6A - Wednesday, January 11, 2012 The Michigan Daily - michigandaily.com 'Young Adult' reveals growing up isn't fun "The department's policy on Batman isnto arrest him on sight." tailored success 'Tinker Tailor' unsettles with Cold War vibes By EMILY BOUDREAU Daily Arts Writer "Tinker Tailor Soldier Spy," despite being a movie about spies, doesn't rely on loud **g ; explosions or buckets of fake Tinker Tailor blood. InsteadS the film is built Soldier Spy on intense bits At Quality16, of dialogue Rave and the and stealthy Michigan exchanges between actors Focus Features and the camera to create an atmosphere of sus- pense and fear. Set during the Cold War peri- od, the movie revolves around George Smiley (Gary Oldman, "Red Riding Hood"), dragged out of retirement to hunt down a mole hiding in the top tiers of British intelligence. Smiley weaves himself into the web of secrets and lies, entering a world in which everyone wears two faces. The story is complicated and full of twists. The general flow of the narrative also relies on camera shots of small details like the arrangements of chess pieces or picking out a face in a photo- graph. It's a story that requires a lot of patience and attention. Nevertheless, the movie is beautifully crafted and evokes its chosen era seamlessly. The Cold War was a period of fear and uncertainty, of internal struggle and mistrust of basic instincts. Instead of relying on tropes like old news footage to emphasize the atmosphere or provide a sense of historical background, director Tomas Alfredson ("Let the Right One In") merges the plot with its Soviet-era context. The costumes, the setting and even the characters emit a tense, frozen sensibility. Oldman in particular man- ages to encapsulate this complex conflict within his character. His eyes, magnified by his large glasses, convey exactly how sharply his mind works. How- ever, the intelligence with which he approaches his job is under- mined by his drab appearance - a reminder that the best spies are not necessarily the ones with the flashy gadgets and fancy cars but rather the ones most easily forgotten. In some respects, Smiley's anonymity and the faceless enemy whose steps he traces provoke a striking and more dis- turbing form of violence than the traditional shoot-out scenes in spy movies. When some- one is killed, there's no fight or struggle. Importantly, this means there is no clear distinc- tion between good and evil, no identifiable villain. Each side is just as bad as the other, leaving behind their own share of car- nage. Though violent and in some respects disturbing, "Tinker Tailor Soldier Spy" is, at least cinematographically, a beautiful movie. A scene with a reflection in a black-marble desktop stands out, hinting at duality and the falseness of perception. And yet the beautiful, stilled appear- ances serve as reminders that the world is unstable, that just because something is seen does not make it true. Above all, the film builds up a fear of the unknown, or rather, causes that kind of innate fear to surface in the film's characters and in the audience. The story is told masterfully but is full of small details. "Tinker Tailor Sol- dier Spy" is not meant to enter- tain, but to unsettle. By EMILY BOUDREAU Daily Arts Writer Some people never grow up. Yet "Young Adult" demonstrates that being young at heart is not always a healthy way to retain the charm of one's Young Adult earlier days. Mavis (Char- At Quality lize Theron, 16, Rave and "The Road") is the State a recent divor- cee who lives Paramount in Minneapolis (or the "Mini-Apple" as it's affec- tionately called). She's work- ing on the last installment of a "Gossip Girl"-esque series and decides to return to her home- town, a place she claims to have escaped. She tries to rekindle her relationship with her high school boyfriend Buddy (Patrick Wilson, "The League"), who has since married and recently had a baby girl. While there, Mavis, a former mean girl, strikes up a friendship with Matt (Pat- ton Oswalt, "A Very Harold and Kumar 3D Christmas"), a former nerd. Through this new friend- ship and by returning to her hometown, Mavis begins to face her own issues. Theron fits perfectly into her role. Mavis is dazed and lives in her own world, a teenage fantasy in which she is still the prom queen. However, Theron doesn't just allow the character to remain a typical mean girl. Theron's Mavis is conscious of her world falling apart, and that her fantasy and denial of the real world is merely a way for her to survive. Yet Mavis's vulnerabil- ity doesn't take away from her being, first and foremost, an unlikeable character. As painful as it is to watch her crumble, to watch her enter into one embar- rassing social situation after another, it's impossible to for- "The Road" of young adulthood ends in ... this. get th lives rottei as a sey S show the K trash collar feren TV. a he filthiness of her life. She these moments is probably just her life in the same kind of a way of relieving tension. In n, culturally bankrupt state this sense, the movie does push character from "The Jer- boundaries. hore." Surrounded by TV The film, written by Diablo s like "Keeping Up With Cody ("Juno"), doesn't have the ardashians" and her own same warmth as "Juno." Instead, y book plots, Mavis's own it replaces the snappy dialogue pse is in some ways no dif- with a new tone, full of a kind t from those seen on reality of Midwestern bleakness. This bleakness is complemented per- fectly by the soundtrack, which is full of angry '90s music, the Juno is all songs of Mavis's past. In the opening scene, she listens to the grown up same song over and over again, believing it holds some special nd very, very meaning and symbolizes the connection she thinks exists regretful. between herself and Buddy. The movie's soundtrack acts as a contrast between the past and the present. The songs reek oung Adult" does not pro- of teen angst, of the things Mavis the same kind of comic should letgo ofbutcannot. Mavis that reality television does. still carries the pangs of young in incredibly dark movie, adulthood with her, and her anx- he funny moments usually ieties serve as a reminder that t from miscommunications growing up is a painful process ringe-inducing situations. and one that is never fully com- laughter that comes from plete. "Y vide relief It's a and t resul or c Any DARREN CRISS WATCH: Read about the 'U' alum and "Glee" star's performance in "How to Succeed in Business" on Broadway. 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