Friday October 3,2003 michigandaily.com artseditor@michigandaily.com 2RTS 5 I By Jennie Adier Daily Arts Writer "You mean the sausage Package?" asks Jack Black on the phone last week in anticipation of his newest movie, "School of Rock." Interestingly, Black theorized that it's not about size, in fact, the smaller it is, "the harder you rock." Which would explain why he rocks so hard in "Rock." Directed by Richard Linklater ("Dazed and Confused") and written by Mike White ("Check and School of Buck"), "Rock" Rc k ' was created specifically for Opening Today Black's unusual talents. He explained, "Mike wrote this script for me. It's like he pulled up in a Ferrari that was built for me and I got in and I knew how to drive this thing and I floored it and pushed the nitro button that you didn't even know about under the dash." Maybe Black could've saved "Too Fast, Too Furious" with a nitro- induced performance, but for now, he embodies the role of lazy but deter- mined rocker Dewey Finn perfectly. Finn, fired from his glam rock band, finds a job impersonating his room- mate (White), a substitute teacher, at Horace Prep School. Initially in it for the money, Dewey begins to realize the talent in the kids and starts his own can't drop any f-bombs." Although Black describes himself as a kid - just a "big fat one" grow- ing up, he was nothing like the tal- ented kids in "Rock." His parents gave him free reign of his life and he was nowhere close to being a musi- cal prodigy - only a "professional jackass." For "Rock," Black drew multiple inspirations. While Dewey's taste in music is mostly classic rock like Zep- pelin, Black's favorites range from Simon and Garfunkel to N.E.R.D. Black himself is a musician in his band Tenacious D (which Black claims is far better than "Dogstar" despite the fact that "Keanu Reeves can dodge bullets"). The "D" is releas- ing a DVD movie, written by Black, which he assures will discuss any unanswered questions. "Rock" is not only about the music but the comedy as well. White com- pares Dewey to Willy Wonka while Black considers his personal influ- ences of Chris Farley, Jim Carrey, Richard Pryor and old-school Gene Wilder (which according to Black, nix Willy Wonka). Ever since he can remember, Black has wanted to entertain. In "Rock" he does just that through his music, humor and let's be honest, a touch of peewee (sized) class. School of Rock - where do I enroll? Lynch offers acoustic tunes By Niamh Slevin Daily Arts Writer CONCE RT PREVI EW Though furry rodents and hermaphrodites musical stylings, com Lynch says he's reallya guy at heart. WhetherI his recent wedding deta shrugging off talk of h Lynch is, in every. ... With a twist versial, he asserts his lyrics are always portrayed in jest and sarcasm and are merely meant to be funny. "The only feedback I really care about is when I'm on stage, you , deadbeat dads know, whether people are laughing," dominate his Lynch notes. edian Stephen Even though he's made several a shy, sensitive guest appearances on Comedy Cen- he's discussing tral, the humble Lynch says he still ils or modestly can't watch his own work. "I'm far is own success, too critical of my performance. I don't like watching myself on TV or hearing myself on a CD. I'll leave Stephen that for other people to enjoy." Lynch In his current tour, Lynch is intro- Tonight at 7 p.m. ducing a slew of new songs to test out At Clutch Cargos on the road. He hopes his upcoming clear Channel show at Pontiac's Clutch Cargos will Courtesy of Paramount Now it's time for me to tell you about Young Nastyman ... nemesis of Wonderboy. ROCKMDN'IA WITH JB THE FAT COMEDIAN WHO STOLE OUR HEARTS way, almost the exact opposite of his many musical personalities. Lynch, a Michi- gan native and practically a music "School of Rock." With jobs from drummer to gui- tarist, the kids in "Rock" are without a doubt talented - Black goes as far to call them prodigies: "Any kid who can rock like these kids do at age 10 is a musical prodigy." Black hopes to someday make a children's show mod- eled after his old favorite "Pee-wee's Playhouse" (Black already has the public indecency part down). The only catch is that around the kids, "you Go behind the scenes with University Productions By Messa Runstrom Daily Arts Writer There is a claustrophobic room, in a little known prop shop on Fletcher Street, which houses thousands of shoes worn by countless actors. A little further down are ethereal costumes, freshly Goodnight died and drying. Over in another Desdemona room men are busy Oct.24 and 9-11at sawing and paint- 8 p.m. and