I B l~onjured up... he Sorcercer," a Gilbert and Sullivan, production runs through December 3 at the Mendelssohn Theater. Student tickets $7 at League Ticket Office, michigandaily.com /arts Lo J' grad Pu By Joshua Gross Daily Arts Writer St. Elmo's Fire" got Georgetown. "Animal House" nabbed the University of Oregon's campus. Even "Road Trip" snagged Ithaca. Michigan stu- dents and alum Voices were left to By Jack waste their lives Fishstrom away in small buts Saturday at the cubicles, staring Michigan Theater out their window at the gray, life- less sky, pining for the Bell Tower or the Diag, dying alone, clutching their VCRs with- out a movie to remind them of their college campus and the better days they associated with it. Ithough Jack Fishstrom 's debut film "Voices" doesn't revolve around the lives of University of Michigan students, it does encapsulate quintes- sential Ann Arbor, inserting a unique, vivid story into our familiar sur- roundin s . "When it takes a lifetime to devel- op one's own melody, harmony with others doesn't come easy." "Voices" e story of Oliver Brand, a speech pathologist (played by Michael Lee) ironically trying to find his own voice while helping others find their own. He is shy and awkward, preferring Guns, Go( Marilyn By Sonya Sutherland For the Daily When the Catholic League declares war, the police have to be called to prevent Christian protestors from get- ting out of hand and monologues ost result in arrestation, you know arilyn Manson is coming to your town. On the road with Godhead and Cold right Marilyn now, Manson brought his Manson Guns, God and State Theater Government tour Nov 28/29 2000 to the Motor City for a two-day 00 shock rock extravaganza. Honed theatri- cal skills and all, Manson and company put on one hell of a show. Opening with the "Irresponsible Hate Anthem," every- one's favorite ringmaster soon nount- a pair on stilts to sing urniquet." DJuring "The Fight Song" dedicated to "everv teacher who ever called you stupid and every dad who ever told you you would never amount to anything," Manson riled the crowed into a frenzy. For cyery girl who thought there was not cnough Marilyn to go around, he grew to the ceiling-brushing height, rising above the stage on a pedestal to perform "Crucifixion in Space" and kisses to the hysterical audi- ee. And what show would be com- plete with out a song where Marilyn dresses as the pope'? After doffing his catholic gear and discarding a table that displayed two bald, prosthetic Marilyn heads, IkRTS FRIDAY DECEMBER 1, 2000 CAL BOY DONE GOOD lsstrom topremihrefilm at Michkgan to immerse himself in his loneliness rather than reach out to others as he hypocritically instructs his patients. His usual places of solace become invaded by the women in his life, his estranged younger sister and her teenage daughter, his manipulative boss, and an untouchable younger woman, the object of his desire. In a world of adults, it is the youngest of these women who connects with Oliver and helps him conquer him- self. Jack Fishstrom, the producer, director, screenwriter, cinematogra- pher, film editor, music and sound effects editor, set designer and cast- ing director of "Voices" has thrust himself into the medium of filmmak- ing after 20 years of hiding from his artistic self. Fishstrom earned a graduate degree in film and television produc-. tion at the University in 1994 and has since been a lecturer in technical communication at the University's College of Engineering. While a graduate student, Fishstrom earned the prestigious Hopwood Award for his first written screenplay. He self-financed "Voices" by using savings, credit card debt, a home equity loan and payment deferrals. The cast of Ann Arbor natives shot on a daily basis around the schedules of the various cast members, the youngest of whom, 14-year-old Sarah Colette, in her acting debut, needed time each day to complete her paper route. Each cast member sacrificed a lot for a project that they truly believed in, despite the seemingly numberless misfortunes that plagued the produc- tion: Electrical malfunctions, a miss- ing set (a U-haul that disappeared to North Carolina), and a loss of 55 minutes of film (it was loaded back- wards) that needed to be re-shot. It is possible that you have seen the film being made, or that you are even in it, walking in the foreground, so concentrated on your destination that yoU overlooked the inconspicuous filn crew in your wake. "Voices" has been in production in Ann Arbor for the past two years, popping up at Borders Books & Cafe, the Huron River, Kcrrytown, Pizza House, Mediterrano and other University locales. And in keeping with true A2 hip- ness, Fishstrom refers to his specific brand of filmmaking as "micro-film- making," comparing it to the local flavor of microbrew. courtesy of Derek Trucks bEan Derek Trucks and his band will appear at the Magic Bag tonight. Derev.k Trucks Band morphs memb ers, S .grows By Mike Spahn Daily Editor in Chicd For most 21 year olds, p on one album would be a Derek Trucks, playing on Courtesy of Jack Fishstrom "Voices" is the debut by filmmaker Jack Fishstrom, a College of Engineering lecturer in technical communication and former Hopwood recipient. Derek Trucks Band Magic Bag Tonight at 8 p.m. not n ..so new right miore to g contri can b Th Way t ates. lit on tii nearly playin bands~ d and government: Goth icon lanson plays Detroit Rock City Manson then climbed into a pulpit to sing "The Love Song," as the back- drop became giant crucifix - made out of guns. The "Beautiful People" was followed by a triple encore, as Detroit was called "one of the best crowds yet." Although the set was not destroyed as per Manson tradition. probably due to the fact drummer inger Fish played with a broken col- larbone, Twiggy