UNIVERSITY The Michigan Daily - New Student Edition - Fall 2004 - 9C Frustrated students protest Art and Design curriculum Engineering Dean Steven Director and Engineering Class of 2004 President Evita Nedelkoska cut the birthday cake on September 9, 2003. School celebrates 150th anniversary September 10, 2003 By Aymar Jean Daily Staff Writer With 150 years of innovation under its belt, the College of Engineering was toast- ed by students and faculty yesterday at its sesquicentennial celebration. The milestone comes at a crossroads in the program's history, as the faculty and administration plan to improve upon the school's academic environment. Among the school's strengths, many stu- dents mentioned its resources, such as the Media Union, and a large number of clubs and projects. "The College of Engineering has a lot of opportunities," Engineering Council Presi- dent Chitra Laxmanan said. "We have over 70 societies and organizations for students to join, so besides getting a great educa- tion, we take on more." Engineering senior Jia Lu, Institute of Electrical and Electronics Engineers co- chair, echoed this statement. "Some of the opportunities here are unrivaled," Lu said. "A lot of companies come here to use our extensive resources, because we use multi-million dollar equip- ment." But when asked about the faculty, stu- dents were more divided. Though many agreed that the professors are among the best in the world, many also noted the lack of faculty/student interaction. Often the professors' focus is on graduate students, some said. "The professors can be really focused on providing research data, writing papers, publishing and less focused on teaching students," mechanical engineering senior Vernon Newhouse said. "A lot of them are more focused on the Ph.D. students, who are doing research and do not need to learn the basic information." Prof. Dennis Assanis, chairman of the Mechanical Engineering Department, said in response, "This does happen quite a bit. If you look at individual professors, there might be some who prefer to do research. One might say that's where their heart lies. They might not necessarily have the gift to be the best teachers." At the time of its sesquicentennial, stu- dents and staff seem proud of the college's reputation for academic excellence, close ties with the industry, its dedicated faculty and other public services. But professors see the need for improvement. "We are at the forefront of public serv- ice, transferring the technology we have to the industry and doing good things for the country," Assanis said. "We need to contin- ue to strive for excellence in the face of very tough competition and budget cuts." Even amid the event's fanfare, behind the scenes the college is busy making improvements. "The college is engaged in a strategic planning exercise and is going into an implementation phase. We are going to improve communication between schools, improve the faculty environment and focus on undergraduate education," said Dean Stephen Director. "Seven years ago, we implemented a new undergraduate initia- tive, and we need to step back and see how it's doing." Since the University offered its first engineering course in civic engineering in 1854, the college has made significant advances in science and responded well to the growing demands of industry. "Our size and scope allows us to offer a large variety of outstanding programs," Director said. "We are here to perform important, relevant research. We have laid out a five- year plan and continue to strive for excel- lence." At the event on the North Campus Diag, student groups sought to recruit new mem- bers, continuing the tradition of student involvement at the college. Director and an alum of the school cut a large celebratory birthday cake, after two engineering seniors led the crowd in a verse of "Happy Birthday, College of Engineering." As to the future of the engineering pro- gram, Director promised to focus on com- puter science and information technology, biomedical engineering and nanotechnology. March 2, 2004 By Donn M. Fresard Daily Staff Writer The new School of Art and Design curriculum had what might be called a rocky beginning, with some disgruntled students leaving the art school in protest during the program's first year. Now in their second year under the new curriculum, art students are still largely frustrated with its broad and demanding requirements. But rather than transfer, some students have taken a more hopeful approach, forming a new student government. Lydia Gregg, president of the Art and Design Student Government, said she and other art stu- dents formed the organization last year intending to work with the administration to discuss and change aspects of the new program. "It's a very complex system, and we disagree with parts of it and agree with other parts," said Gregg, an Art and Design senior. "I have faith in (Art and Design Dean Bryan Rogers's) ability to change things, but, at this point, it's a work in progress." The art school's curriculum was redesigned in 2002 to require students to become proficient in a wide range of artistic techniques and media before choosing an area of concentration. But many Art and Design students feel that the new requirements limit their choices, leaving them without enough time to develop important skills. "It's based on this sort of noble idea of stretch- ing kids to get them to try all the forms of art that they wouldn't try otherwise," said Art and Design freshman Glenn Getty. "But I think a lot of us feel that it takes all the choice away from students." The new program requires first- and second- year students to complete a series of courses in a wide range of materials and techniques before choosing areas of concentration in their third and fourth years. "The new curriculum is good in several ways, said Art and Design Associate Dean Mary Schmidt. "It requires all students to become con- versant on a basic level with the tools and tech- niques in every studio we have." But Getty complained that the new require- ments, which are fulfilled through a series of seven-week courses, only scratch the surface of the media they introduce to students. "Seven weeks of any one thing is just too fast to really learn anything in that area," Getty said. Responding to reports that some students had dropped out of the program due to the new requirements, Schmidt noted that all major cur- riculum changes meet with some initial resistance. "We did have high attrition in the first year, but this freshman class is an extraordinary group of students," Schmidt said. She added that the number of students leaving the program appears to have dropped significantly this year, but