8A - Wednesday, October 23, 2013 b The Michigan Daily - michigandaily.com 8A - Wednesday, October 23, 2013 The Michigan Daily - michigandailycom 0 0 Xoxo Gossip Queen. Soapy imagination of 'Reign' misses the mark AMC Who does Saul call when he has problems? 'Saul' aims to be its on type of 'Bad' Th hl By Arey work or Are tw shows e sons? D get caui underca yes to a you bet AMC develop new TN a "Brea Bob Od ite eu shirt-w Saul Go develop ator-sh and pro who cr charact the new confirm hour-lo to Gillit is funn It's e want to sweet d ing Bad son of' distanc to buy stretchi son acrc ately n The rel Saul Go viewers e AMC spin-off them to find their next big thing. If we're lucky, maybe Saul Goodman opes to stand could even be that nextbigthing. But the successful spin-off is on its own a rare find. It's a tough balance to strike - if the new show disap- MADDIE THOMAS points its audience, you risk taint- For the Daily ing the image of the original (like when "Scrubs" let that weird, shit- you a prominent cable net- ty spin-off under the same name n the brink of irrelevancy? happen instead of dying respect- o out of three of your hit fully like it should have). Some nding or in their final sea- spin-offs are doomed from their id your buddy Badger just conception, like the "Friends" ght trying tosell meth to an spin-off, "Joey." The logic sort over cop? If you answered of made sense: "Joey is funny on ny of these questions, then 'Friends' so he will be funny in his ter call Saul! own show!" But an idea spawned recently confirmed that from good intentions ended up ament is underway on the being a miscalculation. As any V show, "Better Call Saul," good television critic in the early king Bad" spin-off starring 2000s could've told you, "Friends" enkirk as everyone's favor- worked because it was truly an phemism-loving, flashy- ensemble comedy. Removing one earing, criminal lawyer, part from the whole left that part odman. The show is being floundering, exposed and facing ted by "Breaking Bad" cre- mixed reviews, ultimately leading owrunner Vince Gilligan to cancellation in the second sea- ducer-writer Peter Gould, son. eated the Saul Goodman Similar worries seem to plague er. Information regarding today's die-hard "Breaking Bad" series is limited, but it is fans. I hear a lot of concern over ted to be a prequel in the whether or not Saul will still work ng format and, according as a character when he's not acting gan, it's "more dark than it as a foil to Walter or as a comedic y." relief in a tense situation. There's asy to see why AMC would a lot of speculation over whether lock this down; it's a pretty AMC is just trying to milk "Break- eal.With the loss of"Break- ing Bad" for every penny its worth. " this yearandthe final sea- Some are simply concerned that if Mad Men" looming in the "Better Call Saul" fails in any way, e (though they did manage the entire "Breaking Bad" name themselves some time by will be forever ruined. But for ng "Mad Men" 's final sea- every "Joey" there is a "Frasier,". oss two years) AMC desper- and when ateam of highly compe- eeds to reconstruct itself. tent creatives put their reputations liable and familiar name of on the line for a show, you have to odman can help keep their trust that they have a few tricks interested long enough for up their sleeves. "Breaking Bad" 's immense success, including the recent Best Drama Emmy win, has solidified Vince Gilligan's reputa- tion as one of the pre-eminent cre- ative geniuses in Hollywood right now. His name is one of the most valuable in the current industry, and he's allowing it to be attached to the new series. If that's not a sign that he has given his blessing, I don't know what is. If there's anything I've learned from "Breaking Bad" (apart from meth is bad and stuff), it's that Vince Gilligan is a man you should trust. Saul has consistently been a fan favorite, and lawyer shows have consistently been popular (see: "Law & Order," "Boston Legal" and "The Good Wife"). Honestly, Odenkirk is talented enough that I'd probably tune in every week even if "Better Call Saul" ended up adopting the for- mulaic structure of "Law and Order." But we all know there's too much good material for that to happen. In fact, the show being a prequel opens all sorts of doors for the writers to peek into if they wish, including the possibility of bringing Jonathan Banks back to play beloved hit man Mike Ehrmantraut. "Better Call Saul" is not going to be the next "Breaking Bad," (mostly because that title has already been bestowed upon "Low Winter Sun") but it doesn't have to be. It's normal to be anx- ious or skeptical, especially with something as big as "Breaking Bad" 's reputation on the line, but Vince Gilligan's approval should put fans at ease for the coming months. "Better Call Saul" can be independently successful and, in that way, do its parent show jus- tice. By KELLY ETZ Daily Arts Writer Maybe it was naive to settle in for the pilot of "Reign," the CW's new historically set series, with. high hopes. "The Tudors" D+ is famous for taking his- Reign torical liber- pilot ties (Henry as a hottie? Please.), Thursdays at and that was on 8:30 p.m. premium cable. Here I was, CW thinking it was admirable, even daring, for the CW to step out of its comfort zone ofvampires and teen queens to give viewers something radically different. Then, the epi- sode actually started. In CW fantasyland, Mary Stu- art (Adelaide Kane, "Teen Wolf") is cloistered away in a convent from the age of 9 for her own pro- tection. Um, no. Since ascendingto the throne at six days old, the real Queen Mary had, by all accounts, an untroubled childhood. She moved to the French Court when she was 5 and was consideredboth clever and highly beautiful. But why let a little thing like history get inthe way of a good, juicy plot- line? The inaccuracies mount from there. Perhaps