ARTS The Michigan Daily - Wednesday, September 15, 2004 -11 'Friends' spin-off finds niche By Abby Stotz Daily Arts Writer In May's tremendously over-hyped "Friends" finale, Chandler and Mon- ica entered parenthood, Phoebe got married and Ross and Rachel final- ly got back together. Joey Tribbiani (Matt LeBlanc) on the other hand, was graced with his own spin-off show. Spin-offs are risky - try to name one, besides "Frasier," that didn't suck - but fortunately for NBC, des- perate for another hit, "Joey" actually looks promising.s Joey is a fish out of water this Joey time, transplant- Thursdays ed to Hollywood at 8 p.m. in an attempt to NBC make it big. He spends the pilot episode settling into his retro-chic bachelor pad and unsuccessfully audi- tioning for various roles. Fortunately, nearby is his no-nonsense hairdresser sister Gina (Drea de Matteo, "The Sopranos") and rocket scientist neph- ew Michael (Paulo Costanzo, "Road Trip"). Michael, after pleading with Joey, moves out of Gina's house and in with his uncle in an attempt to improve his reputation. Living with his mother hasn't exactly helped him with the ladies, and even the engineer- ing students make fun of him. "Joey" winds up being quite enter- taining and funny. The protagonist is still not the brightest crayon in the box, but smart enough that the show doesn't feel like a half hour of "wow, "How you doin'?" Visitors enjoy the unique exhibits at the Ann Arbor Art Fair. HIGH CULTURE O'KEEFE, ART FAIR BRIGHTEN UP SUMMER is that guy dumb." The jokes are well executed, including a gag in which Joey tries to audition for an entertain- ment news show and just can't manage to find the right camera. Also compelling is the chemistry between LeBlanc and de Matteo, who seem genuine as they play off each other like real siblings. Gina is obviously the smarter of the two, the sort of sister who would keep Joey from licking a flagpole in December. The nerdy Michael is well-acted, earnest and kind of pathetic but still likable. And as Joey's new honest- to-a-fault agent, Jennifer Coolidge ("Legally Blonde") shows off some considerable comedic skills, pulling off a line like "I'd put on a meat skirt and wrestle a lion" while convincing Joey of her loyalty to trying to make him a star. The one misstep in the pilot was the introduction of the cute blonde girl who lives next door. As Joey puts it: "She could be the future Mrs. Trib- biani, or at least the future awkward situation." Viewers know the original "How you doin'?" man isn't going to settle down until he absolutely has to, and so Alex (Andrea Anders, "Tru Calling") comes off as a superfluous character and an annoying one at that. "Joey" seems to shake off the spin- off stigma. With solid characters and good writing, it has a good chance for success. It probably won't be as popu- lar as "Friends," but it keeps comedy on NBC relatively stable until the next big hit comes along. S UM M E A R T 5 CN RfEv fw The summer months are a season of going to rock concerts at DTE Ampitheater (even though it will always be Pine Knob), spending Friday nights at the latest blockbuster movie or traveling to jazz festivals in different big cities, but the fine and performing arts are not completely closed during the summer. The Power Cen- ter hosts a summer festival every year that brings in folk singers, jugglers, comedians and dancers. The unique Ann Arbor Art Fair is one of the most famous in the country. Shakespeare can be heard resonating off trees in the Nich- ols Arboretum, and the University of Michigan Museum of Art is open for business all year round. Ann Arbor is a mecca of fine arts no matter what the season. As You Like it At the Ann Arbor Arboretum June Set in Nichols Arboretum - the best venue on campus to view Shakespeare during the summer months - "As You Like It" showcased the RC players this summer. This humorous tale of love, betrayal, cross-dressing and travel- ing minstrels was truly a weekend treat. Beginning at 7 p.m., the audience traveled throughout the Arb, moving from scene to scene, experiencing as well as watching the play. Led by the expert performances of Orlando and Rosa- lind, the play's leading lord and lady, the production of "As You Like It" would have done the Bard proud. "Peninsula" by the Peter Sparling Dance Company At the Power Center June As part of the Ann Arbor Summer Festival, Peter Sparling's Dance Company performed in "Peninsula," a show celebrating the diversity of culture and land- scape in Michigan. The show included a part on histo- ry, a segment that resembled a travelogue and finally a dance performance. The show wove video, dance, poetry and music to create an extraordinary spectacle of color and sound. An Evening of Classic Liiy Tomlin At Hill Auditorium June Complementing the warm weather of the summer, "An Evening of Classic Lily Tomlin" lightened hearts with laughter. Tomlin is a Detroit native who was excited to be playing before a home crowd, and the evening was one of hilarity that showed the vibrancy and eccentricity of her life. One of America's foremost comediennes, Tomlin has been a star of television, theater, motion pictures and animation and has been an innovative force in American comedy. New-wave duo reunites on 'Endin' Lily Tomlin Reduced Shakespeare Company in "All the Great Books (Abridged)" At the Power Center June Back by popular demand, the Reduced Shakespeare Com- pany sent Ann Arbor into fits of laughter this June as they went through all of the world's great books in a two-hour show. Covering everything from Confucious and Thoreau to Shakespeare and the Bible, these men offered a roller-coaster ride through literature that would make English teachers the world over cringe. Ann Arbor Art Fair Downtown Ann Arbor July In keeping with