100%

Scanned image of the page. Keyboard directions: use + to zoom in, - to zoom out, arrow keys to pan inside the viewer.

Page Options

Download this Issue

Share

Something wrong?

Something wrong with this page? Report problem.

Rights / Permissions

This collection, digitized in collaboration with the Michigan Daily and the Board for Student Publications, contains materials that are protected by copyright law. Access to these materials is provided for non-profit educational and research purposes. If you use an item from this collection, it is your responsibility to consider the work's copyright status and obtain any required permission.

September 10, 2007 - Image 5

Resource type:
Text
Publication:
The Michigan Daily, 2007-09-10

Disclaimer: Computer generated plain text may have errors. Read more about this.

The Michigan Daily - michigandaily.com

Monday, September 10, 2007 - A
Work Gallery
comes up big
on both sides
of the fence
By ANDREW SARGUS KLEIN
ManagingArts Editor
O nce again, the School of Art
and Design's Work Gallery at
306 State St. quietly houses an
astonishing exhibit without much fan-
fare or advertising.
That's especially
a shame this time The Studio
because this is one of
the strongest, most and the
compelling exhibits Lab: the
they've had in some
time - a fantastic Intersection
start to the year. Of Artand
"The Studio and
the Lab: the Inter- Science
section of Art and
Science" is running Through Oct. 5
through Oct. 5 and
is just as its title says. Al Wtk Gallery
Anyone who's seen 306 State St.
Hubble Telescope
shots of the Helix
Nebula, microphotographs of bacte-
ria or computer-generated paintings
understands there's plenty of creative
inspiration in the scientific world. On
a simple, aesthetic level, science-based
art looks cool.
But this exhibit and its pieces aren't
so simple (though several are certainly
very cool). As the heavily belabored
placards imply, there is a sophisticated
air of interpretation and innovation
throughout the works. There exists
on another level a certain quirkiness,
where serious science is laced with the
peculiar, the personal and the fantas-
tic: sculpture inspired by pregnancy-
induced hallucinations; man's conflict
with nature told through simple, geo-
metric combinations of wood and nails;
and evolution interpreted through con-
struction-paper animation. Both sides
of the exhibit - the artistic and the sci-
entific - are equally accessible.
Works such as the magnetoscope,
which is a beautifully bizarre lesson in
the properties of ferrofluid (magnetic
particles suspended in oil, pictured to
the left) are pureunadulterated science.
It's not necessarily "art," but it's won-
derful and hands-on. But the surreal
"Sarcinae de Corpus," a ceramic sculp-
ture with an accompanying glass tube
of unsettling wax molding, succeeds in
two ways. It's intriguing art and a start-
ing point for dialogue with the viewer
outside of art history-specific tropes
(in this case, disease as it relates to the
mind, the body, social status, etc.).
The exhibit has a personality - an
unusual cohesion. A few feet from the
magnetoscope is a map of Napoleon's
march to Moscow. The march begins
as a thick band representing nearly
500,000 troops. As the march prog-
ress, it slowly narrows, representing
in utmost simplicity the unbelievable
mortality rates of Napoleon's historic
failure. "Neo/Ethnocentrism" is a small
photograph of a globe with the United
States cut out and, with Alaska as the
head, it looks like some sort of duck
walking out -of the globe. The photo
is intimate and personal. The larger
theme of ethnocentrism is scaled down
and unpretentious.
It's a good omen that Work's first
exhibit of the term is as strong as this
one. An exhibit of alum art is set to fol-
low in October, and if it's anything like
"The Studio and the Lab," we're all in
for a treat.

- For more photos, check out our
website at michigandaily.com.

Ferrofluid consists of magnetic particles suspended in oil, Amazing what you can learn at an art exhibit.
Through'Shoot,' a
question of existence

TBy ELIE ZWIEBEL
Daily Arts Writer
It's a rare breed of film that causes us
to question our purpose in life. Hopeful-
ly, we can see such a film coming and pre-
pare ourselves for self-examination and
philosophical postulation. On the night
of Sept. 6 I was caught off guard by the
appropriately titled "Shoot 'Em Up" - so
off guard that I was brought to the brink
of an existential crisis.
After deciding to take the night off
from revelry and schoolwork, boredom
consumed me. I realized I would eventu-
ally have to see "Shoot 'Em Up" as a writ-
er for the Daily, so I indulged the idea of
seeing the movie just before midnight at
our local Cineplex. A plan, a goal, a pur-
pose.
None of my housemates would accom-
pany me, so I drove out to Ypsi by myself.
one of the ticket-takers offered me a
special that would include a ticket to
"Shoot 'em Up," all-I-could-eat pizza and
free video gaming for $15. I graciously
declined only to receive an outburst:
"Then my job is futile!"
As the sole audience member of
the fated Theater 10, I listened to the
National Amusements digital radio ser-
vice encounter difficulties, never getting
more than two minutes into a songbefore

distorting the sound and cutting back to
the beginning of a hellish loop.
Ten minutes after the show was sup-
posed to start, I informed an usher they
were behind schedule. Fifteen minutes
after the show was supposed to start, I let
the concession attendant know - becom-
ing visibly irritated - that they were
behind schedule (the usher, presumably,
had gone home for the night). Twenty-
five minutes after the show was supposed
to start, I angrily complained to the man-
ager they were still behind schedule (he
appeared to be the only one left in the
theater aside from yours truly).
Solitude.
A bad movie.
A life realigned.
Duringthe previews, I started to think:
Why am I putting up with all this? I don't
want to see this movie. I don't really have
to see the movie. And what was up with
See SHOOT Page 9A The man is totally relationship material. He is so comfortable with babies. And hookers

Back to Top

© 2024 Regents of the University of Michigan