Student Film Festival ... Film Farm showcases the best in student filmmaking. Saturday at Angel Hall Auditorium A. 8 p.m. $3. michigandaily.com ARS FRIDAY APRIL 5, 2002 5 'Compulsive Lyres' 'Tripping' probes psyches and souls " a continuing success d By Neal Pais Daily Books Editor By Jim Schiff Daily Fine/Performing Arts Editor For some of us, the third time's a charm. But for the Compulsive Lyres, the first time was the winning ticket. Newly minted as the university's premier a cappella group, the Lyres will take their award-win- I I ning repertoire to East T COMPULSIVE Hall Auditorium tomorrow night. LYRES The Lyres were East Hall Auditorium shocked a few weeks ago to learn that they Tomorrow at 8 p.m. had advanced to the final round of the International Championship of Collegiate A Cap- pella (or ICCA) competition. Besting fellow uni- versity ensembles, such as 58 Greene, the Dicks & Janes and Gimble, the Lyres placed first both in the Midwestern quarterfinal and semifinals. The final round, held at Lincoln Center in New York City, will allow them a shot at the ultimate prize: The title of best collegiate a cappella group in the nation. The news of their advancement was particular- ly overwhelming for the Lyres, who entered the ICCA for the first time this year. The last ensem- ble from Michigan to perform in the final round was Amazin' Blue in 1998. "It's been a Cinderel- la year for the group," said Lyres musical director Senior Mark Surprenant. "We started pretty much at ground zero in September with a new focus on music." A self-proclaimed "social organization," the Lyres shifted gears this year into competition mode. Performing popu- lar favorites such as Chicago's "Hard to Say I'm Sorry," they gained . the attention of audi- ences and critics alike. Their newfound success was first manifested on the Best of College A They make the other a ca Cappella (or BOCA) CD. As the only university group featured on this year's BOCA disc, the Lyres, in the course of a few months, have become one of the nation's finest a cappella ensembles. "Most of the group had never even seen the inside of a recording studio before, so we really put all our eggs in one basket," said Surprenant, reflecting on the BOCA experience. "My jaw almost hit the floor when we got the call saying we were going to be featured on this disc." The Lyres attribute their newfound success to lengthy rehearsals and a highly collaborative work ethic. Though Surprenant arranges most of the group's music, in recent months, many of the younger members have stepped up to the plate. Surprenant hopes that at some point in their Lyres career, each singer will arrange and rehearse at least one song. "This year has brought us closer together than we ever thought possible," Suprenant said. "The unity is reflected in the music - you can see it on stage and hear it in our sound." Convening on April 28, the concert at Lincoln Courtesy of The Compulsive Lyres pella bands look like a bunch of pussies. Center features the top six ensembles from around the nation. There, the Lyres will face groups from Oregon, Boston University, the Uni- versity of Maryland, Cornell and Skidmore Col- lege. Though the competition is steep, Surprenant is confident in the Lyres chances to take home the trophy. Regardless of the outcome, the group is most anticipating the performance at such a prestigious venue and in the company of such fine ensembles. "It's going to be a great show," said Surprenant. "It's been awhile since a U-M group has made it this far, and we're looking for- ward to showing the nation what the maize 'n blue can do." At tomorrow's concert, the Lyres will perform their competition set in addition to their favorite tunes. Jesse Nager, who won the best soloist award in the semifinal round of IACC, will lead the group in "Hard to Say I'm Sorry." The show will also feature rock band U2's "Still Haven't Found What I'm Looking For" and Vox One's "Over the Rainbow." It is the opinion of Charles Hayes, author and proponent of responsible psy- chedelic experimentation that "there are now even more compelling reasons to sanction the practice of judicious psyche- delic use." Posed with the question of drug use in the aftermath of Sept. 11, Hayes recently offered this insight to Tikkun magazine, a pro- gressive periodical focus-isc ing on Jewish culture and politics. 