Wednesday- September 4, 2002 michigandaily.com/arts two.kings@umich.edu UOj thwui Nr~g ARTS 9 DAILY ARTS PRESENTS: WEDNESDAYS AT THE MOVIES 'Spy Kids 2'. is fun enter tainment for both children and adults By Jeff Dickerson Daily Arts Editor "Spy Kids" was one of 2001's sur- prise box office hits, grossing over $110 million domestically, more than three times its production budget. The special-effects-heavy tale of two young spies on a mission to rescue their cap- tive parents won over the press and public alike. The man behind the project was Robert Rodriguez, a young Latino Texan who made his celluloid mark in 1992 with the mecha-low-budget gui- tar-slinger "El Mariachi." Produced for a mere $7,000; Rodriguez funded the film by submitting his body to var- ious medical tests. The poking and prodding paid off, and Rodriguez's debut became a film festival phenom. His second feature came in 1995 with the Antonio Banderas starrer "Desperado," a pseudo-sequel to "El Mariachi." This time around the budget was in the millions, and all of it came back thanks to impressive box office ticket sales. Rodriguez had now achieved great cinematic success in both the Hollywood and independent realms of film. "From Dusk Till Dawn," released in 1996, and 1998's "The Faculty" fol- lowed, with Rodriguez taking on new responsibilities with each new film. He is more than just another writer/direc- tor, he also serves as editor, composer, production designer, sound mixer, cin- ematographer, producer and even helps with the special effects. And most of it is done in the garage of his home he calls "Spywalker Ranch." To say that Robert Rodriguez is an autuer would be an drastic understatement. Flashing forward to present day, "Spy Kids 2" opens in a summer of mediocrity for kids' movies, as promis- ing big budget stories "Lilo & Stich" and "Stuart Little 2" turned out to be disappointments. Rodriguez has been able to repeat his successful formula and make his sequel as entertaining as his original. "Spy Kids 2: Island of Lost Dreams" begins with the President of the United States' daughter perusing an amusement park with a smilin' park owner (Bill Paxton, "Aliens") as her tour guide. We are introduced to sever- al of the popular attractions, each one showing off the creativity of Rodriguez and his crew. There is "The Whipper Snapper," a ride where passengers sit in an enclosed ball and are literally hurled through the air on the end of a giant whip. But none of these are enough to impress the President's play against one another perfectly. Their sibling relationship seems eerily natural and it is hard to believe they are not brother and sister in reality. From their incessant bickering to their occasional agreement, every bit of dialogue spouted between them feels authentic. The adult members of the cast prove equally -gifted and seem to be having just as much fun in the process. Anto- nio Banderas is his usual charming daughter. Enter "The Juggler." As the proud park owner tells us, this is the amusement park ride to end all amusement park rides. Suddenly the little girl has found her per- fect little thrill-seeker and all is well. Not so fast. When the ride experiences some tech- nical problems and the safety of the President's daughter is at risk, only Spy KIDS 2: ISLAND OF LOST DREAMS At Showcase and Quality 16 Dimension Films self, while Carla Gugino is once again easy on the eyes. There are countless other memorable, but smaller roles, from Mike Judge, Steve Buscemi, Danny Trejo, Tony Shal- houb and Ricardo Mon- talban just to name a few. Some may pass off the special effects in the movie as amateurish, but said viewers would prove only to be cinematically oblivious. The computer one person can save her from danger. Make that two people. Here come the Spy Kids. Carmen (Alexa Vega) and Juni (Daryl Sabara) return to action as they are called in by the Secret Service to save the day. But when the rescue takes too long, two more small soldiers are requested for assistance. Gary (Matthew O'Leary, "Frailty") and Gerti (Emily Osment, sister of Haley Joel Osment) Giggles serve as the Buckeyes to Carmen and Juni's Wolverines. As the film progresses, we are introduced to several wonderful new characters and locations, each with a personal flair from Rodriguez. "Spy Kids 2" is definitely bigger than its predecessor, but the director was able to maintain the budget of $30 million, a small chunk of change in the movie business today. One of the foundations from which the success of the "Spy Kids" saga is built on is the relationship between siblings Carmen and Juni. Young actors Alexa Vega and Daryl Sabara are talented young performers who generated creatures in the film resem- ble the old stop motion animation pio- neered by special effects creative wizard Ray Harryhausen, most famous for his work on "Clash of the Titans" and "Jason and the Arg- onauts." It is these little details in "Spy Kids 2" that make the movie achieve greatness. If M. Night Shyamalan ("Signs") is the next Steven Spielberg, Robert Rodriguez might be our next George Lucas. Storytellers Lucas and Rodriguez both enjoy an incredible sense of independence thanks to their success. Rodriguez has embraced the digital era of filmmaking with open arms, to the point where he used the same specialized camera that was used over the past few years to shoot "Attack of the Clones." "Spy Kids" and its sequel are two examples of Hollywood's rarest breed, the kid movie that has the elusive crossover appeal for adults. Thankful- ly the "Spy Kids" story is not over, the third installment of the trilogy will be in theaters on July 23, 2003. -Courtesy of Fox Searchlight Pictures Zooey Deschanel and Jennifer Aniston ponder seeing 'Spy Kids 2' after reading a glowing review. DespiCte fine perfonnancs, 'The Go od Girl' lacks a good story By Luke Smith Daily Arts Editor "The Good Girl," despite what you want to believe, is. another indie flick begging to be memo- rable and falling flat on its forgettable face. The film's ensemble cast is not the prob- lem, in fact the cast is anything but the problem. All of the problems "The Good Girl" have, come from a cliche, predictable THE G storyline trying to be something more than it is, and what it is, is another average At Michii movie starring one of the "Friends." Jennifer Aniston admirably bucks her sit- Fox Search' com counterpart in "The Good Girl," instead playing the depressed, downtrod- den, down-on-her luck, Justine Last. Last is caught in a life she never wanted to live, a life where her dreams are dead, the filmmakers would like us to believe, a truly desperate existence. Her husband, Phil (John C. Reilly, "Boogie Nights," "Magnolia") is a dilapidated stoner who occasionally paints with his burnout sidecar Bubba (Tim Blake Nelson). The two spend much of their day on the couch passing a joint back and forth, while Justine works at Retail Rodeo as a make-up clerk. igai hli1 Charming, isn't it? Enter 22 year-old Tom Worther (Jake Gyllenhaal, "Donnie Darko," "Lovely & Amazing") a college drunk-out, a 'budding' (read, terrible) writer and a J.D. Salinger nut who calls himself Holden after Salinger's "Rye" protagonist, Hold- en Worther peaks some interest in Jus- tine, and the two begin to have motel-sex. Predictably, Holden and Justine's love >D GIRL affair is spotted, and there ensues a bit pf low-sperm count/pregnancy hijinks, and n "Theater doctor's test to see if Phil's swimmers have survived his sparking up. The plot ght Pictures web thickens. The plot of disparate, low-class, low- brow, low-self-esteemed individuals should strike more poignant chords than it does. It's the film's frantic fawning at savage satire, while underpinning its own intentions with one-line'd quips. This in and out try-to-be-satirical, try-to-be-funny juxtaposition is far more caustic to the picture than it is binding. "The Good Girl" does a good job at being both predictable, and never forcing listeners to give a stitch about the beginning, middle or the film's quixot- ic ending. Courtsey of Dimension Films Carla Gugino, Antonio Banderas, Alexa Vega and Daryl Sabara ride hard in 'Spy Kids 2." TONS OF SWIM FANSWAG TO GIVE AWAY. 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