The Michigan Daily - michigandaily.com Wednesday, December 4, 2013 - 5A Panel to explore media, feminism Professors discuss how scholars engage with public ByKATHLEEN DAVIS Daily Arts Writer As is often the case with pro- gressive topics, feminism has sometimes had a difficult tran- sition from the academic Feminist world to the general public. There has been, Engage however, an the Public active effort to make the topic Friday at friendlier to a 10 a.m. non-scholarly audience. Fri- The League day, the Univer- Free sity will host a panel discus- sion featuring four acclaimed professors who will discuss how to bring the topic of feminism to an audience outside of academia. Lilia Cortina, a professor of Psychology and Women's Stud- ies at the University, will act as panel chair for the event, facili- tating discussion and questions between the professors and audi- ence. "(The panelists) are academ- ics used to publishing scholar- ship in places like peer-reviewed journals and scholarly books," Cortina said. "But we also value opportunities to share what we've learned through our schol- arships and our research with non-academics." Four of the panelists - Anna Kirkland, Sari van Anders, Maria Cotera and Cortina - are profes- sors in the University's Women's Studies department, while the fifth panelist, Jennifer Berdahl, is a professor of Organizational Behavior at the University of Toronto. Prof. Kirkland has recent- ly published several articles about the lack of correlation between vaccines and autism, while also studying gender and weight discrimination in the United States. Prof. van Anders has been researching the link between sex, intimacy and bio- physiology, and Prof. Cotera has worked substantially with Latina/o studies, U.S./third- world feminism and American Culture. Each of these profes- sors will discuss their research within women's studies and how to bring these issues to the forefront of public discourse. The event will be used as an opportunity to discuss how feminist scholars use various forms of media and technology to engage their work with mem- bers of the public, and the pros and cons of doing so. Cortina is aware of the unfa- vorable stigma the general pub- lic has against feminism and said she hopes the panel discus- sion will help encourage those unfamiliar with the subject to expand their views. "All of us are keenly aware that the public at large usually has views of feminism and fem- inists," Cortina said. "These are very narrow, based on myths and very negative." Along with the other profes- sors in the panel, Cortina hopes to bring a change to the concept that feminism is an idea only ben- eficial to women, and encourages anyone interested in the topic to attend. "We think of feminism more as a broader social justice move- ment that's working to correct various kinds of gender-relat- ed inequalities," Cortina said. "These are also linked with race- related inequalities and class- based equalities." CAPITOL NASHVILLE Ping pong's cool, am I riggghht? Curl up to these holi~day country tunes Why Iinsist on'Keeping up with the Kardashians' ByERIKAHARWOOD Daily Arts Writer By GREGORY HICKS DailyArts Writer Exploring your inner Christmas country canbe difficult, especially when the same Martina McBride record has been orbiting your head for one too many years. Search- ing for anything to please your extended Nashvillian family mem- bers? Looking to educate yourself on a stand-out classic that didn't click with your generation? Every expedition needs its kickstarters, and yours should be no exception. Lady Antebellum- On This Winter's Night Stir some light percussion, delicate piano and the warmth of a string orchestra to complete preparation for a Christmas-ready recipe. To any country listener who frequents Need You Now, it's evident that these are already the iconic ingredients to Lady A's sound. Impassionedballad-workis the group's claim to fame, and the holiday transition is barely a tran- sition at all. Rather than lullabying yourself to relaxation with "Hello World," take the chance this winter to heat the cocoa and sedate yourself with Lady A's unexpected ballad rendition of Mariah Carey's "All I Want For Christmas Is You." The track is Hilary Scott-exclusive, vocally speaking, but Charles Kel- ley's backup vocals initiate the Grammy-winning harmonies that charm fans through any season. The 2012 record also features an original number - the record's title track, "On This Winter's Night" Capitalizing on the mel- ancholy piano themes of Own The Night (particularly "When You Were Mine"), the song narrates the peaceful satisfaction of "this winter's night." It's often said that music is one of the few media that can simultaneously draw opposing emotions, and this Lady A original provokes any number of holiday feelings. Originals and Mariah Carey covers