1 In his new book "Trip- ping," Hayes exposes the TRI] significant emotional By Char impacts psychedelics have p .u offered to myriad persons Pengu from all walks of life. From this great range of perspectives, influenced by various psychotropic drugs, comes the recognition that psy- chedelics play a much greater role in society than what they are accredited with. What is even more impressive is that most of the authors are now success- ful, respectable members of society; this aspect of the book helps to dismantle some of the stigmas surrounding misun- derstood drugs such as LSD and psilocy- bin (the active psychedelic agent found in "magic mushrooms"). All of the narratives found within Hayes' anthology are delightfully elo- quent. An abundance of literature has spawned from the annals of the drug cul- ture; much of this material fails to draw considerable notice, generally due to a cheaper, hastily conceived approach. However, "Tripping" proves to be an exception to this standard, with each story more endearing and appreciable than the last. Also interesting is the inclu- sion of brief background sketches of each writer; describing their occupation, place of birth and current residence allows readers to grow more attached to the speakers, thus drawing more value from the real trip accounts. Particularly wonderful is "A Blink of Rabbit Fur," a story by a Scottish woman residing in Southeast Asia. The narrative details an unexpected but deeply mean- ingful first taste of mature sexuality under the influence of Ecstasy. The account is particularly fascinating because it tenderly articulates the mental- ity of a female teen while exploring the effects of MDMA on interpersonal expe- riences. Also captivating is an experience reported by "Carl," a biochemistry PhD. raised in the American Southwest. Discussing his experience on peyote in the canyons of Arizona, the story is pro- foundly philosophical, deeply probing PP rle perception, reality and happiness. Along with 48 other, similarly enter- taining stories is a transcribed conversa- tion with the late Terrence McKenna, a celebrated shamanologist, scholar and spokesperson for the psychedelic experi- ence. The dialogue includes McKenna's theories about psychedelics throughout time as well as fascinating discussions about the dissolution of consciousness while under the influence of powerful psychoactive. Although "Tripping" does sometimes romanti- cize the experiences, a dis- tinct stress on personal PING responsibility is main- es Hayes tained throughout the book. Not all of the Compass reports are pleasant some are, in fact extreme- ly frightening - yet they are valuable. The book simply seeks to educate people about the possibilities that psychedelics can potentially offer those who are pru- dent and strong enough to experiment with them. Hayes made clear his individ- ualistic stance on psychedelics, saying in an interview, "I don't advocate the use of psychedelics. I advocate their being made acessible to those who could bene- fit from them." What ultimate emerges from his "Trip- ping" is non-technical education about the nature of many commonly used hal- lucinogens and empathogens. The book is compiled exceptionally well, making for an entertaining and valuable read. And it certainly lives up to Hayes' own statement at the conclusion of his pref- ace: "If dreams conjured in sleep should have any meaning for those awakened by them, then these (stories) gathered here, spun out of some keen yet alien wakefulness, might have even more." Q,48R"" Corwin's 'And Still We Rise' offers triumphant short tales By Laura LoGerfo Daily Arts Writer The triumph over tremedous dis- advantage is, and always has been, one of the more ubiquitous themes in literature. Most such stories are cheap and trite, yet the tales in "And Still We Rise" do not reflect this common trend. "AndStill We Rise," written by award-winning Los Angeles Times journalist Miles Corwin, follows, for one school year, 12 bright, industrious and thoughtful teenagers in a South Central high school's gifted and talented program. Corwin focuses his attention on the seniors in an Advanced Place- ment English class taught by an embittered teacher named Toni Lit- tle. The story's narrative shifts fre- quently between Little and her students. While the teacher feels tor- mented by her English department chair, provoked into vicious battles over the curriculum, her pupils struggle with their own more tragic battles. Olivia, a beautiful, extraordinarily intelligent and savvy student, bounces between nasty foster homes and crummy rat-infested apart- ments, finding herself unexpectedly derailed from her once-inevitable college scholarship. Another smart girl who has persevered through much family drama leaves school when she becomes pregnant, only to return the following semester, jug- gling baby formula with calculus formulas. One young man jettisons the gang to which he once belonged in order to earn a col- lege scholarship, but loses momentum when he perceives the isola- tion he has wrought on himself.AND S These stories are R gripping, and they are By Mile important to know and understand. Too often, Harpe the media feeds us tales of South Central horror: Rampant murders, vicious gangs, anarchic