TiyWednesday, March 13, 2013 - 5A The Michigan Daily - michigandaily.com Lackluster 'Beast' needs more spice Travel Channel's newest addition isn't satisfying By KELLY ETZ Daily Arts Writer You've prohably assumed, while microwaving that third grilled cheese at 4 a.m., that there has to be something bet- C- ter in the world of late-night Feed the eatin'. Beast Travel Chan- nel to the res- Wednesdays cue. "Feed the at 9 p.m. Beast," a new six-part series, Travel chronicles food "enthusiast" Mikey Roe's city-hopping quest to find the holy grail of early morn- ingeateries. The premiere, which features San Francisco's gastronomic footprint, finds Roe chatting with the culinary minds behind a top-secret burrito in Fisher- man's Wharf. The supersized, super-stuffed Mexican classic looks deliciously unhealthy, but the whole "insider" aspect of the off-menu order is lost the second it's revealed, turning a previously underground option back into a plain 'ole burrito just in time for midnight. The rest of the episode has Roe filling up on deep-fried peanut butter and jelly, fresh gin- ger crab and hanging with drag queens over Portuguese sausage. Getting up close and personal withchefs, restaurantowners and local food columnists, Roe looks like he's having a blast. But watch- ing Roe chow his way through a smorgasbord of stomach-splitting comfort food? Not so much. It would've been more fun if Travel had extended the series, He takes home seconds in his beard. with Roe diving into a more diverse range of cities, instead of hitting the big-time basics like NYC, Seattle and Chicago. Why not get a little grittier and let viewers in on the best-kept (and most appetizing) secrets of Provi- dence, RI., Chattanooga, Tenn. or hell, even Ann Arbor? Roe getting down and greasy with the locals is one of the best parts of the show, but it would be more exciting if these were actually hidden-gem- type places, instead of leaving half the audience moaning "been there, ate that." The travel aspect is practi- cally nonexistent, making "Feed the Beast" more like what Food Network airs when it's not air- ing "Chopped," a show about food you'll never make from a city you've probably already seen. Unless the next time you mosey over to San Fran you'll be consult- ing the list you hastily scrawled during Roe's endless chomping, the series is pretty much useless except as a way for the Travel Channel to work in more food- ie-friendly programming sans Anthony Bourdain. The 9 p.m. timeslot seems like a mistake, especially for a series that claims to know thebest "late- night" eats. It would fit better, and will probably end up, in the dead zone of 3 a.m. television, as a substitute for all those OxiClean infomercials. At least in the early hours of the morning it's easier to justify watching a show about late-night eating, instead of actu- ally having to haul ass off the futon to hit the Taco Bell drive- thru. Even so, this isn't the worst thing you'll ever see. An ade- quate alternative if you've already noshed your way through every episode of "Top Chef" ever made, "Feed the Beast" won't cure the hangover- induced hunger pains, but it might distract you from throw- ing up for a while. What else can Travel expect after scraping the bottom of the bland barrel? HARALD HOFFMANN/Deutsche Grammophon The Grammy-award winning violinist's upcoming performance will be her sixth appearance in Ann Arbor since 1989. Celebrated violinist Mutter to return to A By GRACE PROSNIEWSKI Daily Arts Writer Anne-Sophie Mutter is a big deal. The German violinist has received countless awards, including mul- tiple Grammys and the Ernst von Siemens Music Prize, and has been a fixture on the international scene for near- ly 40 years. She dedicates herself and her Anne- Sophie Mutter Thursday at 7:30 p.m. Hill From $10 A testrategy to staying * ahead of obsolescence talents to numerous charitable foundations and provides sup- port and encouragement for gifted young musicians follow- ing in her footsteps. Even with this immense global success, she remains grounded. Mutter doesn't come from a long line of musicians, but rath- er from great appreciators of music. Her introduction to this world came quite early when, as a child, she'd listen to her par- ents' classical records. "Although we had no profes- sional musicians in the fam- ily, there always was this great love of classical music which must have influenced, or at least inspired, all three children to start to play an instrument," Mutter said. At the age of five, she began piano lessons and moved quickly to the violin. She cemented her status as a violin virtuoso at age 13, beginning her international career with the Berlin Philhar- monic 1 jan. TI Mutter become the bud "We with ea which said in Michig then, a mendor Mut forman mark I Ann A] Musica Longti Orkis m to Mutt include Major," Major,' and Sa in D M of clas contem a halhn perforn PE to L Mut expect cal and tions. "Wit under Herbert von Kara- toire, one has to fight traditional he relationship between expectations of how a piece is and Karajan would played more than with a contem- a very important one to porary piece," she said. "With ding young musician. these pieces, of course, you have started to collaborate the unique chance as a perform- ach other until his death, er, particularly when the piece was 13 years later," she is dedicated to you and you are an interview with the performing it for the first time, an Daily. "I was 26 by to really give that particular .nd that has been a tre- piece of contemporary music us influence on my life." your personal stamp." ter's upcoming Hill per- The UMS performance is ce on March 14 will meaningful to Mutter, as it will her sixth appearance in exhibit not only classical staples rbor since her University but also honor