8 - The Michigan Daily - Friday, February 26, 1999 Blair shows her real intentions Recent grad garners award' By Chris Cousin Daily TV/New Media Editor 1995 University graduate Selma Blair wants to set the record straight. Rumor has it that she "will cook any- thing made with cheese" but Blair admits, "That is just a fallacy." "It makes me sound like I'm invent- ing new ways to Cruel intentions Starring Selma Blair Opens March 5 miere of her first put fromage in my food," she said, "I mean, I really hate cheese, to tell you the truth. I get bloated and I get a lot of phlegm and I don't eat cheese." This 26-year- old charismatic actress takes a moment to rest between her recent projects. With the anticipa- tion of the pre- studio film, "Cruel n't changed at all and it's been really nice." Ahh, but this will last only for so long. Several weeks from now Blair will be on the mind of many males under 25 who see "Cruel Intentions," a tale about desires and the sexual manip- ulation of two naive innocent women, Cecile Caldwell (Blair) and Annete Hargrove (Witherspoon), by the evil Kathryn (Gellar) and Sebastian (Phillipe). To put it bluntly, who is the better kisser in the film - Ryan Phillipe or Sarah Michelle Gellar? That's right, none other than the vampire slayer her- self ties tongues with the innocent Blair. "Umm, this kiss is gonna be my claim to fame, said Blair before shriek- ing, "It was damn good." While the dream of most adolescent, hell, many American males, Blair knows from first hand experience. "Sarah is a mighty fine kisser and I gotta say, I wish more boys kiss like Sarah," she claimed, "But Ryan is, you know, I can't say anything bad about him either cause he's just too cute." Blair said of her three co-stars, "They're all really sexy characters and I'm not," though most would beg to dif- fer. "They're the real sexy, beautiful characters and I'm basically the fool." In "Cruel Intentions" Blair brings a different take on the Cecile character than Uma Thurman's performance in "Dangerous Liaisons." Courtesy of Columbia Pictures Selma Blair portrays Innocent Ceclie. "I did not want to play it as the victim the way Uma Thurman did it so beauti- fully, this really innocent victim that kinda flowers in spite of herself," Blair said. "I really wanted to play her really as something that made you laugh." This subtle string of comedy may be the only glimmer of light in the intense- ly dark "Cruel Intentions," which Blair feels "is really evil." At the helm of this insidious film is first time director Roger Kumble, whom Blair "automatically had a won- derful rapport with." "Roger Kumble was the greatest director to start out with," gushed Blair, "and he really decided Cecil needed to be something that people could laugh at. I really got to create this character." Since production wrapped on "Cruel Intentions," Blair revels in seeing her name on the poster. "It was just so much fun;' she said, "and let's hope it works, cause if not, I'm just really fucked." By Lah Zigs Daily Arts Writer From New York, to Ann Arbor and back to the Big Apple, Sam Davis has gained his way as a young composer. The 1998 University graduate has recently been recognized by the Jonathan Larson Performing Arts Foundation for his musi- cal composition. This award, presented annually by the foundation, was established by Jonathan Larson's parents after his death and short- ly after the opening of the world- renowned "Rent" The money awarded, much of which has been drawn from the profits of "Rent," is granted to young composers and theaters focused on new talent. This year's awards were presented to five individuals and four theaters, rang- ing from $2,500, to $10,000. Selected from a pool of more than 150 contestants, the judging panel was com- prised of highly accomplished theater pro- fessionals including Stephen Schwartz ("Pippin," "Godspell"), Mary Rogers ("Once Upon a Mattress"), Joe Mantello and Barry Singer. The recipients of the award are selected based on "merit and need, with particular attention to vision, commitment and dedication to the per- forming arts profession," and are granted for general support as well as specific pro- jects. Currently, Davis is in New York work- ing on Tina Landau's "Dream True," which will open Off-Broadway this spring at the Vineyard Theater. But the prize was awarded mostly for his efforts and work in "Mina and Colossos." This musical tells the story of the life of avant- garde poet and artist Mina Loy. Commissioned by Joan Morris in the Intentions," a dark, teenage retelling of "Dangerous Liaisons" that also stars Ryan Phillipe, Reese Witherspoon and WB alum Sarah Michelle Gellar, she comes off the release of her WB teen comedy, "Zoe, Duncan, Jack & Jane." But Blair doesn't notice a real differ- ence in the everyday. "Everyone's like, 'So, is it so strange, you're like famous?' I'm like, in my dreams. Nobody knows who I am. My life has- I r 3 Report Binding1 S1or less Velo, iral of Glue 651 covers indudled; Over }" }115J ..............