streets. Corwin shows us the hope that lives in the hearts and minds of these students. However, the author's bias some- times interferes with these stories, distracting us from the pure message of hope and inspiration. Little, the English teacher, suffers from burnout and a martyr complex, vehemently lecturing her students about the sacrifices she has made for them. But the entire school con- siders Little their most gifted teacher, and the lectures which sub- stantiate her good reputation are given short shrift. Indeed, Corwin begins the story as a relatively objective journalist and ends as an active, empathetic participant. He substitute teaches at T -I e s erC the school, drives Olivia to court appearances, and buys products that Olivia sells. Four of the 12 students with whom the author bonds most tightly grab the spotlight so fre- quently that the audi- ence is left in the dark about the other intrigu- ing students. Corwin's personal ILL WE crusade against.affir- SE mative action is mani- Cor.in fested through Corwin repetitive discussions Collins of California's repeal of proposition 209, the controversial legislation that ended affirmative action in that state. Yet most of the students in this book head to private colleges outside of California with substantial mone- tary offers in hand, except for the few who are sidetracked into jail or family obligations. The argument does not seem to fit this story. Cor- win's arguement would be better suited if he returns to the material in a few years to witness the conse- quences of this controversial repeal. Overall, "And Still We Rise" offers one incredibly interesting story that comprises many vivid dramas of defeat and success with which the reader cannot help but sympathize. Corwin's bias may be forgiven when one considers her own impassioned reaction to the personal accounts, five years after the stories were lived. In the tradition of Alex Kot- lowitz's "There Are No Children Here" and Jonathon Kozol's "Sav- age Inequalities," Miles Corwin presents a tale that at once pro- vokes terrible sadness but also great hope. , j Fi iThe tragic story of the trial and lynching of a Northern Jew wrongly accused of killing a young Atlanta girl. A LOVE STORY A TRUE STORY A MUSICAL Delta Heavy Tour will keep tecimo-lovers in musical trance 'Parade s one of the most gratifying serious book musicals in a ong time. - Newsday Winnerf 2 Tony Awards! Book by Alfred Uhry, author of Driving Miss Daisy Music and Lyrics by Jason Robert Brown April 11 - 13 at 8pm - April 14 at 2pm Power Center . LUM Musical Theatre Dept. s .League Ticket Onfce 734-764-2538 By Jeremy Kressmann Daily Arts Writer Love it or despise it, trance has been part of our collective con- sciousness like the hickey you got from your significant other. When you caught on DELTA the first time, it was SPRIN fun and spontaneous. T Yet, much like the hickey, trance has left Michigan interesting scars on the Tomorrov realm of electronic $2 music. Some have criticized trance as being the "dumb" cousin of dance music. It is often overproduced, repetitive even for techno and embraced by the *gasp* main- stream. Yet, trance's popularity in the late '90s is a testament to not G O Fa >w ; 0- trum. Along this more progressive frontier is DJ pair and friends Sasha and John Digweed. The duo gained worldwide popu- larity in the later half of the '90s with their airy, some- times dreamlike trance and house mix discs. HEAVY The Sasha and Dig- 2002 weed sound proved UR popular enough that they were even award- airgrounds ed a residency at New at 8p.m. Yokr City's Twilo in $25 1996. the tour is Jimmy Van M. Both a DJ as well as a DJ Agent, Jimmy met John and Sasha through his booking agency, Balance, back in 1992. Yet with the disappointing per- formances of several big U.S. head- lining DJ tours like the Mekka Tour in the summer of 2001, expectations are riding high on Delta Heavy to provide a turnaround. Delta Produc- er Kevin Lyman, veteran of both the Lollapalooza and Warped Tour, remains optimistic of Delta's suc- cess. "It's a new challenge to bring the creativity of electronic music to a multitude of diverse venues." 1 ao IM P7:, O M __j Since that time, the pair has continued to build a large American following due largely to their distinctive live sets. This Sat- urday, John and Sasha carry on their distinctive sound when they arrive at the Michigan Fairgrounds for the Delta Heavy Spring 2002 Tour, alrncr zwith gues~t Iinmv Vain M. The A 00O 2 - Friday, April 5 7:00pm #6 Michigan vs. #2 Colorado State 10:00pm #11 Texas A&M vs. #15 Buffalo Saturday, April 6 5:00pm #2 Colorado State vs. #15 Buffalo 8:00pm #6 Michigan vs. #11 Texas A&M Sunday, April 7 12:00pm #2 Colorado State vs. #11 Texas A&M 3:00pm #6 Michigan vs. #15 Buffalo i 2! !" 7 ZAA Aorll 5-7.200 1 1