b-~s id 4 4B - Thursday, January 22, 2009 The Michigan Daily - michigandaily.com THE FAULT I EELS 'ELECTRO-SHOCK BLUES' (1998) A 'Shock' to the heartstrings By DAVID RIVA Daily Arts Writer Death is arguably the most unat- tractive and least-used subject in popular music. But E, Eels's front- man and primary creative force, doesn't care. On Electro-Shock Blues, he delivers 16 tracks that unremittingly attack the topic of mortality. Writing about the loss of loved ones came naturally to E when he created the album; he lost his father at a young age, his sister committed suicide and, dur- ing the recording of the album, his mother lost a long battle with can- cer. Instead ofignoring the passing of his entire immediate family, E' confronted the issue head-on. As a result, he made a cathartic master- piece that becomes more captivat- ing, enchanting and breathtaking with each listen. Opener "Elizabeth on the Bath- room Floor" acts as a suicide note, read from perspective. The line "My name is Elizabeth / My life is shit and piss" is tough to swallow, but does a fine job setting a dread- fully dismal tone. "Going to Your Funeral, Pt. 1" follows with a deep, droning bass line backed by a bongo whose hol- low sound reflects the void felt by all who attend the wake. Only two tracks into the album, E's despon- dency is unbearably palpable. "Can a cynic his mo of dist, ic orga sound, stage fo Madne ing voic The ates a flute an Opt be] its the f optimis most funny / liar I gu my wa: fucking Butt leading with its rock bt bility is ing sca the do not OK along, good /I apparer icer for the Cure" provides complete meltdown. al and sarcastic outlook on "Going to Your Funeral, Pt. 2" ther's condition. The mess abandons the unbearably heavy orted guitars and electron- tone and replaces it with a lighter in chords create a chaotic feel, highlighted by lush xylophone appropriately setting the and clarinet sounds. Maybe this r the song "My Descent Into radical and unexpected turnaround ss," where E admits to hear- is a representation of the dramatic ces in his head. contrast between the ups and deceptive "3 Speed" gener- downs in E's life. Maybe it shows simpler sound, employing a the potency of the previously cited id twangy guitar as E exhib- pink pills. The beginning is unclear, but E never looks back. He adopts a sanguine attitude that acts as the key ingredient in his rehabilitation, im ism hidden which is visible over the course of 1ind m o1 rbi.d the second half of the album. E decides to take comfort in a state of contained contemplation. "Climbingto the Moon" is a positive irst glint of his wry sense of reflection on his sister's suicide, and sm with one of the album's "Dead of Winter" follows suit as E memorable lines: "Life is accepts his mother's prolonged bat- 'But not ha ha funny/ Pecu- tle with cancer. The closing track ness /You think I got it going wins the awards for best song title y / Then why am I such a and finest song on the album. "P.S. mess?" You Rock My World" is the break- the song proves to be mis- ing point when E finally admits, , for the title track follows "Maybe it's time to live." Backed bleak depiction of E hitting by a sweeping string section, the ttom. His emotional insta- song's declaration of life's victory reflected in lines like "Feel- in the face of death highlights the red today ... A hundred times great paradox that lies at the heart ctors say / I am OK ... I'ni ofElectro-Shock Blues. The idea that ." As the timid piano plods life can still be worth living in the E mutters "Pink pill feels face of so much suffering is unusu- Finally understood," and it's ally uplifting and brings the album nt that he's on the verge of a to a triumphant close. ANN ARBOR BANDS From page 1B fulks stopping by to pick up cheap beer and catch a good, up- close-and-personal concert, the Blind Pig has been an invaluable resource for developing most bands in the area. Jason Berry, in charge of book- ing for the venue, is primar- ily responsible for selecting the bands that come through, and he doesn't forget a face. "Once you're in their world, theyhave avested interestinhelp- ing you grow," said Jonathan Vis- ger of local mainstay band Mason Proper - a group of University graduates whose new album Olly Oxen Free recently garnered a favorable review fromtherespect- ed indie webzine Pitchfork. But as much as Jason and the folks at the Blind Pig do their best to help out, there's still a seemingly end- less amount of drudgework to be done. "It's a matter of constantly reminding people that you exist," Jonathan continued. "Bands