6 - Friday, February 8, 2013 The Michigan Daily - michigandaily.com 6 - Friday, February 8, 2013 The Michigan Daily - michigandailycom The band will play.songs from its new LP Fade at the Feb. 8 show in Ann Arbor. Yo La Tengo to perform new work Business as usual. 'Devil May Cry . - CAPCOM dseries of intense, arcade-style fun to "DmC." The game also incorporates an oft-frustrating, somewhat clunky platforming component that relies on pulling, grappling and leaping with Dante's various abilities. An unfriendly camera makes the occasional jump take 15 more tries than necessary, and the breaks from the action fail to add much to the game, sometimes making it feel like the platforming aspect was forced or added as an afterthought. Exploration leads to rewards, however, and to get the highest scores players should aim to find all of a level's secrets. Apparently, the son of the Devil is from New Jersey. Eclectic rock band to visit the Michigan By MAX RADWIN Daily Fine Arts Editor Yo La Tengo returns to Ann Arbor Friday for a one-night performance at The Michigan Theatre before continuing its Yo La Tengo tour in Toron- to. The Ark is Friday at putting on the 8$p.m. show. The band Michigan Theatre is looking for- From $22 ward to playing in the 87-year- old theater, which it has done once before. "It's a lot different of an experience than other venues in town," said bassist James McNew. "(It's) really beautiful. I think I also went to the movies there on my night off." The band is touring to pro- mote their 13th album, Fade, which dropped Jan. 14. "We focused on making a shorter record this time," McNew said. "Most of the songs are a little more economical. All of our albums have been double albums for the last 10 years or so, and this is the first single album we've made in a very long time." With the new album comes the band's first attempt at a music video in nearly 15 years. Phil Morrison directed the video to "I'll Be Around" (which, in addition to featuring Superc- hunk's Mac McCaughan, shows the band preparing some sort of tortilla dish, with the recipe appearing on the screen for those who might want to join in). The band also made a video for "Before We Run," a song that also appears on "Fade." But fans attending Friday's performance don't have to worry about it being Fade-dominated or about missing any of their favorite songs that the band has produced in their almost 30-year history. "We've been mostly playing a lot of songs off of Fade (while on tour). But we're playing two sets. The first set will be mostly quiet material, and the second set is louder. We'll mix it up. The set changes every night and there are lots of old songs." Yo La Tengo has always been known to "mix it up," take chances and do the unorthodox. The band is famous for its cover songs - including everything from The Ramones to Todd Rundgren to Devo - several of which were played impromptu and by request on WFMU, a radio' station headquartered near their hometown of Hobo- ken, New Jersey. Many of their covers were released in a 2006 compilation album titled "Yo La Tengo is Murdering the Clas- sics." The band's tendency to cover just about anything, to keep its sound evolving and to stay outside of the mold of any given genre has made it hard to define. The one genre that con- tinues to resurface, despite the band's mainstream success, is "indie." But McNew finds the term more problematic than helpful. "I always felt we were rock music. I still don't know what indie means. I guess it meant something back when major labels existed, but that was a very long time ago." Since 1984, critics have put Yo La Tengo under the label of experimental, rock 'n' roll, alter- native, electronic and every- thing in between. "I never really paid attention to it," McNew said. "But I just don't care. We don't really care about being in a category and, for some reason, we've never really been in one." By JULIAN AIDAN DailyArts Writer There's something about being a half-angel, half-demon, ass-kicking badass that really gets on peo- ple's nerves. In B "DmC: Devil May Cry" 's DmC: Devil case, you're M that badass, vayiOj and "people" Capcom refers to the bloodthirsty hordes of hellspawn who want your head on a stake. Set in a different universe than the four previous games, "DmC" takes place in a contem- porary dystopia ruled by a giant scum-sucking demon, Mundis, who runs just about everything via a propaganda-ridden news network and a brainwashing, demonic-bile-spiked energy drink. Players control a brand new Dante - dark hair and Jersey accent, compliments of the house - on a mission to jump, shoot and smash his way through the city and dethrone Mundis. Dante gets dragged in and out of Limbo by Mundis's forces, exploring a parallel and ter- rifying dimension ridden with pissed-off flying demon robot babies and overgrown with a nondescript black goop. Think Detroit following a tanker spill and joined by a few hundred monsters that would make Love- craft proud. The game doesn't reinvent the wheel, but it makes for a pretty sweet ride. "DmC" puts a wealth of weapons in the player's hands, with most having either a demonic or angelic tint. Carving up a chainsaw-wielding Skele- tor wannabe with a holy scythe is every bit as viable an option as using a pair of pistols or a comi- cally large heliborn axe to cave in its face. The gameplay should feel familiar to "Devil May Cry" veterans: challenging (espe- cially on the harder difficulties), frantic, hack-and-slash insan- ity against wave after wave of nightmare-inducing living embodiments of hate. 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