said the administration would not release specific numbers. Gregg said one objection students have expressed is in regard to the curriculum's focus on BRETT MOUNTAIN/Daily Art and Design junior Jeremiah Brown talks about his work in his Illustration class, Art and Design 419. conceptual development. "There's a very heavy emphasis on concept rather than technique, and so a lot of people are learning to run before they can walk," Gregg said. She said the student government is addressing this issue by asking the art school to allow for more flexibility in class scheduling. The organiza- tion also recently set up an online message board, hoping to gather new ideas from many students. Other art students also said they were con- cerned that increased focus on concept takes away from time that could be spent developing technique. "We could be helped so much more by improv- ing our art skills rather than by spending this much time on conceptual courses," said Art and Design freshman Michelle Bien. But Schmidt said an emphasis on concept is vital to artistic development. "You can't be an artist in the world without having ideas," Schmidt said. "Being required to have ideas about your art-making is not a bad thing. It's a new thing for freshmen." She added that the new curriculum had not lost sight of the importance of artistic technique, but rather sought a balance between skill and concept. "If you've got great ideas and no artistic skills, just as if you've got great skill but no ideas, then you're not an artist," she said. Schmidt also defended the art program's plans to supplant traditional photography with digital. "There was a lot of discussion about whether we should stick with chemical photography or do digital photography," Schmidt said. "Everyone in the faculty recommended that we transition to digital photography, because that's what the world is out there." Getty, however, said he had intended to explore traditional photography in art school because he had not been able to do so in high school. Emp After three years, RC grading policy receives mixed reviews February 19, 2004 By Rachel Boyman For the Daily Three years since the Residential College began administering letter grades in addition to written evalua- tions for the first time in its history, the system has earned both the praise and criticism of students. RC Student Services Assistant Charlie Murphy arrived after officials chose to make the changes, but wit- nessed its implementation. "There was a lot of resistance at the time, but as you bring in each new entering class of students who come in under the new grading basis, they don't have anything to compare it against," he said. "People don't seem to have a problem with it in the vast majority of cases." Since its inception in 1967, the RC relied on professors to compose writ- ten evaluations for its students. With- out a standard grading system, graduates of the RC lacked a grade point average to submit to other institutions after graduation - a rea- son Tom Weisskopf, director of the RC, cited as the motivating factor for the shift. "The main rationale was that there was increased demand for GPAs on the part of graduating students who were going (on) to graduate profes- sional school," he said. RC alumni expressed concern when applying to institutions because they were unable to present a clear GPA, he said. "For a while we had to impute a 'would-be GPA' and that was prob- lematic because we didn't have actual grades for the RC courses," Weis- skopf said. "The main benefit is that RC students will now have GPAs readily supplied to others outside of the University." Ian Robinson, a professor in the RC social science program, said he recog- posed to have all As. That's called grade inflation, but in fact everyone was really motivated to do projects." The course encouraged students to engage in the issues and included a trip to Mexico. "I felt the course was a smashing success on both fronts so the grades were kind of an irrelevance in a way and even potentially nega- tive," Robinson said. RC senior Carol Gray said she feels letter grades conflict with the mission of the RC. "I think the RC is about this continuous process of learning and dialogue, and (by giving grades) it's standardizing something that in essence is not meant to be standardized," she said. She also expressed concern about the shift in classroom dynamics. "Even if you get a grade with an evaluation, it changes the way you act in class. It changes everything." Still, some students enjoy having both grades and evaluations. RC jun- ior Jeremy Cook feels that both sys- tems are biased, but together can better depict a student. "I think they give different pictures. An evaluation can tell about you every day of class, but the letter gives a more general picture, and I think you need both to give a really accurate picture of a stu- dent in a class," he said. Distributing letter grades may pro- vide benefits to students, said Mark Kirschenmann, an RC professor in the School of Music. "Personally I like having - and prefer having - a graded system because in my experi- ences I think that, for better or for worse, grades oftentimes serve as a quasi-motivating factor," he said. He said he noticed that seniors under the old grading policy participated in a course just enough to pass. "My gen- eral inclination is to think that the pass-fail system had some downfalls in that some of the students I've had under that policy simply did enough to get by," he said. Despite the initial debate, most students today do not seem bothered by the grades. Murphy claimed to receive few, if any, complaints since the decision's execution. "If there are some individuals who don't like it, (which) I'm sure that's true, but that's not really the case," he said. "There's no great groundswell of support here for going back to pass/fail evaluation." a, a N "~mpus InfcrMdticn Centers Questions about UM or Ann Arbor? We'll answer them! 764-INFO info@umich.edu www.umich.edu/info/ The complete desig n environment for print and Web publishing The Adobe Creative Suite is an integrated design environment that combines the most complete upgrade in Adobe's history-featuring full new versions of Adobe Photoshop* CS, Adobe Illustrator* CS, Adobe InDesign* CS, Adobe GoLive CS, and Adobe Acrobat' 6.0 Professional so~tare-rpwith in novative file-.mtnnasiemnt features, a smooth Adobe Portable Document Format (PDF) workflow, and comprehensive design resources. Create and publish content for print and the Web faster and more easily than ever before- all at an outstanding value. The Adobe Creative Suite is everything you need for all that vou can inaavine. Campus Events Calendar: LITV ' t