8 - The Michigan Daily - Friday, March 17, 2000 ARTS The Deep funk to Blackout the Blind Pig, : Big Easy quintet plays birds farewell By Chris Kula Daily Arts Editor Should you stroll into the Blind Pig on St. Patrick's Night, be fore- warned: The funk Deep Banana Blackout Blind Pig Tonight at 9:30 p.m. successful tours sounds of Deep Banana Black- out will hit you harder than a drunken lep- rechaun on a green beer ben- der. DBB, a hard- driving eight- piece outfit from Connecti- cut, is currently the hottest funk band on the East coast and, after several of the western our strongest fan base, our real headquarters," said bassist Benj Lefevre. "But now we're getting out more into other parts of the country, and (this current trip) will be our first time in Ohio, Indiana and Michigan. "Hey, how cold is it up there right now?" LeFevre then asked with a laugh. "We were just down south for a couple of weeks, and it's been kind of hard getting used to this cold stuff again." Regardless of the weather, clubs and theater at DBB shows are con- sistently overheated by the enthusi- astic dancing of the band's steadily growing fan base. In the five years since its inception, DBB has wit- nessed exponential leaps in popular- ity, from a local club favorite in its native Hartford to selling out venues like New York's Irving Plaza and San Francisco's Fillmore Audi- torium. Funk lovers the nation over have >-8 v By John Uhi Daily Music Fditor This Friday and Saturday the New Orleans-based jazz quintet Astral Project will play host to the final shows at The Bird of Paradise's Ashley Street location. The Bird, Ann Arbor's preeminent jazz club, will be moving around the corner to a basement Main Street site. So, if for any reason you're nostalgic for the Bird's current configuration, this your last chance to revel. I, for one, like the Bird as it is: tacky --.'-- .nf r h j b n e e B n c r s f C' r-ag eme.n t Funky fresh Jamband Deep Banana Blackout slides .to the Blind Pig tonight. been drawn to DBB's blistering brand of jam-oriented grooves, with the band balancing horn-driven soul songs (featuring the sultry sounds of vixen vocalist Jen Durkin) and outright guitar rockers with reggae- style breakdowns and Latin nuances. Admirers of DU3B also include some musical luminaries. "In the past year, we've jammed onstage with guys like John Scofield, Michael Ray, Fred Wesley and Clyde Stubblefield," LeFevre said. "And those guys are some of our heroes. At this one festival, we played right after Taj Malahai and right before P-Funk, so that was a pretty nice slot." As a hand that has played until dawn on certain occasions, LeFevre believes that the crowd's energy is the ultimate key to a DBB show. "Sometimes you Just lose track of the time, sand then you look at your watch and it's already four in the morning," LcFevre. "But if the peo- ple are still dancing and going strong, we're kind of 'hell, let's just keep Jamming,' you know?~ interior design that Astral Project Bird of arais Tonight and Tomorrow at 9 and 11:30 pm. states, is now making its first ven- ture into the Midwest. "The New York area is definitely must be lingering from at least the '70s; a poor floor plan that confines a (relatively) large number of tables into an awkward corner; horrible lighting that leads to a deluge of this really weird dull brownish yellow color; I still have no idea where the bathrooms are, if there even are some (I'm pretty melodies are often sickly sweet, espe- cially when Tony Dagradi whips out his soprano saxophone. As some local New Orleans ordinance must mandate, Astral Project is notrm tent to stick to one style: they inco rate bits of funk, mainstream jazz and some of the international music flavors that season the Crescent City. Yet the element missing from the band's playing should be evident to anyone who remembers the last time the group was in town: accompanying Bobby MeFerrin last July for the Summer Festival. Ed Enright wrote about the concert in November's issue of "Down Beat," "McFerrin proceeds to play every b4 role imaginable, singing lyrics, scatt horn lines ... loading up the van after the gig, the members of Astral Project readi- ly admit that it's Bobby's show." What Astral Project lacks is a leading voice. The melodies are often split between saxophone and guitar, which is becoming a popular instrumental team for dentist office radio stations, and the way Dagradi's breathy horn in particuI r over-dramatizes them borders on ins (I'll refrain from invoking names like David Sanbourn and Kenny G - damn, too late for that). Thus, due to the com- mingling of its various influences, the band members tend to simply mingle amongst themselves without any true sense of direction that a dominant musi- cian might provide. Of course, Astral Project still hails from perhaps the country's most musi- cally heterogeneous city and has comr be regarded as New Orleans' primeJ, act, garnering praise like venerated jazz publication Down Beat description of the band as "one of the most distinctive and cohesive quintets in jazz of the '90s." The Daughter of the Regiment A spirited comic opera by Gactano Donizetti Sung in French with English dialogue and supertitiles. Directed by Ned Canty Conducted by Martin Katz March 16 -18 at 8 pm March 19 at 2pm Mendelssohn Theatre x: Tickets are $18 and $14 9ME= Students are $7 with ID f7 League Ticket Office . 