Reid reads at the Drum it Ni t rad ind aithr o "If I Don't Six" lwood Reid reaids from his Liest "Midni'ht Sun," at Shamajn ID rum, 8 p.m. m chigandaily.com /arts ART ----------- Added footage does little to improve on fright classic 'Exorcist' NB C's 'Tucker' still neede to go through puberty By tyle Henretty Dily Arts Writer When you leave a good horror movie, you should be able to talk to your friends about the parts of the film that really scared you. This is The Exorcist Grade: A- At Showcase and Quality 16 Atheist or Ayn1 impossible to do when you walk out of "The E x o r c i s t" because you are still scared. It does not simply set you up and then make you jump. This movie eats into your mind and soul. For at least two hours, whether you are C a t h o 1 i c, Rand, you will most terrifying experiences ever put on celluloid. Now, saying that, this new theatri- cal version loses half a grade for what I like to call "screwing with a good film to make money" (also known as George Lucas Syndrome). The restored I1 minutes of footage, for the most part, does very little good or bad to the original film. The much touted "spider walk" scene, which was originally cut for time, comes off looking gimmicky. At no other point in the film does the demon show off in this way and it really isn't that scary. The other added footage, notably a conversa- tion between the priests mid-exor- cism and another minute or so on the end, seem boring and throw off the film's very deliberate pacing. Another meddle sure to anger the purists is the odd addition of "sub- liminal" shots of, presumably, the devil himself. They pop up every so often, so quickly sometimes you're Courtesy of Warner Broters Father Merrin (Max Von Sydow) attempts to purge Regan of demons in 'The Exorcist' bUieve in the devil. This is, without a dOubt, one of the top two or three not even sure you saw them. It was reminiscent of "Halloween," where the killer's mask was viewed briefly, a device used to build paranoia. I'm almost embarrassed to admit that this did add to my own building ten- sion, but I had to draw the line at a computer generation of this face appearing over Regan's face at a crit- ical moment. These small gripes aside, this still remains a brilliant fright film, char- acter piece and religious study. For those uninitiated, "The Exorcist" is the story of young Regan MacNeil (Linda Blair), who becomes the ves- sel of wrath containing none other than Satan himself. Her mother, actress Chris MacNeil (Ellen Burstyn), after exhausting all of her other options, enlists the help of faith-impaired psychologist-priest Father Karras (Jason Miller) to per- form an exorcism. The Catholic Church then sends in the big guns, in the form of Father Merrin (Max Von Sydow), to run.the show. This simple explanation does not do justice to the complex work of all involved. Burstyn does an elegant slow burn as a mother feeling as much pain as her child. Miller becomes Father Karras and his final redemption is both moving and trag- ic. When confronting the demon, Von Sydow is so strong and confi- dent the viewer feels momentarily safe, only to become even more afraid as the actor shows the fear behind his strength. As for Blair, the actress probably destroyed her career by playing her part so con- vincingly. Blair is so amazing that she completely disappears, and we see only the monster. For it is Blair's performance that has kept many a viewer sleeping with the lights on since the film's original release in 1973. What is truly amazing for a movie older than I am is that it can seem so refreshing in today's over-saturated horror market. "The Exorcist" takes itself seriously. There are no ironic nods to other films, no in-jokes or winks at the camera. Instead, "The Exorcist" allows suspense to build simply by force of its subject and plot. The slow pacing builds tension, and brings the audience near the breaking point. So please, even if you have seen this movie before, take up this opportunity to see it as it was meant to be seen. The print has been re-mas- tered and the soundtrack redone. The devil has never looked so good. Courtesy of Warner Brothers Clearly, Regan is not happy. I We didn't become Fortune' magazine's America's Most Admired Company* by accepting the status quo. We got there by hiring and training confident graduates with the courage to think in innovative and revolutionary ways. No other corporation can match the diversity of opportunities at Join Us at the GE Information Session Meet GE Reps to discuss GE career I, I _A n Lr r! rlr d amIT 1 ST 4 . U .:I