The Michigan Daily - michigandaily.com Wednesday, December 5, 2012 - 7A The Michigan Daily - michigandailycom Wednesday, December 5, 2012 - 7A Grace, confusion in Memory Tapes's latest Translating Tagore, his legacy at Hill By KATIE STEEN Daily Arts Writer Sometimes, if you're feeling like shit, it's better to not fight it. Sometimes shit moods can even sublimate into a reasonably (3 enjoyable, kind of weird album, Memory as is the case T with Memory Tapes's latest Grace/ work, Grace/ Confusion Confusion. The album Carpark offers a glimpse into the inner unrest of Dayve Hawk, the man behind Memory Tapes, who explained in an inter- view with MTV Hive that he felt like a mess while working on it. Grace/Confusion is an LP that squirms, that quickly becomes tired and restless if forced to stay in one place for too long. The shortest track is almost five min- utes long, though, so the songs have plenty of wiggle room. This allows Hawk the opportunity to twist a track into a number of shapes, leaving listeners in a diz- zied, giddy vertigo .by the end of the album. The opening track, "Neighbor- hood Watch," starts off pretty straightforward with a drowsy guitar and Hawk's delightfully androgynous vocals, but 45 sec- onds in, shifts to a springy refrain that remains sleek and polished despite the change in pace. Hawk goes back and forth between the two personalities up until the end, which involves a clumsy transition into a screechy guitar solo that tears the song apart for no reason. It's essentially a tan- trum - out of place and unpre- dictable - but if messy is what Hawk is going for, he's accom- plished it. Now for the Grace aspect of the album. Hawk redeems himself with the subsequent "Thru the Field," a venturesome track that An extreme close-up from the last scientific exploration of Ke$ha. V bir "H all t. the d rhym after age to a rhyth These the Rabin Tagor great poet, er an who woul 150 y On the Music & Dar Nobel its om ebrati Th ebrat throu Poetr oratin of th Conte Nobel Prize- in addition to showcasing the University's 20-member string vinning poet's orchestra and 90-member choir in their winter concert. thday celebrated ."You're going to get some incredible solo playing by some By MAX RADWIN of the leading jazz soloists in the Daily Arts Writer world," said Associate Director of Choirs Eugene Rogers, the e binds with his mace / show's conductor. "You're going hings to Law, / imposes to have Ed Sarath, Geri Allen, liscipline / of metre and Robert Hurst ... in a solo perfor- e Age mance at one time." age aft Celebratin Jazz Prof. Ed Sarath will be is slave ing bringing back his 1998 piece set mighty Tagore; to Tagore's "Brahma, Vishnu, im." Translations Shiva." Alongside the world- are famous choreographer Sreyas- words of through hi Dey, student organization ldranath Mus Michigan Sahana will be doing -e, the Srishti dances to accompany the Indian Dance, and piece. Professor Sarath will be songwrit- Poetry presenting a new composition as d painter well, set to Tagore's poem "Sor- this year Thursday row Persists, Joy Prevails." d turn at 8 p.m. Tagore was born in Calcutta years old. Hill Audiotirum and started writing poetry in his Thursday, Free native Bengali. Only after trans- School of lating his poetry into English c, Theatre did he gain international recog- nce will be putting Tagore's nition, becoming the first Asian I-prize winning poetry to to win the Nobel Prize in poetry en mighty rhythm in cel- in 1913. In addition to painting ion of his birthday. and writing short stories later in e show, entitled "Cel- life, Tagore was also a composer. ing Tagore: Translations one of his songs, "Aguner gh Music, Dance, and Parashmani," will be performed y," will also be commem- in the show. Demetrius Nabors, ig the 25th anniversary a MT&D graduate student, e Department of Jazz & arranged the piece, and Public mporary improvisation, Health Prof. Mousumi Banerjee will perform a solo in the com- position. The show will be an artistic collaboration from many facets of the University, accord= ing to Rogers. "I love collaborating," he said. "This goes"right along with my personal philosophy of what I think students should be doing: not just studying the traditional western canon, but exploring other forms of singing ... It all just works together." . The performance will be presented as part of the LSA's Translation Theme Semester organized by the Comparative Literature Department, which has encouraged the study of translation through poetry, dance, singing and composing throughout the semester. "If you really like singing and orchestras and you like danc- ing, ... instruments, and you like poetry - it's all going be there in one shock," Rogers said. Keith Taylor of the Eng- lish Language and Literature Department's Creative Writ- ing Program will be speaking and doing a reading at the show, in addition to speaker Amitav Ghosh, the International Writer in Residence. "It's everything," Rogers said of the performance. "It's truly going to be an evening of all of the arts coming together. How often do you get to see that onstage, really?" romps what s ground Hawk of the fantast in a wh just so guitar try too song is cooling sprinkl Like m the Fie never s] along with intersperses of ers the songs, maintaining some ounds like a clip of a play- sort of continuity and sparing i. About halfway through, you from the melodic potpourri offers an interlude of one found in parts of Grace/Confusion most shimmery, bouncy, (we mean you, "Neighborhood ic pieces of pop you'll hear Watch"). ile - oh my goodness, it's The alter ego to "Let Me Be" happy. There's a feverish is the fantastically average track, solo that