6A - Monday, February 6, 2012 The Michigan Daily - michigandaily.com 6A - Monday, February 6, 2012 The Michigan Daily - michigandailycom Radcliffe returns in refreshing horror film By SEAN CZARNECKI Daily Arts Writer Nowadays, there are three types of female stock characters in the horror genre: the help- less bimbo, the protagonist * * damsel and - in the case of The Woman "The Woman in Black in Black" - the scary-ass girl- AtQuality16 slash-woman and Rave with long black hair. And CBS Films though direc- tor James Watkins's ("Eden Lake") haunted-house tale is one of the most old-fashioned hor- ror films in years, its mysterious atmosphere is chilling enough to set audiences on edge. Adapted from the Susan Hill novel of the same name, "The Woman in Black" forgoes blood thrills, machetes and whatever creative weapon Hollywood can dream up. There aren't any sick death traps or killer video- tapes. And, unfortunately, the story takes place in turn-of-the- century United Kingdom, which sadly excludes the possibility of radioactive zombies. Instead, the story follows a well-estab- lished formula that still man- ages to entertain. It tells the tale of a young lawyer named Arthur Kipps (Daniel Radcliffe, he's freakin' Harry Potter) and his candlelit search for answers about a curse that's killing the children of a remote village. Most of the scares in "The Woman in Black" rarely cause the audience to leap out of their bones, so to speak. The audience is well aware that Kipps will hear a suspicious noise, and that when he goes to discover its source, he will find nothing but a rodent. Plus, the number of times he goes Not nearly enough spirit fingers. NBC' s 'Smash' hit CBS FILMS 'Aibus..." up and stairs i drinkin stairs? down t someho ing ann Y The when t imagin suspen cut it s already forced with t there's are beii So, m creepy, lage he angry g ple, ma ingly h in a lav promis but the death.I down a certain flight of and his work ethic falters. And s enough to inspire a new now, he must stay and finish this ig game. Kipps goes up the job: to settle the affairs of an Take a shot. Kipps goes old house and ultimately sell it, he stairs? Take a shot. Yet to save his career, and his only )w the film avoids becom- family, his son. oying. Such a backstory sounds ade- quate on paper, but it's hardly moving on the silver screen with Vait, Sirius the amateurish way it's often spat out in the exposition. Nev- Black?! ertheless, Radcliffe's perfor- mance is respectable to the point that it's not awful - though it's admittedly bizarre to see him as camera shots are limited a father - and the story is sig- hey want to toy with our nificant enough that its attempt ations and prolong the to engage audiences is actually se. Yet they know when to admirable. hort and reveal what we While it may not offer any- know. It's natural - not thing original, the thrills of "The - terror. Combine that Woman in Black" are satisfying he dilapidated set, and and well-executed. It's a haunt- an eerie notion that you ed-house movie, which means ng watched at every turn. dark hallways, cobwebbed cor- why is Kipps staying in a ners and musty portraits. But rundown house in a vil- there are enough affecting imag- believes is cursed by an es such as creepy nursery toys to ;host? The answer is sim- shake audiences. Powered by a ybe easy, but also surpris- ghost-sleuth story with a human iuman. As a young man core that falters without com- w firm, Kipps once had a pletely failing, "The Woman in ing future with his wife, Black" is paradoxically able to birth of their son was her freshen up the horror landscape He suffers tremendously, with old-school formulas. New musical theater-based show fills the 'Glee' gap By PROMA KHOSLA Daily Arts Writer In 2009, "Glee" brought musi- cals to mainstream television. The story is a legend: the unprec- edented rise to fame, outra- geous musical numbers and Sh subsequent bastardization Pilot of everything Mondays at the show stood 10 P.M. for. For those who still want NBC to love musical television but believe in organic storytelling and creative original- ity: rejoice, for your salvation is at hand. NBC's midseason headliner "Smash" is everything "Glee" isn't and it's probably many things "Glee" aspired to be. The plot is simple: 24-year-old Karen Cart- wright ("American Idol" runner- up Katharine McPhee) wants to make it big on Broadway. There are no petulant teenagers or life- and-death sing-offs. There is orig- inal music (as opposed to straight covers and shameless pandering) and quality acting from relative newcomers as well as veterans of the stage and screen. Karen manages to land a call- back for a new Marilyn Monroe musical by illustrious Broadway legends Julia Houston (Debra Messing, "Will and Grace") and Tom Levitt (Christian Borle, "Legally Blonde: The Musi- cal"). The pair teams up with director Derek Wills (Jack Dav- enport, "Pirates of the Carib- bean"), whom Julia respects and admires, though Tom harbors unrestrained loathing for him. Julia and Tom want to cast their friend Ivy Lynn (Megan Hilty, "Broadway's Wicked"), but Wills wants to have auditions. His tangible ego makes him the closest thing to an antagonist, but he's the first person besides Karen's charming British-Indi- an boyfriend (Raza Jaffrey, the London production of "Bombay Dreams") to see something in her. 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OUR ONE BEDROOMS START AT $589 For a limited time only, FREE processing fee. $150 VALUE Hurry in for Best Selections We are renting for Spring/Fall 2012 FREE BUBBLE ISLAND DRINK COUPON WITH EVERY NEW TOUR Visit us at universitytowers-mi.com awkward by calling Karen to his home late at night to capture the essence of Marilyn. Despite the compromising situation, she performs a sultry "Happy Birth- day" to prove she has the neces- sary sex appeal, only to inform Wills as he inevitably leans in for a kiss that it's "not gonna hap- pen" (WWMD?). It's one of the standout scenes of the pilot, but it requires elaboration: Was it some kind of test? And, if so, what was he tryingto prove? Truthfully, McPhee is too beautiful and talented to be the girl next door, just as this role didn't suit her on "American Idol" years ago. Wills echoes the American people in 2006, seeing that this girl was bornto be a star. Still, the fact remains that she was that girl, so playing cautious hope comes naturallyto her. The first audition is shown partially in a room with the judg- es (who also include a shrewd and calculating Anjelica Huston, "The Royal Tenenbaums") and partially as a staged number. At first, it seems like a "Glee" tactic - going back and forth between real life and the stage - but upon further inspection, it's genius. "Smash" actually has a reason to picture every auditionee as the star in the spotlight - it puts us right in the position of the cre- ative minds behind Broadway's best, prompting us to visualize the potential of every performer with the skill and foresight (and pressure!) of a casting director. Karen and Ivy are both excel- lent choices to play Marilyn, and therein lies the main conflict of the pilot. It spends more time on Karen, a fresh-faced ingenue, so she's the underdog who garners the audience's sympathy. On the other hand, it's hard not to want to be on the same team as Will and Grace - I mean Tom and Julia - so we're forced to take a second look at Ivy and see that she too deserves a leading role afteryears of struggling. The story isn't surprising by any means, but in a way, that's classic Broadway. Is it so bad to promise aesthetic entertain- ment and a certain "happily ever after?" "Smash" has no preten- tions about pushing the bound- aries of television drama, so its strength lies in showcasing the heart and soul of showbiz. With such apparent passion behind the scenes, "Smash" is poised to be just what the title promises. READ WHAT DAILY ARTS THOUGHT ABOUT HBO'S "LUCK" HINT: WE LIKED IT. michigandaily.com/arts House for Rent! August 2012-2013 0 Greatr LocaiWoa -corner of chrhandeWillard - SBathrooms -7PaingSpaces Available -2Kitchens ca:f(248) 330-0398 0 01