-- --- - '75' IColor CopiesI Only with Coupon; 8 11; No Editig; xp./30/99 Dollar BDill CC pl 1Na g 611 Church Street Ann Arbor, MI 48104 (734) 665-9200 9 (fox) 930-2800 spring of 1997, Davis worked under much pressure with his co-writer, and University alum Ron Nyren. With approximately one year to produce the musical score, the two confirmed their ability to work well under pressure. "I'm very proud of 'Mina,"' Davis said. "We were writing under somewhat hurried, and chaotic circumstances. We were still writing until March." The production opened on April 19, 1998 and was enthu- siastically received by its audiences. Among his many other accomplish- ments was his work on "Rumpelstiltskin." Davis spent the summer of 1998, just after the completion of "Mina and Colossos," working in the Catskills with Reed Farleigh. Farleigh was putting together a children's version of "Rumpelstiltskin" and asked Davis to compose original music. Once again working under great pressure and time constraints, Davis pulled it off more than successfully. The 45-minute piece has six songs and two reprises. Despite the urgency to complete his work in a short period of time, Davis said, "it was nice to know that it was going to be done. It made the work a lot easier." In the future Davis hopes to create something with no deadline. "I al " like the notion that you can sit down a blank sheet of paper and there are end- less possibilities." However, "if you sit and wait for inspiration you'll be waiting for the rest of your life;" according to Davis. Collaborating with others is one of the reasons that Davis's career is so ful- filling. "It also makes it easier in the case of disaster; but that also means you share the glory," Davis added. With the earn- ings both from the award and the upcom- ing summer's work in "Theater by Sea," Davis plans to start a new project Live televised special to excavate Egyptian pyramid By Jonh Victor Daily Arts Writer Did you really Opening the Last Tombs Fox Tuesday at 8 p.m think that the pyra- mids of Egypt were old news? Fox network wants to try to prove it is not, when it takes its television audi- ence live to the blistering desert of the eastern Sahara to present "Opening the Lost Tombs: Live from Egypt." Not too far west of Cairo and the the world. The arid plateau encom- passes the three Great Pyramids and the Sphinx among other monuments from one of the world's most ancient civilizations. In reality, the Giza site is not very well known at all as only 15 percent of the plateau has been exca- vated to date. "Opening the Lost Tombs" will mark the first time an Egyptian tomb has been excavated live on TV The tomb to be opened is the pyra- mid of Queen Khamerernebty II, the wife of the Pharaoh Menkaure who built the third pyramid at Giza. Also to be explored is the recently discovered Tomb of the Unknown located near the burial place of High Priest Kai which has not been opened since it was sealed four thousand years ago. The entrance of the tomb has been in the process of excavation for the past six months. In addition, the mummy of Nefer will be examined at the even more ancient Saqqara site. Nefer is the oldest mummy to be found in its origi- nal resting place. None of the places that will be shown on television have ever been open to tourists. Hosting "Opening the Lost Tombs" will be Zahi Hawass, renown egyptologist and the supervisor of the entire Giza site, as well as Gaballa Ali Gaballa, the chief of antiquities for all of Egypt. Robotics, digital video technology, and state of the art archaeological tech- niques will all be employed in this expedition. Producing a live show in the Egyptian desert is no easy task. "They (the Egyptian government) approached us and have been very helpful" said Production Assistant Michele Schneider who is a University alum. "Opening the Lost Tombs" has been a six month long project, and in these last few weeks she and the rest of the production crew have been taking care of the last details before they take off for north Africa. "We need as