ART S The Michigan Daily - Wednesday, October 9, 2002 - 7 Suicide, depression at the heart of Sarah Kane's '4.48 Psychosis' By Marie Bernard Daily Arts Writer At a point in time where the con- cept of "depression" has become so common it almost belongs to the air, British writer Sarah Kane hoped to create "something beautiful about despair, or out of a feeling of despair." 4.48 Psi Our culture is saturat- ed in candy-colored Arena T Prozac ads, Cos- Frieze B mopolitan cover sto- Thursday ries and tragic memoir Saturday after tragic memoir - Fr all of which has begun to override the severi- ty of this condition which crippled Kane and affects 20 percent of our population. Her play "4.48 Psychosis," which was original- ly performed in London one month after her suicide, will be staged this week by Basement Arts. The play was a challenge for the cast from start to finish. The com- pleted work, which was found shortly I NY Th ti at ee nt after Kane's death, contained no stage directions or character designations. This production has divided the voic- es into three "characters," played by Johanna Schuster-Craig, Alyson Grossman and Brian Lobel. "The final result is always subject to inter- pretation," says Joanna Schuster-Craig. The play was almost written like a CHOSIS poem - a journey through Kane's mind as eater, she neared her death. It ilding is non-linear in structure. hrough These difficulties are 7p.m. compounded with the sound and video effects that Basement Arts has Arts incorporated into their production. "4.48 Psychosis" has been praised for its ability to turn such a "dark" subject into a magnificent art. Her first work, "Blasted," received a harsh response in 1995 for its gruesome portrayal of cannibalism and rape, but was appreciated by dramatists like Harold Pinter and Howard Barker, who helped to support her career as she wrote more plays and moved in and out of mental institutions. Unlike "Blasted," however, "4.48 Psychosis" was received as an act of great artistic bravery - a poignant and mesmeriz- ing look at the inner mind of depres- sion. The New York Times, when reviewing the London Royal Court production of "Psychosis 4.48," noted that: "The most shocking aspect of these two short plays by Sarah Kane is not the raw, clearly autobiographi- cal horror they describe, it is Kane's incredible ability to create such won- derfully crafted, elegiac art out of her very private sufferings. Schuster- Craig noted that Kane was not an "apathetic sufferer" and that although the play "deals with a dark subject, the play itself is strikingly optimistic in a bleakly ironic sense." It is certainly bleak, if not intrigu- ing, to see the last work of a woman who hung herself on a bathroom hook at the age of 28. "What I can do is put people through an intense experience," Kane said of her writ- ing. "Maybe in a small way from that you can change things." 'Ruminations on College Life' is a hilarious collection of columns By Stephanie Schonholz Daily Staff Reporter The drunken debauchery of scheming Ivy-leaguers and girls, girls, girls in the timeless poetry of Jay-Z, inspired 23-year-old Aaron Karo to start off his comedic career in the fall of '97 as a freshman at the University ---- 1 of Pennsylvania. Now as a member of the "real world," Karo, in the same fashion as Candace Bushnell, has published a hilarious book comprised of all his monthly columns from four years of college, titled "Ruminations on College Life." "People ask me where the title "Ruminations" came from and honestly I don't know. I don't even think I knew what that word meant back then. Some people probably don't know what it means now," said Karo. Karo's comedic etchings mix the hard edge, raunchy humor of Chris Rock with the offbeat rantings about nothing that Jerry Seinfeld was best known for. "If I had to sum the book up I'd say imagine Seinfeld as a frat boy," he added. His tales journey from the freshman dorms through - his frat house, stopping to contemplate how to do laun- dry, how to get a girl in bed and how to funnel as many beers in one go as was humanly possible. And yes, he did stop in academic buildings for a laugh and some ,. education along the way. "The book's about my best friends and what happened to us in college, anything was fair game," said Karo._ . Partying all-night and sleeping all day was the colle- giate regiment that Karo, adopted in his first days as an undergraduate in the Wharton School of Business. ariously through him, Karo's comedic ingenue has con- But come Sunday nights when most undergrads tinued to intrigue people. attempted to sleep in order to re-enact the previous Karo's parents "blindly financed (his) excessive drinking week's boozing and occasional attending of classes, Karo habits," he states in the opening pages of "Ruminations," lay awake. His body no longer able to cope with normal and all those beers and drunken stuppours just might be sleeping patterns and the past week's may- paying off. Graduating in the spring of 2001, hem still running through his head, he Karo ventured the chaos of Wall Street, but decided to write it all down in an e-mail and has now decided to devote his life full time to send it to his high school friends. a career in show business. His friends proceeded to forward these RUMINATIONS From L.A., where Karo is pursuing his wild antics to their friends and so on. The ON COLLEGE dream of making "Ruminations" into a tele- phenomenon known to his devoted fans as vision show or a feature film, he added, "You the "Karo Effect," snowballed into "Rumi- LIFE know, I had four years of material and I nations on College Life," so Karo created a Aaron Karo thought maybe I could do something with it." website, wwwaaronkaro.com, as a forum Unlike other books about college, Karo for all his emails and now has a readership Simon & Schuster doesn't sugar-coat the reality of the pres- of over 11,000 people worldwide. With a & sure cooker-get drunk fast and cheap and fan base spanning the age gap, from kids in high school, hook up combo that comprises college. He tells it like it to college students in the Midwest, to alumni living vic- is, beer goggles and all. 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THERE WILL BE NO CLASSIFIEDS ON OCTO- BER 14'" ? 15"'. 2002. OUR EARLY DEADLINES ARE AS FOLLOWS: LINE AD: FOR WEDNESDAY OCTOBER 16, ADS MUST BE PLACED BEFORE 11:30 A.M. ON FRIDAY, OCTOBER 11. DISPLAY ADS: PUBLICATION DEADLINE* 10/16/02 10/10/02 10/17/02 10/10/02 10/18/02 10/11/02 * ALL DEADLINES ARE 11:30 A.M. Mayer. Backpacking on Mayer's recent pop success Room For Squares, drums on the off beats drive Waiting. Mraz's drive often ends up going nowhere, whether the song is upbeat or mel- low they lack the same hooks that grab Mayer's fans. Mraz slightly alters the for- Having not picked up a guitar for the first time until the ripe old age of 18, Jason Mraz debuts his young talent on the album Waiting For My Rocket To Coine. On Waiting, a col- lection of simple acoustic guitar melodies and pop\folk vocals, Mraz coos with an eerie similarity to John singing, but the song is nothing that hasn't been done before, and is cer- tainly not something pushing the album over the edge to the side of originality. Mraz's lyrics also lack creativity. He hopes to leave the content up to interpretation; instead, the listener is left craving more wit and originality than the extremely generic lyrics "well good-day sunlight/ I'd like to say how truly bright you are." Mraz does attempt to play on words in "Too Much Food," - the catchiest FOR MY song of the bunch. T TO "Pass me the spoon / ME pass the analytical knife / cause you're Mraz about to get cut up / I ecords get cut down." Other tracks, such as "Sleep All Day" and "The Remedy (I won't worry)" pro- vide a forum for Mraz's life philoso- WAITING RocKE COT Jason Elektra R phy, and do the best job of almost sucking you into his dream world of eating "humble pie" and kissing "minty fresh breath." Overall, Waiting For My Rocket To Come isn't bad, just not original. The perpetuating trend of musical rip-offs and followers definitely continues with Mraz; for every Brit- ney there is a Christina, for every Lavigne, a Michelle and for John Mayer, a Jason Mraz. mula on "Curbside Prophet," with some twangy guitars and freestyle e