I 6A - Monday, October 10, 2011 The Michigan Daily - michigandaily.com NATURE TALKS TEDx flourishes in the Arb Nichols Arboretum hosts gathering of people and ideas in zero-waste environment By Jeff Waraniak I Daily Arts Writer 'Thrones' wins, others die Attending a TEDx event is like taking a much-needed deep breath: enriching, rejuvenating and some- thing you might only have the opportunity to do every once in a while. Yesterday afternoon, over 200 students, University staff mem- bers and environmental enthu- siasts took the opportunity to gather in the Nichols Arboretum Amphitheater to hear a series of talks focusing on environmental sustainability and its applications in all areas of life - ranging from education, to art, to the deep- breathing practices of yoga. TED is a nonprofit organization that began in1984 with the mission to connect people acrossthe realms of technology, education and design (hence the acronym). Since then, TED has evolved into a global platform for innovative thinkers to share their ideas through online videos, annual conferences and independently organized events under the title of TEDx. "TEDxNicholsArboretum" marked the third TEDx event held at the University in the past two years. Unlike the previous confer- ences, no formal advertising pre- ceded yesterday's event in an effort to generate zero waste. D.J. Ferguson, an English teach- er at Chelsea High School, kicked off the sustainability talks by ask- ing audience members to remem- ber something important they learned in high school. As audi- ence members racked their brains for an answer, Ferguson demon- strated that the most valuable les- sons probably didn't come from a textbook. "Human beings learn through experiences," Ferguson said in his talk. "We're not designed to sit down. Sitting down is the most unnatural position you can be in as a human being." Ferguson explained his belief that the purpose of education should be to create sustainable human beings, not to plow through lesson plans or bolster standard- ized test scores. "We are literally educating our- selves away from everythingthatis essentially human," Ferguson said. The second speaker, profes- sor of physics and yogi Jasprit Singh, connected the sustainable mentality to the practice of yoga. Explaining that yoga calls for its practitioners to "build themselves See TEDX, Page 8A T V RE V IEW\ 'HIMYM' continues legendary run By Kelly Etz I Daily Arts Writer We need to talk about "Game of Thrones." You know, the HBO show about the feuding king- doms in a fantastical realm, nomi- nated for 13 Emmys in its first season (including Outstand- ing Drama Series) and winning for KAVI Support- SHEKHAR ing Actor PANDEY in a Drama Series (Peter Dinklage, like a boss). Indeed, I already slathered the show with praise midway through its run, but its excel- lence increased exponentially as the season wound down - the final few episodes would have probably earned The Michigan Daily's first six- star reviews. By the season finale, "Game of Thrones" had already catapulted from the "best shows on television" to the best shows of All Time discussion, partly because of a devilishly magnificent sequence that changed dra- matic television forever. Beware all ye who ven- ture further in this article: HUMONGOUS SPOILERS for "Game of Thrones" lie ahead. Throughout the season, the show has captured numerous storylines in tandem, each with its own protagonist - from the roguish dwarf Tyrion Lannister (Dinklage) to the solemn, honor-bound Jon Snow (Kit Harington) to the fierce, oft-disrobed Daenerys Targaryen (Emilia Clarke) - but the lead leading man was unquestionably Ned Stark (Sean Bean), the reluctant, think-first stab-later ruler. Ned's dilemmas have been not only the centerpiece of show, but also the marketing campaign, as Bean was the most recognizable actor ina cast almost entirely composed of unknowns (sorry, chubby There are few shows that can to carry a storyline as well as "How I Met Your Mother." For six sea- sons now, the CBS show has.*** a led its audience on a merry chase How I Met toward finding Ted Mosby's Your Mother (Josh Radnor) Season seven wife-to-be. Sea- premiere son seven isn't giving anything Mondays at 8 p.m. away just yet, CBS as it even makes clear we're nowhere near the end of the story. While this kind of drawn-out storyline could become tiresome for other sitcoms, "Moth- er" pulls it off perfectly. Season seven kicks off by tying up all the loose threads left over from last season's finale. There's Barney (Neil Patrick Harris) as a groom, but no hint as to whom his bride will be just yet. Four episodes in, it looks to be a toss up between Robin (Cobie Smulders) and Nora (Nazanin Boniadi, "Iron Man"). Knowing the way the series usu- ally goes, the answer