The Michigan Daily - michigandaily.com Monday, March 28, 2011-- 7A Perils o .A.M.E. Yawning with 'Stars' Chris Brown's latest is catchy but too self-pitying By CHLOE STACHOWIAK Daily Arts Writer Chris Brown had a rough two years in the media. After assault- ing then-girlfriend Rihanna in 2009, his usual life of "running it" has been turned upside- Chris Brown down - instead of the usual F.A.M.E. radio releases and European lve tours he was once accustomed to, the artist has been busy with court dates and community service. It's a scandal that has shaken Brown's fanbase worldwide, even lead- ing to the cancellation of his UK tour. Being a woman-beater and a smooth-talking R&B artist just isn't easy - felony charges have a way of overshadowing even the most heartfelt love songs. By releasing his album F.A.M.E., Chris Brown hopes to right his wrongs and reclaim his career from the hands of the tabloids. His second release since the 2009 incident, the album plays on slow tempos and feel- ings of vulnerability to rebuild his romantic image. It's a desper- ate cry to be restored to his for- mer self - a sensitive ladies' man instead of a brute with battered r knuckles and a criminal record. Brown's road to redemp- tion begins with "Deuces." It's a smooth, seductive song pep- pered with rapping and per- cussion, snappy and rhythmic without being too aggressive. However, the track's true colors shine through its horrendously crafted lyrics: Chris Brown and the rappers Tyga and Kevin COURTESY OFSONY The face that breaks mirrors. McCall join forces to deliver some of the most generic lines to enter the FM radio waves. The three whine together about the horrors of relationships and fall- ing in love as they describe past Valentine's Days and all times they texted their ladies without receiving replies. The sob-fest reaches is its peak when the words "fuck love" are declared - it's a dramatic, unoriginal statement that would feel right at home in a preteen's AIM profile. Despite their idi- ocy, the lyrics still accomplish one of the album's goals: They portray Chris Brown as being the helpless victim of relation- ships - a far cry from the violent felon he's been known as more recently. F.A.M.E.'s other tracks fol- low in the footstep of "Deuces," as they spin their not-so-subtle messages. With lyrics like "I'm not gonna be the one to mess this up" and "I never wanted us to break up," Brown's goal to sound defenseless is obvious. No matter what the specific premise of each song is or which DJs and featured rappers help lay down his tracks, he is always the vic- tim of heartache. Even ' with such tiresome themes, the quality ofthe album's music is undeniable. With their intricate drum patterns and rhythmic rapping, some of the tracks are downright catchy - especially the album's finale, "Beautiful People." The song, which features techno superstar Benny Benassi, makes up for its overly conventional lyrics with tantalizing beats and synthesiz- er. The house-style instrumen- tals are blissful, hypnotizing and more powerful than the vocals themselves, drowning out every predictable "just live your life" and "your beauty's deep inside." The fragile-hearted senti- ments in F.A.M.E. may lose their sparkle after a few songs, but there's still something to be said about the album's persistence. By pushing these emotions to their limits, Chris Brown has proven more than just his vulnerability - he's shown his dedication to his career as well. Only time can tell whether or not the album is enough to reshape his image, but the artist has at least one thing on his side: If he was able to bounce back after his laughable guest performance on "The O.C." in 2007, anything is possible. By KELLY ETZ Daily Arts Writer Nearly 21 million viewers watched the premiere of the 12th season of "Dancing with the Stars" last Monday night. Apparently, it's a popular Dancing with show. Yet it's the Stars hard to imag- ine what all Season 12 those people Premiere are tuning in for. Is it the Mondays at 8p.m., tacky cos- Tuesdays at 9p.m. tumes? Fake ABC tans? Forced emotions? Embarrassing, hard- to-watch routines? Maybe it's this season's assembled group of celebrities. From football star Hines Ward to actress Kirstie Alley, "DWTS" has gone out of its way this sea- son to deliver a lively cast of "almost" celebrities. The biggest name for season 12 is apparently Ralph Macchio, best known for his starring role in "The Karate Kid" over two decades ago. It's likely you haven't even heard of some of these sup- posed "celebrities," namely radio personality Mike Catherwood ("Loveline") and Disney channel star Chelsea Kane ("JONAS"). The rest of the cast consists of former Playboy bunny and real- ity star Kendra Wilkinson, box- ing legend Sugar Ray Leonard, talk show host Wendy Williams, supermodel Petra Nemcova, hip- hop artist Romeo and wrestler Chris Jericho. One thing all these stars have in common is that they're taking the show way too seriously. There are a lot of tears and emotional displays packed into roughly 90 minutes. All 11 celebrities seem to have gone on "DWTS" because they have something to prove, other than the fact that they couldn't find work elsewhere. cOURTESY OF ABC If you had to touch Kirstie Alley's love handles, you'd make that face too. To haz stars to con - thou "DWT tory m As there need t sheera happen watchi You C 'S 4S the act their ( several about h how d perfort how to the que on "D Obviou know ard a guess, many of the beforehand. The humiliation may be trying their best of these C-list celebrities is the firm they're still relevant whole point of the show. tgh choosing to be part of Overall, the top stars of the S" seems like a contradic- nightturned outto be - shocking- ove. ly - Ralph Macchio, with a score for the actual dancing, of 24 out of 30, closely followed are moments when eyes by Kirstie Alley (who declared, o be shielded from the "If I have to haul ass, it will take amount of embarrassment two trips") with a score of 23. sing on screen. It's like But aside from the celebrities, ng FOX's "So You Think also of note were the agonizingly an Dance,", but without awkward critiques coming out of judge Bruno Tonioli's mouth and the fact that the show has a live tars,' in the audience, meaning people actual- ly witnessed the agony in person. osest sense. It's truly astounding how pop- ular the show is, considering the multitude of other options air- ing at the same time. Even "The ual talent. After receiving Event" must be better than this generally dismal) scores, torture. But "DWTS" remains 1 of the celebrities wax on stubbornly in the lead in the ow nervous they were and ratings department, despite ifficult it was to try and (or thanks to) its endless sup- m without having a clue ply of tackiness and unbearable ballroom dance. It begs amount of mortification, mean- estion, what are they doing ing there are surely many more WTS" in the first place? seasons of "DWTS" to endure. At sly they aren't going to least "How I Met Your Mother" anything about dancing is only a click away. I Ii ~ ''~~'~- Seniors say Graduating? Thank that special someone for making a difference in your life! Whether it was a professor, a campus friend, a parent, roommate or another special person-this is your chance to show yuir rtitaide. i