ARTS The Michigan Daily - Friday, September 16, 2005 - 9 Fox's 'Head Cases' not worth the headache By Nick Kochmanski Daily Arts Writer Courtroom hits like "L.A. Law," "Ally McBeal" and "The Practice" defined the network television landscape of the '90s. But with the recent advent of reality TV and a slew of over-the-top crime dramas, Head Cases such programming seems somewhat passe. Now bigwigs Wednesdays at Fox, tired of continually at 9 stealing other networks' reality Fox ideas, decided to take audienc- es on a trip back in time with "Head Cases," a new "dramedy" featuring Chris O'Donnell ("Batman and Robin") and Adam Goldberg ("The Hebrew Hammer"). To the extreme distress of Calista Flockhart devotees the world over, the results are none too pretty. ''Head Cases" opens with Jason Payne (O'Donnell) struggling to balance work and family life. Like many other workaholics, Payne is kicked out of the house by his caring but angry wife, who leaves him alone and abandoned in a hotel room. Naturally, after calling his wife and screaming into the answering machine, Payne collapses to the ground, suffering a stress-related nervous break- down. The story picks up months later, on the day of Payne's release from a mental institution. Not everything goes smoothly, though, as Payne must participate in a sort of "buddy system" (apparently just as common with mental patients as with Boy Courtesy of Equal Vision If these guys are the shark, the bear is totally going to win. Bear vs. Shark come home to Blind Pig coutesy(Vof' VIEol "We'll be cancelled before you learn all of our names." Scouts) and finds himself paired with Schulz, a quirky, quick-to-anger lawyer (Goldberg) who spe- cializes in cases involving disreputable women. As the show stretches on, Schulz and Payne are forced to work together, eventually leading both lawyers to realize the strength of their blossom- ing friendship. At episode's end, the two men enter into practice together, guaranteeing view- ers months of painfully contrived jokes and blase courtroom antics. There's really nothing to appreciate about "Head Cases." The "heartwarming" family moments, in which Payne attempts to reconnect with his son, appear forced, while the drama of the courtroom comes across as anything but believable. Even Goldberg's comedic talents are wasted. To make matters worse, audiences will question whether the show is a comedy or a drama. Most scenes involve a painful interaction between Payne and Schulz, highlighted by Goldberg's feeble attempts at slapstick comedy and O'Donnell's failure to come across as anything more than a Ken doll. Neither funny nor truly engaging, "Head Cases" fails on pretty much every level. Audiences look- ing for entertainment on Wednesday nights should avoid Fox's latest clunker. By Jake Montie For the Daily CONCERT PEVIEW . Greenwood Avenue has a place in the memory of many students who attend the University. Every year during Welcome Week, hordes of people make the trip from their dorms, apart- ments or houses to the Greenwood block party, hoping Bear vs. Shark Tonight at 9:30 p.m. At The Blind Pig Spooky'Supera turl' shows promise on WB By Nick Kochmanski chester family suffers some strange Daily Arts Writer curse, which appears to afflict only female loved ones. It is this curse that drives the brothers' father to find, and hopefully destroy, the entity responsi- Much like a campus Halloween ble for his wife's death. Dean and Sam party, The WB's "Supernatural" fea- refuse to be left behind and set out in tures a slew of scantily clad women, search of their father. ghosts, demons The first episode features a stop in and notably small-town America, the traditional absent parents; Supernatural setting for ghost tales. Here, the broth- there are even Tuesdays at 9 p.m. ers run up against the ghost of a seduc- a few arrests The WB tive female materializing as a "White made for good Lady," a common spook that involves measure. And a seductive, hitchhiking woman. After fortunately, like any good holiday shin- a series of encounters with the local dig, this show gets better as the evening police, Dean and Sam finally confront wears on, revealing multiple layers and the specter, which results in a surpris- introducing characters that encourage ingly exciting clash between man and viewers to tune in again next week. evil spirit. The ghosts are well crafted "Supernatural" stars Jenson Ack- using digital effects, and the climactic les ("Smallville") and Jared Padalicki death scene is enough to bring back ("Gilmore Girls") as Dean and Sam fond