closed the show with the launch of his bass across the stage. Such a presentation was to be expected from the king of shock rock, but the real surprise for the night was opening act Godhead. The first band signed to Manson s newly formed label Posthuman Records, Godhead proved themselves to be the reason to get to the show early. Lead singer Jason Miller said "that a lot of pres- sure is behind there, being the first band, because everyone wants it to be successful." Godhead's flawless per- formance proved to be more than sim- ply successful. Warming up the crowd, the band rocked through new songs from their upcoming album, including "The Reckoning" off the Blairwitch Project 2 soundtrack. "Break You Down" which features Manson, and a note- worthy cover of the Beatles "Eleanor Rigby." Although this tour puts Godhead on stage in front of audiences infi- nitely larger than any previous per- forming experiences, the band's intensity translates to the larger venues with out compromising quali- ty. Miller's stage presence rivaled much larger frontmen, and combined with the band's musical talent; Godhead made a major contribution to Manson's show, and proved it the type of rock concert that the current music scene so desperately needs. the Aquariumi Rescue Unil and Phil Lesh and Friends. But just two years after band that helped form him the Allman Brothers -it's} that is really fueling the 21: guitarist. "The last week or so hash it's really been opening said last week before a shor Conn. The Derek Trucks Band the stage at the Magic Bad tonight, has been in transitio few months. New add Burbridge and Javier Colon player and singer, have changed the feel of the band Burbridge, a long time coll Trucks, brings the band a with his organ and flute, "can do nearly anything wi Trucks said. And it's that newfound si tion that has Trucks looking "Anytime you have peop who are focused and want t path it pushes you."'Trucks The impressive resume t has built does not go tot speaks reverently of his ex1 the Allmans, respecting th saying he'll be ready to pl anytime he's asked. And h respect to all those who hav during his musical adolesc when he talks about hisc musicallya which is rounded out by bassist Todd Smallie and percussionist Yonrico Scott that he seems most excited. laying guitar Trucks spoke glowingly of shows 'pp kick. But for and down the Fast Coast that have found one album is the band growing together. While t.he early enough band - and Trucks himself - -are rela- lie has two tively inexperienced, the chemistry albums out they've felt onstage in recent weeks hlas now, two left them eager to push forward. ? nearly ready "It's one of those things where you 'et a and more off (stage) and you think this is what le butions than band should be sounding like. It's rare to e counted. feel that way. You always get off stage at's just the thinking what you can change ... but his guy oper- every once in a while it really locks. There's a lot of freedom in that," Trucks icks has been said. he road for Trucks trces his musical 'influen 'Cs v a decade, back to Elmore James and Duane 11 with Allman, who was the catalyst behind the s iiicludiiig Allnian Brothers Band aiid much Hof t, Frogwing s Docrk's slide work. Those early influ- eiices. Trucks said, allowed hime to gro w r joining the musically at an early age. musically - The DTB plays a be-bop influencd his own band jazzy type of' jam, clearly influenced by year old slide the likes of Miles Davis and countless blues greats. They hesitate to label tlat been amazing sound, choosing ratherto let go and try to up," Trucks jam their own, new music every night. w in Hartford, The band's shows are marked by experi- mental jams and impressive interplay which takes and Trucks said he enjoys the freedom g in Ferndale that comes with producing a new sound. n for the past "I definitely think that when you're litions Kofi doing something, trying to create sonme- , a new organ thing new ... there are really no boufld- significantly aries. It's too early to be coming out to , Trucks said. one of our shows and expecting anything. aborator with Hopefully it's changing all the time. } new sound "The music we listen to and study is all while Coloi the stuff that was really on the front of the th his voice;' curve, the music that changed things," Trucks said. "When those guys were first ease of direc- playing be-bop and jazz there was no to the future. name for it. And when the sceie was, in le around you Chicago with electric blues, there was no o stay on that name for it." said. And while Trucks stops short of call- this frontmoan ing for a new musical revolution, lie does his head. He get a little philosophical when discussing perience with the final goal of'the music. e sound and "I think the end goal is to find a place ay with them musically where you're comfortable and he pays great you can see yourself doing it for the rest e helped him of your life," 'Trucks said. ience. But it's It's a very exciting time. I imagine own band -- we'll be doing this fora long time." Courtesy of nterscope Say hello to Mr. Manson and part of his merry band of pranksters. Indie rock? In Ann Arbor? Come witness several of Al"s very own indie rock powerhouses at The Lunchbox (321 John St.), the city's newest underground rock venue. The all-ages show goes down at 8 p.m. Saturday night, and the proceeds from the $5 cover go to Amnesty International Appearing are: 0 Adam's Castle 8 Showshane 1 A thousand times yes 8 Presidio ® Jeff Grey Call 241-1321 for more information. U .1 MoCKNGBRD Dramatized by Christopher Sergel , Adapted from the novel by Harper Lee Directed by Kathryn Long ___________ S I g >. . i7 zber 7-9, mr1 :ber 1 0 Decem at 8p Decem k '._ .: U ';. .5 '3 .: - c .7 i U.t ' i3 ; i - :"s