that ruthlessly self-promote tend to do a lot better much quicker." "You really have to promote yourself," said Ryan Sloan of Farewell Republic, an inventive post-rock outfit that happens to be playing a show tonight at the Blind Pig with Detroit's Satin Peaches. "In Ann Arbor, you learn how to build your chops as a pro- motion machine." In actuality, promoting shows extends far beyond the thousands of posters adorning Ann Arbor's fagades: Tools like Facebook and MySpace prove essential to reaching larger crowds, and local press is more than happy to put in a blurb about an upcoming show every now and then. While most bands that call Ann Arbor home would be considered "indie," the term has become as broad as, say, "alternative" was by the end of the '90s. The broad spectrum of "indie iock" serves as an umbrella term for the eclec- tic sounds present across the Ann Arbor music scene. Bands like Lightning Love are notably pep- pier, with more dance and pop- oriented sounds. Atthe same time, there are plenty of other more lay- ered and guitar-driven acts like Starling Electric and Farewell Republic. Heck, My Dear Disco is even known to break out the bag- pipes in its live shows. Since there are so many bands all wit differ- ent sounds, there has to be some competition, right? "No, not at all," Sloan said. "Everybody helps each other out, and it makes for a really great atmosphere." The cooperative environment he describes is most apparent in the shared bills at the Blind I Pig, thi another called I "Blu time,": Disco. moterT Bluegra roots rr day nil above t It's m musicia as Dun Bluegra I guara ally con local sc Loca Ann Ar decline Fa fl1: til across years. P Underg Sounds import, scene t'' ing An showsc in-stur suppor the ba confide power- themse they ne This unique homegi sense c or ra COURTESY OF MASON PROPER e constant plugging of one iTunes can never offer. ts shows and something "They love what they do," says Bluegrass Night. Caleb Dillon of Starling Electric, egrass Night is a great a vibrant quartet which released said Duncan of My Dear its stunning CloudedStaircase last Organized by local pro- year, and will be playing at the Matthew "Tuna" Altruda, Blind Pig Friday night with Light- ass Night is a free night of ning Love. "Just like us, when nusic held every Wednes- they hear something they really ght at Circus Bar & Grill love, they go out and tell people he Cavern nightclub. about it." sore of a gathering of local Despite so much support from ins than anything else, all involved in the local scene, the can explains: "You go to student crowd as a whole doesn't ass Night a few times, and always reflect their enthusiasm. ntee that you will eventu- It's hard to blame them, consider- me across everyone on the ing the array of parties and clubs 'ene." that decorate Ann Arborunightlife, .1 music shops thrive in though many would say students bor, contrary to the sharp just have too much going on. in larger music stores "It seems like (students) are pulled in a lot of directions at once. They're involved with too many things to take the time to rebook beats come out to shows all the time," Caleb said. "And ina city as active yers for get- as Ann Arbor, it's difficult to know everything that's going on ng the word at once. Still, it seems that there could always be more enthusiasm sur- rounding local music, record the country in recent stores or venues. 'laces like Wazoo Records, But behind the cynicism and round Sounds, Encore unimportance typically placed and PJ's Records have an around local music, there's always ant place in the local music the hope that someone will take a hemselves, many promot- chance. Someone will walk over n Arbor bands' upcoming to Wazoo or Underground Sounds or new albums with large instead of clicking on iTunes; e posters. Some show their another will stop by the Blind t by purchasing CDs from Pig and be pleasantly surprised nds, regardless of their by that one band that had all of nce in the album's selling those posters. With new people - their faith in the bands comes new enthusiasm, and with ives is all the assurance the constant influx of students, ed. there are always people willing to grassroots support is take that chance. In a local scene to these smaller, more as storied, dynamic and eclectic rown shops, creating a as Ann Arbor's, there's no doubt of hospitality that larg-' people will continue to find music ilers like Wal-Mart and worth sharine with the world. 4 4 A READER KNOWS BEST. Vote for the Best of Ann Arbor before January 23 on our web site. michigandaily.com/aabest I I