6A - Wednesday, January 30, 2013 The Michigan Daily - michigandaily.com Marsalis to return to Hill Auditorium Famed jazz group to perform for anniversary tour By MAX RADWIN Daily Fine Arts Editor Wynton Marsalis and Jazz at Lincoln Center Orchestra return to Hill Auditorium on Thurs- day as part of a tour celebrat- JAZZat ing their 25th anniversary. Lincoln Since 1988, the Center big band has Orchestra committed itself to tour- With ing, producing Wynton music and edu- cating people Marsalis on the genre Thursday at that is arguably 7:30 p.m. America's most distinct cultur- Hill Auditorium al invention. From $10 But don't go in expecting to see the same show Marsalis put on in 2012 for his 50th birthday or, for that matter, anythingsim- ilar to the other 13 visits he has made to the University's campus through University Music Soci- ety. This one, like all the others before it, is going to be different. "We have a setlist of all of the music that we have played (at Hill Auditorium) within the last at least 15 years," JLCO drum- mer Ali Jackson said. "We never try to repeat the same music we've played. Every time we come, we play a different setlist." Jackson, a Detroit native who went on to study with jazz leg- ends Max Roach and Elvin Jones in New York, spends over a third of the year touring with the other 14 members of the orches- tra - a testament to the group's commitment to keeping jazz alive and relevant. "It's one of the greatest art forms our.country has ever pro- duced, if not the greatest," Jack- son said. "There's going to be very few opportunities from this point in time moving forward where you'll hear an ensemble this size with this quality of musicians. It becomes more and more rare. This is something that (people will) tell their kids about one day." It's with this understanding of jazz's depreciating relevance among the average American listener that JLCO constructs its tours, shows and programs. "Education is the future of any idiom. If you can't get good information, then you basically will not sustain your art form," Jackson said. "It is very crucial that we educate young people, middle-aged people, old people - all people about jazz music and every aspect of jazz music and the cultural component that makes jazz and its art form so unique." JLCO's devotion to education comes in the form of workshops, seminars and narrated concerts. "Essentially Ellington," which expanded its availability to all 50 states in 1999, is a free, year- long high school program focus- ing on the life and work of Duke Ellington. Through mentorship, student conferences and an eventual year-end festival, stu- dents explore Ellington's major work and hone their craft in the process. Musicians of all talent levels can also work with members of JLCO at.the Irene Diamond Education Center at Frederick P. Rose Hall in New York City, where cliqics and workshops are held when the orchestra isn't touring. "Whether you're a young musician and you want to know more about jazz, or you're just a fan of the music or however you come to the music, there's infor- mation out here," Jackson said. For Jackson and the other members of JLCO, the edu- cational responsibility that comes with playing with one of the best jazz orchestras in the world has evolved into a way of life. "If I go to Minnesota, for example, and I know the teach- ers and educators there and they say, 'Hey man, Ali, can you come by my school and work on my rhythm section?' (I'm) more than happy to," Jackson said. But similar to the one hap- pening on campus this Thurs- day, shows at large venues like Hill are particularly crucial for expanding jazz's listenership and influence. The members of JLCO will be playing some of the most renowned music the genre currently has to offer, in hopes that the sound they are celebrating from their own 25-year history and long before will be resonating in the ears of their audience for days to come. Or, perhaps, for a lifetime. 6 "Go ahead Academy, make my day." Jamie Foxx is one exceptional Oscar snub By CONRAD FOREMAN Daily Arts Writer Oscar nominations were announced recently and, as always, there were several snubs and surprises. One of the most discussed snubs, especially among some of my co-workers here at the Daily, is Leonardo DiCaprio not receiving a nomi- nation for Best Supporting Actor for his role as Calvin Candie in "Django Unchained." As good as I believe his performance was, Christoph Waltz deservedly received the nomination instead. Not to mention that Leo's snub wasn't the biggest to come out of "Django": It's acrime that Jamie Foxx isn't nominated for Best Actor. Perhaps it's because his co- stars turned in such phenomenal performances in their over-the- top roles, but it seems to me that Foxx isn't receiving the proper recognition for',the amazing job he did as the titular role in Quen- tin Tarantino's latest master- piece. It's natural that Foxx would be overlooked. His character is quiet for much of the film. This, however, makes his performance all the more impressive. The eyes are the most expressive feature of an actor, and Foxx is able to convey powerful emotion with them, in spite of his sparse dia- logue. When Dr. King Schultz gives him a beer, Foxx takes a sip, then stares down at the beer with subtle surprise and intrigue, as if to say, "Oh, so that's what it tastes like." This is a miniscule detail that's easy to overlook, but that stood out to me as Foxx going the extra mile in his role. On the other hand, when Djan- go does decide to speak up, dam- mit can he steal a scene. Upon arrival at Candie Land, he gives Calvin Candie's henchmen a tongue-lashing that sets the tone for his character for the rest of the film. He then goes.toe-to-toe with Candie himself, not backing down when Candie expresses his curiosity in Django, instead look- ing him in the eye and stating, "I'm curious what makes you so curious." A simple line, yes, but Foxx's delivery makes it great Visit michigandaily.com/blogs/the+filter for funtertainment! Call: #734-418-4115 Email: dailydisplay@gmail.com and makes it known to Candie that Django is not a man to be messed with. I recently had an hour-long debate with my roommate, in which I defended "Django" as an incredible movie and well deserving of its 'Best Picture nomination. You could say that there are better, more productive ways to spend your time at 3 a.m., and you'd probably be right. But hey, it's my job (sort of). Among the things we disagree upon is Django's speech at the end of the film. He thinks that it is unim- pressive and unnecessary. But I remember seeing that scene and being blown away by the sheer badassness of Django. Why is DiCaprio getting all of the sympathy? < The two most important fac- tors, to me, in measuring, the greatness of a performance are the ability to capture the audi- ence's attention' and believ- ability. Foxx possesses both in "Django." Even when Christoph Waltz is delivering his lines with slicing precision right next to him, my eyes were always curi- ous to see what Django is doing in the background - how he's reactingto the scene and absorb- ing his surroundings. As for believability - from the opening sequence of the film, Foxx takes on the character completely, while also injecting some of that signature swagger that helped him win the Best Actor Oscar for "Ray." Unfortunately, come Oscar night, Jamie Foxx will be just a spectator like the rest of us (at least as far as the individual awards are concerned), rooting on his co-star, Waltz. I imagine (hope) he'll get drunk and even- tually break out into a chorus of "Gold Digger" at some bar at 3 a.m., already having forgotten about the Oscars and deep into preparation for "The Amazing Spider-Man 2." But he knows, and I like to think he knows I know, that he deserves to be, nominated. He plays his charac- ter with emotion and intensity - a badass in love who is smart and cunning - like a Foxx. 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