the most atrocious is the rendering of Francis (Toby Regbo, "One Day") as a golden- stubbled, horse- and woman-rid- ing heartthrob. It's all about the eye candy where the CW is con- cerned; nevermind that the actual Francis - because these people did exi and sho immune land (I the pr agile a who sh at the t And ing his there's Coomb Henry "Immo that, b The on excels; betwee ones. His out The "Reign to follo no one ence, t. been n execut thy ("G fascina ulously her int CW's M applyin ing bat love. S that sh But doe st in reality - was sickly decisions? Sadly, no. ort. Even Nostradamus isn't The real Mary, Queen of e. Played by Rossif Suther- Scots, lived a life brimming with Donald Sutherland's son!), intrigue, from multiple mar- ophesier looks remarkably riages and commoner uprisings nd handsome for someone to an eventual execution. If the ould have been close to SO CW was going to ignore all of ime. that, why even call this the story while we're literallythrow- of Mary Stuart? Why not inventa tory out the tower window, completely fictitious Queen, who also Sebastian (Torrance would be free to dally with bas- s, "Heartland"), King tards and converse with unseen II's (Alan Van Sprang, spirits without personally offend- rtals") illegitimate bastard ing viewers? y the way, never existed. Moving on from the mutilated te thing the CW knows it remains of history, "Reign" isn't at is forbidden love triangles terrible. Boiled down, it's just a n brothers, even imaginary teenaged soap opera, with cornets and corsets ratherthan Constance uniforms and Prada bags. And as a point in its favor, it's stunningly stor thrown filmed. The vistas are sweep- ing and grand - the series was of the tower shot on location in Ireland - and everyone looks terribly beautiful. window oThere's also asufficient amount of sex to make it scandalous, especially when considering the tween-centric focus. Mary and most irritating thing about her four BFFs sneak in to watch "isn't that the series refuses a public consummation, followed w any semblance of history; by a masturbation scene cut short was expecting exact adher- while King Henry II looks for 6 hough a shred would have some wall-banging action. So, at lice. It's that creator and least there's that. ive producer Laurie McCar- If disbelief is suspended, the Ghost Whisperer") took a pilot holds up as slightly humor- ting, compelling and ridic- ous and more than a little ridicu- smart woman and turned lous. The hope is that the CW's to a giggling mess. All the young, target audience doesn't Mary seems to care about is come away from the series believ- ag eyeliner perfectly, danc- ing there's truth in the subject refoot and finding her true matter. Otherwise, Queen Mary ure, she casually mentions ends up as little more than a love- e has a countryto look after. sick pawn, and that would prove es that enter into any of her the worst offense of all. lV R EsV I E W By ALEX INTNER For theDaily Starting with the premiere of "Burn Notice" in 2006, USA Net- work has made a name for itself by making easy- to-digest hours B of television set in aesthetically White Collar bright places. They have a Season five small arc that premiere continues week- Thursdays to-week (usu- at 9 p.m. ally covered in the beginning USA and the end of each episode), but they mainly focus on weekly cases. Shows like "Royal Pains" have embraced this model, mak- ing episodes that are easy to keep up with, but are not necessarily entertaining. "White Collar" has never been completely . comfortable with this structure. Over the first four seasons, it has helped usher in a change at the network by not blindly following its strict struc- ture. It put more of an empha- sis on the serialized arc and the character relationships than other shows onthe network, leading to a much more interesting and fulfill- ing show. The premiere sets up what should be another solid season. The previous season ended with FBI Agent Peter Burke (Tim DeKay, "Party of Five") arrested for a murder he did not commit; and the premiere deals with crim- inal Neal Caffrey (Matt Bomer, "Chuck") trying to save him from going to jail. Neal makes a deal USA How. with a c man (p come ai Sheppai in retui (stolen with h Dutchm At th most co tionship Over th the wri ship wi not tota respect Bomer on scre chemist in their Lij ent "Wh tures it riminal named the Dutch- ship. The . writers put some layed by the always wel- obstacle between the two (usually nd always amazing Mark involving Neal keeping a secret), rd, "Supernatural"), and, creating tension between them. rn for dealing some gold They use the same outline for each by Neal) and assistance season, but the variations they use is upcoming appeal, the are different enough that the rep- san set Peter free. etition is not a problem. e center of the show is the Even with the already strong mpellingelement:the rela- plot, a good case of the week can between Neal and Peter. make a huge difference. This te course of four seasons, week's case, involving Peter look- ters have built a relation- ing into Neal's theft, was enter- here, even when there is taining enough. It wasn't gripping 1 trust, the two characters television, but 'Neal working one another. Watching around Peter's investigation to and DeKay work together cover up his theft was fun to en is amazing, and the watch. try they have built shows It doesn't aim to be one of the interactions on screen. best shows on television, and it's not, but "White Collar" is enjoy- able and lightweight. It's great to ht et solid watch Bomer and DeKay work together. Even if the show has :ertainrnent. done the "Neal does illegal things and keeps it from Peter" plotline before, there is enough to differ- entiate it from similar arcs in the ite Collar" usually struc- past, making the show better than s arcs around this friend- the average USA procedural. 4