734-764-0450 1 YOUR OPINION COUNTS. VOTE FOR THE BEST OF N ARBOR ON LINE AT WWW.MICHIGANtJY.COM. RESULTS WILL BE PUBLISHED LATE IN THE SEMESTER IN AN ISSUE OF WEEKEND, ETC, MAGAZINE. sure there are). The whole place exudes this vaguely dirty aura of a secluded niche the stumbling upon of which leads to the surprise of some good music. Hopefully when Astral Project takes the stage they'll pick up on the club's atmosphere, because, from the sound of their latest recording "Voodoo Bop, the band could use a little filth in its soul. The album suggests that each member of the ensemble, which consists of saxo- phone, guitar, piano, bass and drums, is capable of some fine blowing and that they work well as a unit. But the tunes' I How do you say"I Love You" for the first time, thirty years late? 1 1 S'lichot (Forgiveness) A new play by Kim Yaged about the ties that bind when a family falls apart. Mar.23 - 25, Mar. 30 -Apr. 1 at 8pm Mar.26 & Apr. 2 at 2pm Trueblood Theatre Tickets are $14 * Students $7 with ID League Ticket Office 734-764-0450 Local band makes 'good' at the Pig By Andrew Eder Daily Arts Writer. "We're a break from the typical Ann Arbor reggae band," said Frank Muscat about his band, Levagood - and their music backs up his words. - liIC..h001of Music [it Opcra Theatrc Levagood Blind Pig Tomorrow at 9:30 p.m. The local band's blend of hard- core punk and indie-rock eclec- ticism is a burst of energy in a laid-back music scene. Levagood storms into the Blind Pig Satur- day night on the heels of their independently- released first album. At the heart "ghetto," the demo strengthened the duo's desire to form a band. As a result, they searched for musicians to fill out their sound. After shopping around for a drum- mer, they found Rob MacKenzie, whose rock-solid beats and rapid- fire fills provide a firm anchor - Levagood's songs. In Decembe _ J last year, they recruited guitarist Storm Ross for the final piece of the puzzle. They played a few shows as The Habs before changing their name to Levagood. The name comes from a park in Dearborn. The band recorded their debut, "Never Trust the Experts," over a frenzied three day recording session in Ann Arbor's own 40 Oz. Studi* The result is dynamic indie-rock marked by a propulsive rhythm sec- tion, dueling, distortion-laden gui- tars and Marko's anguished, high-strung vocals. Muscat cites indie legends like Sugar, Frank Black and Fugazi as influences on the band's sound. As for their live shows, Muscat calls them "energetic and crazy. Everyone really gets into their perfor- mance on stage." I THE UNIVERSITY OF MICHIGAN4 SCHOOL OF Music OPERA THEATRE: The Daughter of the Regiment, by Gaetano Donizetti Thursday-Sunday, March 16-19 Mendelssohn Theatre, Michigan League Discovered as a child on the battlefield, Marie is adopted by the regiment who become her parents. All goes well for seventeen years until she falls in love with a member of the regiment, and her reai parentage is identified. An enthralling comic gem sung in French with English dialogue and super- titles. For further info. & tickets, call the League Ticket Ofc. at 764-0450. JAZZ COMBOS Thursday, March 16, 8:00 PM Rackham Auditorium FACULTY RECITAL: Ellwood Derr, composer Sunday, March 19, 8:00 PM Britton Recital Hall (Works for Saxophones and Voices) Donal [,saxophone; Elizabeth Major, soprano; Logan Skelton, piano. MICHIGAN CHAMBER PL ERS Wednesday, March 22, 8:00 PM Rackham Auditorium Edward Parmentier, Amy Porter, Anthony Elliot izhak Schotten, Cathrin Lynn, Stuart Sankey, Andrew Jennings,:PaulKantor, Stephen Lusmann, Nicholas Phan, Elizabeth Major perforn'ti t w s by Bach (Commemorating the 250th anniversary ts death). Selected arias, Suite No. 2 in B-minor, Coffee Cantata WV SALLY FLEMING MASTERCLASS SERIES: UM School of Music Department ofTheatre and Drama j NQI NEW ORLEANS PREMIERE J Z ENSEMBLE FRISAT MARCH 17118 " BIRD OF PARADISE " DOORS 8:30111 of Levagood is vocalist and guitarist Nick Marko and bassist Muscat, who have been friends since ele- mentary school. After a lifetime of jamming in basements, the duo recorded a three song demo last year at a studio in Detroit. Although Muscat describes the experience as STLA@ IR FPRDOSWEL RUDURT MAR 31 & APRIL 1 " BIRD OF PARADISE " DOORS 8:30111 : 3 1 i, 1 2 1 fotONY O m AF Abw fts Don Greene, sporty vhol!ist NEW YORK CITY GROOVE SPECIALISTS WEDNESDAY APRIL 5 " BLIND PIG - DOORS 9:30 Vote fo B t Of nn Ar.or Online www.michigandai lycom lotswill b oni e ONLY from: 44 March 10 - March 26 f 1f F F I1j ! Y s " . Thursday, March 23, d AM . Britton Recital Hall Opening Lecture-Don Geene,P Is n Oypic Sports Psychologist and wrote the book "Aution Success" on how peorming artists can use his techniques to win at;audition Discver th same winning strategies used by Olympic champ tns. Hf| techn ues ar a revolutionary approach to the audition process. FACULTY/GUEST R M:TAL:Ft Kaenzig, tuba; Mark Fisher, euphonium & trombone; Jim Wilhelmsen, piano Thursday, March 23, 8$,Q M Britton Recital Hall Mark Fisher, principal trorbngtn the Santa Fe Opera Orchestra and Lyric Opera of Chicago Orchestta.ncust1 I for Solo Tuba, Kraft; 3 Miniatures for Tuba and Piano, Afthony Plog; Sonata, Eric Ewazen; - . . . . e . .. r. I- L - - *4tW I.. -. AFL I 1.."... hf.....A :1, k '1 {I I 0, { i , r ,I° % fa (' ' r f (./ I, j / . . I 0 £ K t ,z f , ' , :w ii .1 -r .aN S i K t # ' , S t ( I t, . _ I 020"'ML.: I i i