The Michigan Daily - michigandaily.com Thursday, December 6, 2012 - 3B The Michigan Daily - michigandailycom Thursday, December 6, 2012 - 3B America loves the royals In order to question and challenge gender roles, director Malcolm Tulip cast many of the actors in cross-gender roles. 1 S MIDSUMMER Hermia. From Page 1 B Tulip explained the reasoning behind cross-gender casting as entwined in logistical and his- Trippingly off the tongue torical roots. "One (reason) is that it's prac- Despite these non-traditional tical, because then we don't hues, the basic script remains restrict students to roles in almost entirely true to the origi- Shakespeare," he said. "(The nal. According to the cast, being play) was originally done for involved in a Shakespeare play Elizabeth I, and she never mar- requires a slightly different pro- ried. There's this idea that she cess than that of a contemporary was a man-woman. She had to play. be a king even though she was a "When you work with Shake- queen. There's that gender-role speare, you have to come to it mixing in her role as queen, and with a really open mind, because I thought that would be an inter- there's so many ways to inter- esting reflection, knowing that pret it," Myers said. the play was maybe even com- Actors in the play view their missioned for her." performance in Shakespeare as He added that cross-gender both an obstacle and an exciting parts illuminate modern-day opportunity. gender issues. "Shakespeare is challenging "In the 21st century, who gets because it's so foreign to a lot of to marry who is a big issue," us," said MT&D senior Jon Man- Tulip said. "If it's a play about ganello, who plays Demetrius, marriage, why not find a way to one of the four lovers. "(It) is def- echo (that) in the current argu- initely difficult - at least for me ments?" - just towrap my mouth around, Actors find Tulip's gender but it's also easier in many ways switching appropriate for the because it's got a rhythm to it." play. Kevin Collins, an MT&D "Part of the reason why 'the freshman, emphasized the dif- show still lives and breathes ficulty of working with Shake- today is because of all the issues spearean script. (Shakespeare) wrote about (that) "The language is tough," are still current," Collins said. Collins said. "It's in verse, and For Collins, playing a cross- people don't speak that way gender character was a com- anymore. So in order to begin pletely new, experience - one to memorize what you're say- that took a bit of adjustment. But ing, you have to figure out the 'he said the experience changed essence of what you're saying the way he views the play, as first." well as himself. "Gender norms are weird Gender what? to even think about, because people are people," Collins said. Tulip's casting of "A Mid- "Everything that happens to summer Night's Dream" added Hermia has happened to me in another contemporary twist: some shape or form, and how she Several actors were cast in cross- chooses to deal with it is how she gender roles. In fact, two of the chooses to deal with it - not how four lovers play cross-gender a woman deals with it." characters, with a female play- Collins further pointed out ing Lysander, and a male playing the irrelevance of gender norms in mod "Th isn't in he sai not be a wom emotio and wh The, affecte Myers, costum ioning produc enhanc the pla "We a wor] queens job is tion, so notice Three like Ch "Bu ence) becaus wantt (the fa concep For tumes, tics th unders well a challen ing cre "We seed to ment a have,"I the u baggy playing Herr amplif of hisc "(Th affects givesr aboutr very re ern society. moves," he said. e essence of a person Whereas Collins originally idicative of their gender," began his acting process using d. "It's who they are. It's a high-pitched voice, he now cause they're a man or understands more about his ian. It's because of their cross-gender role. tn and their background "I wanted to acclimate my here they come from." voice to how I thought a woman should sound, so I originally Playing dress up upped my pitch quite dramati- cally," he said. "I think what cross-gender casting also I've learned now, especially rd the costume design. For with my costume that I have, is designing cross-gender that women carry themselves es was a matter of fash- because their weight is distrib- outfits that would suit the uted differently than mine." tion's carnival tone and Collins added that he now ce the audience's grasp of believes his acting has incorpo- y's message. rated the core perspective of a didn't want to get into woman, rather than a stereotyp- ld where it was drag ical female viewpoint. s," she said. "I feel like my "It's about playing the essence to forward the produc- of that being," he said. "I don't o is (the audience) going to think that gender roles are some of the clothes? Sure. assumed in this show." of them are lighting up For actors, involvement in "A tristmas trees," she added. Midsummer Night's Dream" has t I don't want the (audi- drastically altered perspectives to notice (the fairies) on Shakespeare and the world e they're lighting up. I around them. them to notice because For the cast and crew, the iries) are supporting the play has involved many changes, ts of the show." including adjustments in stage the cross-gender cos- direction and costume through- Myers incorporated tac- out the entire rehearsal process. hat helped actors better Tulip explained this constantly stand their characters, as evolving nature of the play as an s propose answers to the essential part of his direction. nges that gender switch- "It's like being an archeolo- ates. gist," Tulip said. "You have to can stuff a bra with bird- mine the text for the echoes that o give it a sense of move- are hidden inside what relation- nd weight like real breasts ships are there." Myers said. She also noted Tulip described changing the se of bust-binders and lovers's positions in onespecific jeans for the actresses scene. g men. "The lovers fall asleep towards mia's costume helped the