memories of "Ghostbusters." Winchester, two brothers who set Even the obvious scare shots, accom- out in search of their eccentric father panied by the all-too-familiar rush of while battling evil demons and grim- sound, are delightful enough to set grinning ghosts along the way. In viewers' pulses pounding. the opening scene, an evil, unknown The strong chemistry between force attacks the two brothers' mother, Dean and Sam also supports the which results in a deadly blaze. View- show. While certainly not on par with ers eventually learn that the Win- "The Sopranos" or "Six Feet Under," they'll arrive before the police inevitably break up the festivities. But Greenwood Avenue has another claim to fame: It's the rightful birthplace of Bear vs. Shark, who are playing tonight at one of their favorite venues, The Blind Pig. Highly combustible indie-punkensem- ble Bear vs. Shark held their initial prac- tices at the Greenwood Avenue house of former University student John Gaviglio (guitar/bass). Childhood friends Mark Paffi (vocals), Derek Kiesgen (guitar/ bass) and Mike Muldoon (guitar/bass/ keyboards) were also in the band's first incarnation. After adding Ashley Horak on drums, the group got its start playing house parties throughout Ann Arbor. From the beginning, Gaviglio knew they were on to something. "I've had that feel- ing since day one," he said. "I think what brought it all together was when Mark finally came to practice ... hearing him and what he could do to the music we were writing really gave me chills." Their sophomore release, Terrorhawk, combines Paffi's furious vocal assault with a well-developed "We'll punch you in the mouth but we're courteous enough to drive you to the ER" wall of sound that glues listeners to their speakers. Essentially, Terrorhawk is 44 minutes of the pulse of these men, music that's cal- culated to bring listeners to their knees. Songs like, the introductory "Cata- maran" and the malicious "5, 6 Kids" deliver an energy that's enough to make listeners tear a hole through their walls with a barrage of punches. However, by the end of the album's emotional jour- ney, they'll be contemplating the bruises on their fists with an introspective man- ner. This thought process comes straight from the music of songs like "Song About Old Roller Coaster": The power behind these tracks are why Gaviglio says of Terrorhawk that he's "the most proud I've ever been of anything I've ever done." When asked about the meaning behind Terrorhawk, Gaviglio explained, "(With) most of the stuff we, do we don't really try to explain too much. We just kind of leave it open to interpretation." Essentially, Terrorhawk can become whatever a listener wants it to become; it's best to let the music take you wher- ever it may wander. Gaviglio also stated that the goal when making Terrorhawk was to create "a full album that was one cohesive unit ... (and) to be more thoughtful with the songs." That is just what Terrorhawk is: reticular in the effect that its varied points are all con- nected and mesh brilliantly. Bear vs. Shark bring an incendiary and energetic live show to Ann Arbor. For a few dollars, music fans can see a blistering set from one of the more excit- ing bands to come out of the area in years. It's also a chance to take part in a reunion of sorts - the reunion of a band with the city of its birth. Courtesy of The WB "Who the hell are we?" "Supernatural" features believable performances, especially from its lead roles. Ackles and Padalicki work well together, resulting in good-natured chuckles and the general feeling that as time goes on, the two brothers will grow even closer. If there's one complaint against "Supernatural," it's that the show doesn't explore anything new. Instead of offering fresh and exciting scares, it appears the writers drew heavily from already-popular horror films. Whether or not this is an intentional move is unclear , but the current stable of spooks does nothing to improve the experience. As the story of Dean and Sam Winchester unfolds, more original creatures will hopefully cross their paths, nudging "Supernatural" a little closer toward greatness. "Supernatural" is an enticing new show that will leave viewers of The WB's other teen series anticipating next week's episode. I I THE BOSTON CONSULTING GROUP MISSED OUR THREE MASS MEETINGS, BUT YOU STLLL WANT TO WR1TE? CoME, To 420 MAYNARD ST. ON SUNDAY AT 12:30. a 1448 THE BOSTON CONSULTING GROUP invites you to our Information Session Monday, September 19th, 2005 4:30pm to 6:30pm Michigan Union, Pendleton Room