aside, the record isn't astoundingly thought-provoking (relative to other albums on the Holiday charts), but certainly well- executed. Charles, Hillary and Dave carry a musical elegance that flatters a Christmas studio album finer than other neighboring coun- try artists. Brad Paisley - Brad Paisley Christmas Holidays are no reason for Brad Paisley to budge in his musical ground. On a scale from Mari- I have roughly zero qualms admitting my love for all things low-brow. I blast Bangerz in my car more often than not, reli- giously read Perez Hilton and will stop whatever I'm doing to watch any "Fast and Furious" movie that happens to be on TV (R.I.P. Paul Walker). That said, it should come as no surprise that I have a guiltless obsession with the royal family of reality television: the Kardashians. When my interest with the Kardashian klan was burgeon- ing, I assumed I was enjoying it solely through the ironic lens of someone part of the genera- tion that prides itself on over- sized eyewear and an extensive closet of Bill Cosby sweaters (I'm guilty of both). This was seasons ago when the family adopted a monkey, Kim dated Reggie Bush and Rob was still hot. I kept my love affair low- key and would lie to friends and family, pretending that I didn't know intimate facts about the family. Yet here we are, almost seven years later, and a still can't manage to escape the Kardashian k-void, which as of late has caused me to sit down and ask myself: Why do I insist on keeping up with the Kar- dashians? Members of the family have attributed their ungodly suc- cess to their relatability, but that seems like a stretch. I've personally never been in a posi- tion to casually drop $30,000 on a Birkin bag and, for what- ever reason, no one gave me my own clothing line at the age of 15. To be fair, that clothing line would have consisted of bedaz- zled graphic tees and ill-fitting cargo pants. And, the last time I checked, no one in my family had a child out of wedlock with one of the most famous musi- cians of our time (I hear a few of those One Direction boys are still single, Mom). To top it all off, my family has never been offered a television contract just for being us. The aforementioned list only scratches the surface of rea- sons why people loathe this family, claiming the show is a cesspool of excess, ignorance and debauchery - that could very well be a direct quote from my dad, but I'm not sure. To an extent, I get it; 16 year-old Kylie drives her $100,000 Mercedes- ah Ca Kenny Christr Paisley not for Wonde could Warnir souther ern sub cal Chr Ch ea For sic hol to Pai Looke a Paisl choice1 this co any. TI from a day." explorE ley anc attemp song that won't offend the ... sensi- tive holiday-neutral folks. Eventu- ally the track just censors each use of Christmas vocabulary. Ifthesesongsarebarkingupthe wrong Christmas tree, gush over "Born on Christmas Day." The first half of the track is an old recording of 13-year-old Paisley debuting the ballad at a public gathering. The track eventually mixes into a mastered version of the modern- day country superstar performing the Christmas narrative. Thirteen years old and publicly performing a holiday original - quite a song- writing feat. John Denver - Rocky Mountain Christmas rey's Merry Christmas to One word: classic. John Denver Chesney's All I Want for practically started churning ,out mas Is a Real Good Tan, Christmas music the day he was ' leans closer to Chesney. tf born. In fact, much of this iconic lyrical familiarity, "Winter record is a compilation of Christ- rland" and "Silver Bells" mas tracks from his previous stu- easily go unrecognized. dioalbums. ng: This record is for the "Aspenglow"gives the gorgeous rn humorist, not the north- visual cue of country-western's burbanite in search of magi- favorite time of year, accompanied istmas intimacy. by pleasantly melancholy melodies (a paradox similar to the previ- ously discussed Lady A track, "On ristm as cam e This Winter's Night"). Add Den- ver's "Christmas for Cowboys" rAy this year. to the mix if you're looking for an original western tune with a dab of holiday thrown in. As for its obligatory covers, those scouting out a clas- no matter how rocky mountain iday har-har, veer on over high Denver sings, the perfor- sley's rendition of "Santa mance is dependably effortless. d a Lot Like Daddy." Not Low-stress melodies for the fire- ley original, but the cover side suit a December like stock- breeds character - not that ings over the fireplace. Lady untry goofball is in need of Antebellum and Brad Paisley are he self-written laugh comes your off-the-radar recommen- "Kung Pao Buckaroo Holi- dations, but if you haven't yet Prep for talk-singing and added John Denver's Christmas e the mind-boggle of Pais- repertoire to your season, it's d the Kung Pao Buckaroos time to make this bestseller part t to write and sing a holiday of your musical schema. 