end of the play next to each y Collins's understanding other," he said. "It's only when character. they wake up that they end with te costume) definitely the one they're going to marry, my movement, which and I realized by reading the play me a lot of information just this week (that) when the my character. My dress is court comes into the forest the 'sponsible for how Hermia whole sound wakes the lovers up." Tulip emphasized scouring the text for details such as these. Myers underwent a similar last-minute adjustment in her costume design. Close to her design presen- tation, she thought Hermia's costume was incorrect. "I com- pletely redesigned one of the characters last-minute based on balance and on the cast." For Tulip and Myers, such moments do more than enrich a production - they're inherent to the rehearsal process. "I see it as a scientific process in that you have a hypothesis," Tulip said. "You have an idea about what you think (a play) should be. You devise an experi- ment. You run a rehearsal. You observe the results. You come to a conclusion, and you get new information constantly chang- ing that conclusion." Myers described her costume design asa gifting process. "There's always a shift and I actually love that moment where I feel like I'm passing a baton," Myers said. "It's been my design, and it becomes (the actor's), and then it's not mine anymore." Collins, meanwhile, likens the play to straw punch candy. "Originally it has that bite." he said. "It has that flavor in your mouth that you don't know what to do with, but after you suck on it for a while, you let it really embody you." "It's a good taste, it's a good feeling - I'm tempted to say sweet. It is a comedy, so every- TERESA MATHEW/Daily thing ends up being 'sweet' at festival in Nevada. the end." IC Io ington inghamn - plast on teat mugs a shot gl - stare down a in tour shops. to skim book I across icling Weddi: soakin1 photos at Buck people booty s maid. I Londoi streets and Du royal c Kate M Any blown- heels a could b ing, tal Prince a sin Thei Americ the roy examp Even tr has me utes to leries I couple keeps g Whe aboutt couple, have th talked feel the adding figureh improv buildin Americ that vi Whe of Kate 2011in Alexan don't w out of t Kingdo Monar love ab the glit as in the midst of royalty. and fortune - with political could feel their presence power but no direct political n the sidewalks of Kens- issues affecting us. They're our Gardens, outside Buck- Brad-and-Angelina-mixed-with- n Palace and as their faces Barack-and-Michelle across the ered Atlantic, minus the fiscal cliff. cups, Like with most Hollywood* nd celebrities, we celebrate in their asses joys. Kate Middleton's preg- d nancy announcement is sweep- :t me ing the Hollywood gossip scene, ist even trumpingthe latest story I had on People about Lindsay Lohan's teach HALEY latest fisticuffs in a club. And, we came GOLDBERG can't forget to find the drama. chron- GOLDBERGKate's recent hospitalization for The morningsickness is gracingthe ng," front pages of many gossip mag- g in hundreds of identical azines. The "Guess the Baby's of them on the balcony Name" game has already begun, :ingham wavingto the and People even compiled a gal- below, and the infamous lery of past royalty's maternity hot of Pippa, the brides- fashion, begging the question: was that girl. The one in Will Kate borrow the tunic flap- n, scouringthe winding per dress the Duchess of York for any sign of the Duke wore in 1926? chess of Cambridge, the And these sites aren'tbring- ouple: Prince William and ing in the politics when they tiddleton. discuss the royals. The photo woman with perfectly galleries examine the couple out brunette hair, nude under a different lens, focusing nd a bright trench coat on style and appearance. This is e Kate. A slightly bald- different from POTUS and FLO- 1 man ina well-fitted suit? TUS. Most of the time, we're William. seeing President Obama's face on CNN along with the chatter of political analysts, not a photo gallery dissecting his every The mostblazer Avaited baby The royal couple has a special place in the hearts of Americans, lce Blue Ivy. and the royal bun in the oven will surely make his or her mark as well. And maybe, this celebra- tion of royals is steeped in tradi- re's something about tion just like the monarchy itself. a's deep fascination with Royals have always been the al family, and I'm a prime focus of gossip and admiration, le of that phenomenon. but today's society is creating a -ying to write this column fan culture around them. With stopping every five min- the advent of Twitter, Facebook scan through photo gal- and the always gossiping E? Net- come across of the royal work, we have more access to (and yes, Kate's style the lives of the royals than ever. vetting better and better). before. n I talked to Londoners And maybe that's why I heir view of the royal sought them out in London. however, they didn't It would be like going to Hol- te same fascination. Many lywood and keeping an eye out about how they didn't for Britney Spears. To most of need for a royal family, us, the royals are celebrities, not that the royals served as leaders of a nation. America has teads, takingimoney from painted the couple in thisway, ing public services, like and many ofus - think of those g hospitals. But here in who woke up inthe night to a, most of us don't have watch the Royal Wedding with ew of the royal family. tea and crumpets in hand - are n we gawk at the photos happy to view them as such. visiting Hollywood in They're royal celebrities; the top that gorgeous lavender tier of Hollywood, New York dec McQueen gown, we and beyond. And we're happy to 'orry about money coming welcome them into our gossip he pocket of the United circus. )m to purchase the dress. chs merge everything we out Hollywood stars - :z and glamour, fashion Goldberg is searching everywhere for Kate. To help, e-mail hsgold@umich.edu I Parts of the set design for 'Midsummer' were inspired by Burning Man, the modern-day art 54