tradition, Ann Arbor hosted its 34th Annual Art Fair this past July. The fair featured more than 450 artists, including local, national and international tal- ent. Also, select students were chosen from the School of Art to display their wares at a special student booth. A spectator could find anything from wood workings to metal jewelry to oil painting on canvas while traversing the streets of Main, State and Liberty. Food vendors as well as musicians were also in great abundance, making the event an all-day affair. Georgia O'Keefe At the University of Michigan Museum of Art Through Sept.26 Starting in July and running through the end of September, the work of Georgia O'Keefe has been in the spotlight at the Museum of Art. The exhibit, "Georgia O'Keefe and the Sub- lime Landscape," is a new look at O'Keefe's work that places her in the context of the American landscape tradition. The deserts of New Mexico and west Texas serve as the subject for many of her displayed paintings. More than 30 paintings, spanning four decades of O'Keefe's career, will be on display in the West and Box Galleries through Sept. 26. By Rachel Kruer Daily Arts Writer Tears for Fears have emerged from their recording hiatus of 15 years with the album Everyone Loves a Happy Ending. Roland Orzabal and Curt Smith finally reunited under the pretense that writing and singing duties would be allo- cated evenly. Their split was inspired by the cataclys- Tears for Fears Everybody Loves a Happy Ending New Door mic 1989 new-wave opus Seeds of Love, which relegated Smith to mere back-up vocals. Most famous for the infectiously monotone "Shout," Tears for Fears rode the crest of the synth-pop phenom- enon along with Depeche Mode and The Pet Shop Boys in the late '80s. Traces of their earlier work quietly reverberate in their music, yet the duo dives into unexplored territory that shows their willing- ness to expand as artists but in no way reestablishes them in the ever- changing musical landscape. The first noticeable change is the absence of the synthesizer that dominated their earlier works. It was this instrument that made their morose themes palatable by injecting an infectious beat, but would also muddle the haunting vocals, as exemplified by the 1983 single "Mad World." The synthesizer is not entirely gone; its presence, however, is much more subdued. It makes sev- eral brief appearances in songs such as "Size of Sorrow." With less emphasis on the electronic beats, the duo experiments more with a wide array of instruments. Rick Baptist offers his trumpet play- ing talents to the title track, while violins softly simmer in "Secret World." Guitars and drum steadily accompany "Quiet Ones" before the chorus dissolves into a stream of lyrical cliches. The vocals bel- low "It's your life / Don't just col- lide with the waves." In "Call Me Mellow" the lyrics inquire "Oh is she wild? Does she see my inner child?" These trite phrases are reflected even in the title of the album. Whether the title is really a harsh commentary on what the public wants to hear or is simply a catchy phrase can be argued effec- tively by both sides. What can be derived, however, is that the unin- spired lyrics greatly affect the credibility of a band that prides themselves in their reflective nature. That is not to say all of their new songs fall into this category. Tears for Fears occasionally break into old habits with "Who You Are" and "The Devil" as the duo returns to their more somber trademark by taking a break from the stream of upbeat tempos. It 's good that Tears for Fears have stepped bravely in a new direction, as nothing is worse than a band that rehashes the same creativity-devoid garbage for years. But despite their new- found camaraderie, their musical reverie comes up short. Perhaps they are victims of their own suc- cess - bound in a musical Catch- 22 dictating that if they follow the same paradigm, then they are deemed hacks, yet if they try something new, it will never mea- sure up to their old work. So what is the most honorable answer for bands such as these? Let their legacies live while soaking up the fat royalties and, of course, the occasional merchandise-satu- rated tour. - Compiled by Sarah Peterson Washtenaw Community College RESEARCH ANALYST STATISTICS AND SURVEY Washtenaw Community College THE TRUTH IS... IF GUR DLI VER ORIVRS WEREAATER ON ~lESIDS OF TEICRS The Research Analyst will participate in all phases of quan- titative and survey research including the design and implementation of research projects and institutional stud- ies. (This is a full-time temporary position currently funded through June 30, 2005. No continuing employment rights are inferred). The successful candidate shall possess a recently earned Master's degree in Statistics or in a social science (sociol- ogy, education, psychology) preferably completed within the last five years. Coursework must include at least four graduate level statistics courses beyond basic statistics. Applicants anticipating completion of Master's degree by the end of the Fall 2004 semester are encouraged to apply. Completion date must be specified. In addition the candi- date must possess an advanced knowledge of basic and inferential statistical methods (sampling, multiple regression, multivariate techniques), survey research design and ap- plied research methods. Equivalent of one year full-time work experience in social science research preferred. Starting salary is $35,065 - $38,571 dependent upon edu- cation and related work experience with numerous fringe THE ~ o H f Ot TH- From stars like Mel Gibson and Al Pacino to cele- brated authors like Truman Capote and James Michener, Lawrence Grobel's interviews with our most fascinating pub- lic figures have made him nnPof themnct