'Comedy' to illuminate Shakespeare's lighter side Where's Kanye? Benz with the same blase atti- watch the show as an escape tude I have toward my used from a mundane life or to ful- 1995 Honda. It sure as hell isn't fill some sort of (beautiful dark) my normal, but it is theirs. Yet twisted fantasy. I also don't the world treats the Kardashi- watch it for the compelling ans with the same amount of dialogue or thought-provoking disdain normally reserved for narrative. I watch it because I war criminals, but for what rea- laugh every time Scott makes a son? Because they have money? quip about Kris Jenner, I shed Because they have a television a tear (an actual, real-life tear) show? Because they participate when Kim talks about her baby in a more lavish lifestyle than and I cringe every time I see most of us? So what? They also Bruce because, my God, what is run a multi-million-dollar busi- going on with his hair? I watch ness, do extensive charity work it because I'm entertained. and have yet to try and kill off If you were to scroll through an entire race, as the overzeal- my DVR right now, you'd find ous emotions of their critics a wide range of shows from would have us assume. "Parks and Rec" to "Home- land," and weird documentaries on hard drugs and prison life. Don't feel too You'd also find every episode from this season's "Keeping Up guilty for your with the Kardashians," right there in plain sight. Eight sea- taste in pop sons deep into the series, I can finally say my love for the show culture. comes from an honest, com- pletely un-ironic place. In the words of Jimmy from "Degrassi": "And I can't hear I'm not here to justify the the critics / Talking over the ubiquitous presence of the Kar- applause." Haters gon' hate, but dashians or my love for them, I'm too busy keeping up with nor should I have to. I don't the Kardashians to notice. By TEHREEM SAJJAD DailyArts Writer Imagine you're in a strange city, unaware that your twin brother is there as well. Then, your brother's wife mistakes you for him - Comedy but not before of Errors you've tried to seduce her sis- Thursdayat ter. 7:30 p.m., William Friday and Shakespeare's Saturday at joyful work of 8 p.m.and mistaken iden- Sunday at tity, "The Com- 2p.m. edy of Errors," p follows the Power Center fortunes of two From $22 sets of identi- cal twins, acci- dentally separated at birth, and then miraculously brought back again. This week, the School of Music, Theatre & Dance takes its audience on a wild ride as "The Comedy of Errors" brings the absurdity and turbulent tales of Ephesus to Ann Arbor. Most people know Shake- speare better for his numerous tragedies. "Romeo and Juliet," "Macbeth," "Hamlet" and "King Lear" are only a few of his works that fall under that umbrella, considered some of the finest in English literature. As the play opens, the audience "The Comedy of Errors," one finds the four men in Ephesus, of Shakespeare's early plays, is where they fall into trouble, a timeless comedy. Often, the confusion and eventually a play is described as a farce, cri- warm reunion. tiqued for being an immature "The audience knows more work lacking some thematic than the actors on stage - we and poetic qualities of his later know that there are two sets comedies, such as "Twelfth of identical twins," Neville- Night" and "As You Like It." Andrews said. "And then we get "It's interesting that Shake- to see the miscommunications speare wrote what's consid- and that brings the humor to ered, at this age of day, a farce," the play." said Director Joseph Neville- Shakespeare presents emo- Andrews. "It's also interesting tion-packed plots that gener- that, if this is his first play, that ate anticipation and tension in he would select something very his audience. In "The Comedy light and airy to write about. of Errors," comic and dramatic But then, of course, he went on potential that twins provide is to write the heavy-weights." beautifully realized. Having four actors serve the roles of pro- tagonists makes it exasperating A tale of two that nobody onstage can spot the glaring differences between Bards. them; while they don't know each other, everyone in the audi- ence seems to know them. "I think it's the fact that the At first glance, "The Comedy audience knows ahead of time, of Errors" seems like a predict- but they just don't know where able tale of mistaken identities the story is going to go," Neville- and broad humor. Two sets of Andrews said. "Is it going to be a identical male twins (with the happy ending? Even though the same names) are born to two plot is quite simple, how do we couples, one poor and the other get from A to Z? I think that's wealthy. During an ocean voy- what brings the joy and humor age, the twins are separated. into the play." I s