratheon. te obliviously. He blows And this barely reaches the straight into Charlie's tipoftheicebergofall this show h, and as the seasons go has to offer. Every episode con- writers drop hints that tains the perfect combination of is probably (definitely) laughs and gasps, not nearly as opath and serial killer. cheap as I'd initially judged. For are traits more often seen every episode centered around ever-popular male anti- poop in the bed, there is a biting rama, so seeing a Dexter satire of the welfare system or n or Don Draper type as of reality TV culture. I'm still in ater in an ensemble com- awe of how TV series can suc- especially unique (and cessfully handle jokes about us). such sensitive themes as child Dennis is only one of the molestation, incest or rape. ic characters that popu- "Sunny" is always unabashedly e world of "Sunny." The offensive, but rarely crosses ed "gang" that owns the border into poor taste. The anages Paddy's Pub is show certainly isn't for every- ous, but nevers feel one - the faint of heart might aricatures. Charlie Day find the gang's rampant alco- ible Bosses") plays "wild holism, sexism, racism and nar- Charlie Kelly, a loveable cissism unbearable, but if you ss-stalker with a learn- think you have the stomach, you sability and absolutely might enjoy trying a few sips of imbition. Of the group, "Sunny." Maybe, like me, you'll obably the most innocent develop a tolerance for its acer- nd-hearted, but no one is bic humor and become addicted I from the gang's endless to the show in no time. FOLLOW USON , ~TWITTER!* WE'RE COOL! @MICHIGAN DAILY