won't be revealed for quite a while. The new episodes also tie in Marshall (Jason Segel) and Lily's (Alyson Hannigan) news about their baby on the way. The series has already set up some sure-to-be entertaining plotlines surrounding Haaave you met "She had some big v.ersonaiity " the mother? established - MarshalldaringBar- ney to wear a tie covered with rub- ber ducks for an entire year. These long arcs are no stranger to "Moth- the pregnancy, including Marshall er" and prove to be something the and Ted attending a birthing class series does best - remember the together (without Lily) and a flash- slap bet? forward scene of Lily in the deliv- Of course, it wouldn't be "Moth- ery room sans Marshall. er" without the love drama. The Another season-long joke is also new season has Robin mooning over Barney, while he's smitten - or so it appears - with Nora. There's also Ted's realization he's not going to give up on love just yet, which again leaves him toeing the line between endearing and whiny. And Victoria (Ashley Williams, "Something Borrowed") returns, announcingthat maybe Ted isn't as See MOTHER, Page 7A guy from "A Knight's Tale"). Plus, Bean has the epic-geek cred for playing fan-favorite Boromir in "Lord of the Rings." After setting him up as the Glorious Hero of "Game of Thrones," in one of the most startling moments in the his- tory of the medium, the ninth episode of the series concluded with the merciless execution of Ned Stark in front of hun- dreds of spectators ... including his daughters. Beloved father and husband, steadfast soldier and the only decent man in all of Westeros - Ned's dead, baby. Ned's dead. True, this twist was first unleashed in George R.R. Martin's novel from which the series is adapted, but to be able to effectively pull it off in an immensely expensive television series is astonish- ing. TV shows kill off major characters constantly, even the main characters - but never in the penultimate episode of the first season. Imagine if Jack Shephard died after falling ins aheroin-smuggling plane instead of Boone on "Lot" Or if Tony was popped by the thugs sent by Uncle Junior at the end of the first season of "The Sopranos." SPOILERS are coming. No viewer would have even imagined that either of those characters could have died, because television conventions dictate thatrdoes notrhappen - that's why "Game of Thrones" changed the game. Itcraised the stakes to a level once thought impossible, where any charac- ter from the presumed lead to the stray extra is expendable. Ever since The Incident (the clever term I coined for Ned's execution), it's been impossible to watch other shows with the same level of investment and enthusiasm. Take last season of "True Blood": At the end of the eighth episode, Sookie gets shot in the gut and starts to bleed out. Pre-"Thrones," the cliffhanger would have barely registered, knowing her life was never actually in danger - o and behold, Sookie made a full recovery within the first five minutes of the next episode (vampire blood works wonders). But in this post-"Thrones" world, it felt cheap, almost pathetic in its predictability. This issue is exacerbated in network television, which takes even fewer risks and has even lower stakes. As much as I like "Terra Nova," its formu- laic necessity makes sure there is no tension thatthe Shannon family will ever be ripped to bits by a T-Rex at any moment. The only network show to come close to the incredible stakes of "Game of Thrones" was "24," where any given supportingcharacter could be killed off in any given episode, no matter how beloved they were (miss you, Edgar Stiles). But the key phrase is support- ingactor - at the end of the day, Jack Bauer was always goingto be fine. "Game of Thrones," in its impeccable greatness, has ruined all other dramatic tele- vision for me. Until the rest of the industry catches up to this new bar of television storytell- ing, I'll just have to bide my time with the passing flings of fall premieres and pilots. (There's always a chance one of the stewardesses on "Pan Am" will get murdered. Oh wait, no there isn't) Of course, that's only until "Game of Thrones" returns in the spring - in the meantime, I'll be chanting "April is coming" as my new mantra. Pandey is recruiting for his Dothraki army. To join him, e-mail kspandey@umich.edu I I . 4 4 RELEASE DATE- Monday, October 10, 2011 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis ACROSS 64 Online status 33 "I tawt I taw a _ 49 Commonteen 1 Cheryl of update limited to tat!" emotion "Charlie's Angels" 140 characters 34 French friends 50 Ryan of "When 5 Screwdriver 65 Vette roof option 35 Letterson reply Harry Met Sally..." liquor cards 52Actors 10 "Logically, then ..." 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