Oct. 5 mg Ne Yorksky- and 12 at 2 p.m. mng New York sky- $8 Students scapes. Workers $15Adults are creatively mak- At the Trueblood ing these things Theater look "real." Just as actors immerse themselves into charac- ters that become true, the props cease to be props and become real items. University Productions is a multifac- eted organization responsible for more than most people realize. The organiza- tion was developed in 1985 after the the- ater and dance departments became part of the School of Music. Now it services the School of Music as well as other production bodies that use the space they control. University Productions handles the Trueblood Theater, the Mendelssohn Theater, the Power Center and Hill Auditorium. It must verify that all build- ings are up to code, and in the case of Hill Auditorium, must assess how the renovation is proceeding. This is all while preparing its own productions and training students. "There is a lot of value in people teaching and not just being consumers," University Productions Director Jeffrey Kuras said. Students can participate directly in over 45 events every year. Positions include work study in various build shops, ticket takers, student actors and stage producers. The organization uti- lizes qualified design students to work alongside designers from University fac- ulty. Kuras stresses that everyone has an opportunity, "There is a progression and that is how we do it. They can work up and they can build." The group is already excited for this season's schedule, including "Goodnight Desdemona (Good Morning Juliet)" and "Guys and Dolls," both in October, and three pieces in the University's St. Petersburg Festival. Even with a full season, UProd would love to expand the number of produc- tions and increase the amount of roles offered. Kuras said, "There are many many talented students. It is very com- petitive for them to get roles on stage." veteran, has been strumming his guitar since his college days. His sweet, lulling voice and melodies could easi- ly double as beautiful love ballads with a few lyrical tweaks. However, this facade only adds to the song's hilarity as it delves into the darker; creepier aspects of life. For example, "Lullaby" begins as a gentle, soothing good night treat to an anonymous little one and progresses into a full-blown explanation of the many raunchy rea- sons why Mommy doesn't live with Daddy anymore. While Lynch wouldn't mind exploring his musical capabilities even more, he understands his fans crave the comedic portion of his shows. With a combination of clever word play and physical playacting, he appears to have hit upon a fairly unusual gig. "I wouldn't do it unless there were both elements. I would never get up on stage and just tell a jokes," says Lynch, "and I seem to have locked on to something fun here." Lynch isn't all laughs and games, though. Some of his songs, including the infamous "Kill a Kitten" have brought him an unwanted notoriety. Although some people may find his subject matter offensive and contro- JEFF LEHNERT/Daily Actresses must stay still during wardrobe preparations or risk a pin in the shoulder. The organization plays an important role in Ann Arbor by adding to the cul- ture of the city and campus with produc- tions, venues and new talent. Kuras said, "The difference between us and Univer- sity Music Society, for example, is that UMS hires professional artists who are on tour, and our job is to train students to become professional artists." He also hopes those students eventually become the artists that UMS recruits. - For more information on University Productions go to www uprod.music. umich.edu I *IMPACT DANCE * MUSKCET! * AMA!IN' hUE* *i W 0' N Z * v M r 0 V h 4 * V Y uNVERSY ACTM.ES CENTR proudly presents Iflfii CoUfRseS Fels D irg TuesdaY's starting on Oct 21 7-8 pM or 8-9 PM Instructor: Aida Al Adawi Union - Wotverine1ParKer RooM $90 Monday's starting on Oct 20 6-8 PM Monday's starting on Oct 20 7-9 pm Instructor: Kapila Castoldi Union - WelKer Room FREE! A O 4 0 A A 0 3 * A 0 3 PLc Instructor: Mr. Ed Herstein Union - ParKerRhoot $S I tro to Vjerress Monday's starting on Oct 20 7-9 PM Instructor: Jeanette StawsKi Union - Anderson Room ABCD $65 ma1ssae Wednesday's starting on Oct 25 8-10 PM Tuesday's starting on Oct 22 7-9 PM Instructor: DereK PogirsKi Union - Billiards Room $45 Yo Wednesday's starting on Oct 2 6-7 pm Instructor: Barbara Shaffer Union - WeiKerRoom $90 Wednesday's starting on Oct 15 6-8 pm Instructor: P.clid Sclaoui Union - KuenzelRoom $76 Instructor: Rachid cPlaoui Union - Kuenzei ThOO $76 i