the 100th birth- il Society debut in 1989. day of Lutoslawski, a contem- me colleague Lambert porary composer and musical will serve as accompanist inspiration. ter. The performance will "You delve under and really Mozart's "Sonata in G try to slip under the skin of 'Schubert's "Fantasy in C Mozart and Schubert, and I Lutoslawski's "Partita" have to say, the program we are int-Saens's "Sonata No. 1 bringing to Ann Arbor is partic- inor." This combination ularly tremendous in my heart sical staples and more because we have such a personal, porary compositions is history with it," Mutter said. nark of many of Mutter's "Lutoslawski has been a com- mances. poser opening my ears, my heart, and my brain for contemporary music." erform anCe Lutoslawski has composed several pieces for Mutter since honor famed the mid-1980s, including the Partita she will perform at Hill. composer And for those who feel like classical music is over their utoslawski head, not so fast. "Why would one be intimat- ed by classical music?" Mutter asked. "This is ourselves, our ter noted the differing music. It's vibration. There's no ancies between classi- reason to be intimidated by clas- I contemporary composi- sical music. Buy a ticket, go in there, try to avoid coughing and th the standard reper- enjoy." By STEVEN TWEEDIE Daily TV/New Media Editor When it comes to gadgets, I'm an early adopter. The thrill of experiencing a new technology before it becomes widespread makes me feel like a pioneer of sorts, someone riding the wave of the future. It's fun when you can give firsthand impressions to friends contemplating a pur- chase, and the added attention gives me an excuse to start dis- cussing tech with people. But most people would sagely advise you to play it safe, to just wait when it comes to the ever-pro- gressing, planned-obsolescence- embracing tech industry. It's not bad advice either, as early adop- tion isn't without its problems (or premiums). But with a little bit of strategy, and perhaps an adjust- ment of expectations, there's a way to satiate the desire for the "newest thing" while still allow- ing you to upgrade in the future. Be prepared to research. For someone hopelessly addicted to technology like myself, I want to ensure that I can upgrade. Nothing is more frustrating than purchasing a new device to, only weeks later, watch the Internet blow up with news of the next generation. Sure, you had a lit- tle slice of the future for a few months, but now the future has moved on, leaving you to watch its advancements in envy. I try to avoid this scenario, and research is the answer. More on that later. Let's talk specifics. I had an iPad from day one. There was something futuristic about the tablet nerve about ing t with way t Interr ing tI replac echoe lenge my ip and li iPad Ne uct at uct re attent let th mark But, i tion r annot away. away articl less ment devic who week kickir y J1 Th iPad. to th Apple to an alreac that struck some techy nice thing about Apple is the high ,and I was in love. I raved resale value - I ended up receiv- it to my friends, insist- ing 80 to 85 percent of what I had hey try perusing the net initially paid. The funds were in the device, and my favorite my account while I watched the o describe it was "a slice of official iPad 2 keynote presenta- net." I read the articles stat- tion, and I had pre-ordered the hat the iPad was no laptop device from the comfort of my cement for students and dorm, while I watched eBay's d Barney's signature "chal- prices on original iPads plummet. accepted." Freshman year, So with the money from my 'ad was my only computer, well-timed auction, plus about ife was good. And then the $100 extra, I had an iPad 2. Essen- 2 was announced. tially, I paid about $100 for the ver.be surprised by a prod- privilege of owning the newest nnouncement. Those prod- iPad, and I'm willing to do that. veals are meant to snag the The same thing occurred when tion of the inattentive, to the third iPad was announced. I ose not in-tune to the tech had already sold my iPad 2, man- et know what's going on. aging to avoid the dive in asking f you want to do early adop- price on eBay that always follows ight, you should see these a new-generation announcement. uncements coming a mile Sure, you're paying a premium for Here's the key, the take- maintaining current-gen status, bit of advice of this entire but for people that love exploring e: You should be device- the newest features, it's not a bad when the official announce- way to go. rolls around. Who has your This cyclic way of owning the e? The inattentive person newest gadgets isn't for every- bought it from you, two one. It requires you to stay on s before, and who is now top of the rumor mill, and isn't ng himself. without risk. You have to be in a position to go without your device for a couple of weeks, and Sell while for some people, this just isn't an option. Instant gratification can 'ou're ahead. become an issue, and some peo- ple just want the ease of a one- time purchase. In those cases, it can be best to wait it out. But is is how I approached the for those wanting to chase the 2. Ear to the ground, or eyes future, at least there's a strategy e internet, I knew the day to avoid being penniless and out- sent out press invitations dated, and it only requires a bit undisclosed event, and had of time and research. And some dy sold my original iPad. The obsession. That always helps. BECOME A COMMUNITY CULTURE WRITER, SAVE THE WORLD. E-mail arts@michigandaily.com to request an application. C en - :s & Economics so - .,. TWEET US A PIC OF YOUR BREAKFAST @michdailyarts Applications are now being accepted for the Undergraduate Program Philosophy, Politics and Economics (PPE) Deadline is March 27. Visit www.isa.umich.edu/ppe for more information 0