manages to not "Follow Me" - a static song that hard, and the end of the hops around without really going essentially Memory Tapes anywhere at all. There's plenty down, the sound of rain of "ooh"-ing filler and the same ling in the background. uninspired pinging sounds until uch of the album, "Thru about seven minutes in, when ld" is all over the place, but Hawk must have thought, "Well, pirals out of control. I should probably end this song now." So he does, and the album ends on an underwhelming note A squirmy that completely diverges from the unpredictability of its prede- foray into cessors.."Follow Me" may make more sense than the majority of the soul. Grace/Confusion but, simply put, it's not as fun. But that's no reason to for- get about the middle chunk of Me Be" is an eerier song Grace/Confusion,, where Hawk's orphs together a variety real successes can be found. He nds, including indistinct stumbles along, definitely achiev- steel drums, a metallic ing the "confusion" aspect of the hing sound and - is that album title, but it's in this mess eridoo? But rather than where moments of grace can be you around, Hawk lay- found. "Let that m of sou moans, screech a didg jerking ATV N0 .fPOK An alternative approach to television awards DO YOU HAVE A TWEET DISPOSITION? FOLLOW US ON TWITTER! @michdai lyarts UNNVERSrfY OF MICHIGAN WHAT DO IHODESIMARSHALLIMITC SCHOLARS'( DO AFTER THEIR STUDIES Well, this woman got her own prime-time TV show. By PROMA KHOSLA DailyArtsWriter Ron Swanson once said, "Awards are stupid. But they'd be less stupid if they went to the right people." I have toyed with this perfect ideology for years asI find myself overly invested in an addiction to Hollywood award shows - every year I get excited for the awards season, from Emmys to Oscars, and every year I face disappoint- ment as the voters and I disagree. "Well, the Academy is stupid," my friends and I will say to each other, as we take Amy Poehler's "No, Ron. There's no Promy award for your mustache." latest person, "They j 'P ti failed nomination more Hindu festival of lights. ally than she did herself. Last year, I wrote a paper on ust don't understand." how this episode doesn't try to be a lesson in culture but immerses the audience in Diwali celebra- tions as if they are normal for 'arks for al everyone. Despite the mislead- he Pronys. ing title, this episode is still about these characters and their inter- actions, with Kaling's brilliant portrayal of Indian celebrations That maybe a classic sore-loser response, but it's the basis of Ron F***ing Swanson's Great Awards Epiphany. I wouldn't think the Academy of Television Arts & Sci- ences were stupid if they awarded all my favorite shows, would I? With that in mind, and with a few too many cups of tea consumed, I decided to create my own awards for television shows - not just this season, but throughout my life. I have named them, most humbly, the Promys. Best Holiday Episode "The Office," season three, epi- sode 6, "Diwali": This is a nice way to disclaim at the beginning of the Promys that I am completely and 100-percent biased. "Diwali," written and directed by my spirit animal, Mindy Kaling, shows the Dunder Mifflin gang going to Kelly Kapoor's (Kaling) fam- ily celebration of the Diwali, the as vibrant background. Most Rewatchable Episode of Anything Ever "Parks and Recreation," sea- son three, episode 14, "The Fight": The title of this award is pretty much dooming me to dissent from our readers, but let me make my case. "The Fight" is a comedy acting powerhouse. Look no fur- ther than the montage of Paw- nee Parks employees interacting drunkenly with the camera crew. Each actor has his or own spin on the disastrous effects of Tom's (Aziz Ansari) "Snake Juice" liqueur, and the extra attention on Leslie (Amy Poehler) and Ann's (Rashida Jones) friendship makes it the most rewatchable episode ... especially after a night of drinking. Best Finale 'Avatar: The Last Airbender," the season three finale, "Sozin's Comet": "Avatar" is up there in my favorite shows, but "Sozin's Comet" ranks at the top of my list of finales because of just how well the writers thought it out. -Each part focuses on a differ- ent aspect of the battle against Ozai (Mark Hamill), including Aang's (Zach Tyler Eisen) inter- nal struggle about possibly hav- ing to take someone's life. The best scene may be when Azula (Grey DeLisle) becomes com- pletely unhinged before a spec- tacular final firebending duel with Zuko (Dante Basco). Unlike "The Fight," I can only watch this episode sparingly because it takes too much to cope with its awesomeness. Those are the three I came up with on the spot, but the Pro- mys list goes on. I won't impose the rest on this world - yet - because we have real awards shows to disagree with. The point, I realized, isn't who does or doesn't win a gold statue from some abstract group of alleg- edly impressive individuals. The point is that someone, some- where appreciates this show, character or actor for its work. Someone thinks the award went to the right person, which makes it a little less stupid. What will you do? Anything you want. You've written your own game plan so far in life. Why not take it one step further and become a Rhodes, Marshall, or Mitchell Scholar? Come to a Rhodes/Marshall/Mitchell Orientation Session: Monday, January 28, 2013 . 5:0D-6:00pm Vandenberg Room, Michigan League Wednesday, January 30, 2013 . 5:00-6:00pm Kuenzel Room, Michigan Union Tuesday, February 5, 2013 . 5:00-6:00pm Boulevard Room, Pierpont Commons To learn more, please contact the Provost's Council on Student Honors at 734-763-8123 or visit the website at provost.umich.edu/scholars/