much possible done before hand, we need to be detailed down to the minute." One of the most difficult aspects of working in the desert is the harsh environment. "March is sandstorm season and we've been hearing a lot about that ... we hopefully won't have to worry about rain." said Schneider who also plans to contend with a significant time difference, language barriers, and the controversy that constantly surrounds archaeology. "A lot of peo- ple think we should not even be exca- vating." To compensate for the tline difference, it will be late night in Egypt during the show.M0 For those of you who are Near Eastern Civilization majors or are looking forward to a hard hitting acad- emic analysis, this is a warning! . e prepared for plenty of Hollywood . schmaltz in "The Lost Tombs." If you are one who has always been fascinat- ed by the ruins of the ancients, donut get up tight if this presentation brings up ridiculous superstitions and ideas of the lost civilization of Atlantis bui - ing the pyramids. Just sit back, rel, and enjoy what should prove to be' an interesting and entertaining presenta- tion. As Schneider said, "This is not just a dry documentary, its a totally Fox production." lush Nile River Valley lies Giza, the most well known archaeological site in Alice chases rabbit again on NBC By Lindsey Alpert For the Daily In attempting to bring Lewis Carroll's "Alice and Wonderland" to life with a live action miniseries, NBC's resulting product is a mirage of special effects, big name actors and a large, white rabbit on steroids. The spectacular eye candy provides for an entertaining miniseries, how- Alice in Wonderland NBC Sunday at 8 p.m ever, "Alice" tends to drag through three long hours. "Alice" focus- es on a young girl named Alice, played by "Waterworld" kiddie Tina Majorino. Alice must sing in front of her par- ent's friends at a party, and the little girl can ing very much like Disney's "Alice in Wonderland," except in NBC's version, the character's are real instead of cartoons. She continues through Wonderland meeting inter- esting characters and consuming various potions to increase or decrease her size. Most of the char- acters are part of an all-star cast, however some are creations of The Jim Henson Creature Shop. The actors seem comfortable in their roles, especially the odd Martin Short who was made for the role of the Mad Hatter. British actress Miranda Richardson plays the Queen of Hearts, and Whoopie Goldberg stars as the Cheshire Cat. In other roles, Robbie Cotrane and George Wendt can be seen as Tweedledee and Tweedledum, Ben Kingsley as Major Caterpillar, Christopher Lloyd as the White Knight and Gene Wilder as the Mock Turtle. Even with such a grand cast, "Alice" occasionally seems as though grown-ups are singing and dancing around, trying too hard to entertain. Also, the movie drags after an hour due to the long mono- logues of several characters and their repetitive antics. Martin Short sings the same song at least five times throughout the movie while the white rabbit falls in the same spot five times just so nothing is missed. The miniseries is clever at times, though. Watch for mirrors, because sometimes the image isn't the same as the action on the other side of the mirror. Routes taken in Wonderland appear to be circular, and the ch acters pop up in unexpected place As Tina is delightful as Alice, the special effects make the miniseries with the utterly interesting sight of Whoopie Goldberg's head planted on the body of a feline. The ver' intricate and creative costumes coi- pliment the impressive effects. Is a possible Golden Globe nomination for costume design on the horizon for this miniseries? "Alice" proves to be an entertint ing glimpse of Wonderland that egn get a smile out of even the grumpj- est of people. If you need more inspiration to see this move, remember that Carroll was on an opium trip when he wrote the boob. With its clever antics, all-star c:st and extraordinary special effect, this trip through the looking glass i well worth it. only imagine screwing up. Running away from the party towards the for- est, Alice sees the white rabbit, and upon following him, her adventure in Wonderland begins. Her first glimpse of Wonderland is falling down the rabbit hole, look- 4 CLOWIWG 3 pays ONLY: SO% OFF March4, 5,6 1UARSAY, FRDAY, SATURI*Y AN A1BO PTO Open at 11am every day! W THDIFT SHOP* 1621 S. State . 996-9155 .1 mile south of The Michigan Union. inside Bargain Books- 1- wWW. michigandaily. com . .,.,:..Y ;.. . fvV "jill f m